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Kathryn Bunn-Marcuse

Biographic Data

ID860411
NAMEKathryn Bunn-Marcuse
GIVEN NAMESKathryn
FAMILY NAMEBunn-Marcuse
SIGNATUREBUNN-MARCUSE K
AFFILIATIONSUniversity of Washington
VERIFIEDNo
TOTAL WORKS3
TOTAL CITATIONS0
WORKS AS AUTHOR3
WORKS AS EDITOR0
FIRST PUBLICATION YEAR2018
LATEST PUBLICATION YEAR2023
H-INDEX0
  • Manifesting Rights on Cloth

    Open Access•Kathryn Bunn-Marcuse•ARTICLE•Arts•2023

    Using buttons and beads sewn on wool and calico, Northwest Coast First Nations women fashion the robes and aprons essential to ongoing expressions of inherited prerogatives and rights. Each piece of regalia is carefully crafted to include signifying materials and motifs, telling of the origins or relations of their owners. These creations exist as part of a holistic system that integrates material artworks within ceremony, including song, dance, …

  • Cataloguing Culture

    Kathryn Bunn-Marcuse•ARTICLE•Native American and Indigenous…•2023

    Reviewed by: Cataloguing Culture: Legacies of Colonialism in Museum Documentation by Hannah Turner Kathryn Bunn-Marcuse (bio) Cataloguing Culture: Legacies of Colonialism in Museum Documentation by Hannah Turner UBC Press, 2020 data is not neutral. Hannah Turner’s Cataloguing Culture: Legacies of Colonialism in Museum Documentation demonstrates how data is shaped by both the extraordinary aims and goals of key individuals in anthropology—specific…

  • Indigenous Tourism Movements

    Kathryn Bunn-Marcuse, Laurence Douny et al.•BOOK•Indigenous Tourism Movements•2018

    Indigenous Tourism Movements explores Indigenous identity using “movement” as a metaphor, drawing on case studies from throughout the world including Botswana, Canada, Chile, Panama, Tanzania, and the United States.

No prominent works on this page.

  • Indigenous Tourism Movements

    Kathryn Bunn-Marcuse, Laurence Douny et al.•BOOK•Indigenous Tourism Movements•2018

    Indigenous Tourism Movements explores Indigenous identity using “movement” as a metaphor, drawing on case studies from throughout the world including Botswana, Canada, Chile, Panama, Tanzania, and the United States.

  • Manifesting Rights on Cloth

    Open Access•Kathryn Bunn-Marcuse•ARTICLE•Arts•2023

    Using buttons and beads sewn on wool and calico, Northwest Coast First Nations women fashion the robes and aprons essential to ongoing expressions of inherited prerogatives and rights. Each piece of regalia is carefully crafted to include signifying materials and motifs, telling of the origins or relations of their owners. These creations exist as part of a holistic system that integrates material artworks within ceremony, including song, dance, …

  • Cataloguing Culture

    Kathryn Bunn-Marcuse•ARTICLE•Native American and Indigenous…•2023

    Reviewed by: Cataloguing Culture: Legacies of Colonialism in Museum Documentation by Hannah Turner Kathryn Bunn-Marcuse (bio) Cataloguing Culture: Legacies of Colonialism in Museum Documentation by Hannah Turner UBC Press, 2020 data is not neutral. Hannah Turner’s Cataloguing Culture: Legacies of Colonialism in Museum Documentation demonstrates how data is shaped by both the extraordinary aims and goals of key individuals in anthropology—specific…

Archaeology (3 works) · Indigenous (3 works) · Anthropology (2 works) · Colonialism (2 works) · History (2 works) · Political science (2 works) · Sociology (2 works) · Aesthetics (1 work) · Anthropology: Ethics, History, Culture (1 work) · Art (1 work)

Ethnos_APP • Open Source Project • MIT License • Frontend v2.0.0 • Privacy and Cookies • API Documentation: api.ethnos.app/docs • API Source Code: GitHub • DOI: 10.5281/zenodo.17049435 • Frontend Source Code: GitHub • DOI: 10.5281/zenodo.17050053 • cruz.rio.br • Expectantes Misericordiae