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Ron Emoff

Biographic Data

ID86774
NAMERon Emoff
GIVEN NAMESRon
FAMILY NAMEEmoff
SIGNATUREEMOFF R
AFFILIATIONSThe University of Texas at Austin
VERIFIEDNo
TOTAL WORKS13
TOTAL CITATIONS0
AUTHOR COUNT13
EDITOR COUNT0
FIRST PUBLICATION YEAR1998
LATEST PUBLICATION YEAR2018
H-INDEX0
  • Good Talk and an Aesthetics of Good Sounding in Madagascar

    Ron Emoff•ARTICLE•TDR/The Drama Review•2018

    Over the past decades it has become less acceptable simply to acquire new musical knowledge and to present it judiciously, wisely, and authoritatively. The presentation, usually in the form of academic writing, is often assessed as much for its subject positioning or authorial tone as it is for its relevance or accuracy of content. How might a system of valuation be established by which sound writing may be sanctioned to be really sound, effectiv…

  • Accordion in the United States

    Ron Emoff•CHAPTER•The new Grove dictionary of music…•2013

  • La Musique comme valeur sociale et symbole identitaire

    Ron Emoff, Ron Emoff Ron Emoff•ARTICLE•Latin American Music Review•2010

  • The Rough Guide to the Music of Madagascar. Valiha & Marovany

    Ron Emoff•ARTICLE•Ethnomusicology•2007

    Book Review| January 01 2007 The Rough Guide to the Music of Madagascar. Valiha & Marovany: The Real Soundtrack to Madagascar The Rough Guide to the Music of Madagascar. Valiha & Marovany: The Real Soundtrack to Madagascar. Ron Emoff Ron Emoff Search for other works by this author on: This Site Google Ethnomusicology (2007) 51 (1): 159–162. https://doi.org/10.2307/20174513 Cite Icon Cite Share Icon Share Facebook Twitter LinkedIn MailTo Permissio…

  • Rene Lacaille

    Ron Emoff•ARTICLE•Ethnomusicology•2006

    Book Review| January 01 2006 Rene Lacaille: Mapou Rene Lacaille: Mapou, Chris Birkett, René Lacaille and Odile Lagacherie. Ron Emoff Ron Emoff Search for other works by this author on: This Site Google Ethnomusicology (2006) 50 (1): 166–168. https://doi.org/10.2307/20174437 Cite Icon Cite Share Icon Share Facebook Twitter LinkedIn MailTo Permissions Search Site Citation Ron Emoff; Rene Lacaille: Mapou. Ethnomusicology 1 January 2006; 50 (1): 166–…

  • Direct-Current Recall in Madagascar

    Ron Emoff•ARTICLE•TDR/The Drama Review•2003

    In Madagascar, a mandôlina is a popular stringed musical instrument in the shape of a portable radio-cassette player. Why go to great lengths to detail this physical image for an instrument that has none of its electronic/acoustic properties? A mandôlina represents the ability to communicate with ancestral spirits, linking imported electronics to the spirit realm

  • Madagascar Cote Ouest

    Ron Emoff, Charles Duvelle•ARTICLE•Ethnomusicology•2003

  • Phantom Nostalgia and Recollecting (From) the Colonial Past in Tamatave, Madagascar

    Ron Emoff•ARTICLE•Ethnomusicology•2002

    A partir de l'experience de soirees musicales organisees par l'Alliance francaise de Tamatave (Madagascar), dans lesquelles les membres - francais et merina - de l'Alliance, ecoutant de la musique de l'epoque coloniale, sont pris dans un contexte d'interaction et d'expression reciproque de sentimentalites, l'A. propose quelques reflexions sur la nostalgie en tant que pratique culturelle. Les representations musicales de l'Alliance francaise de Ta…

  • Rakoto Frah

    Ron Emoff, Ben Mandelson•ARTICLE•Yearbook for Traditional Music•2001

  • Madagascar

    Ron Emoff, Victor Randrianary•ARTICLE•Yearbook for Traditional Music•2001

  • Madagascar

    Ron Emoff, August Schmidhofer•ARTICLE•Yearbook for Traditional Music•1998

  • A Cajun Poetics of Loss and Longing

    Ron Emoff•ARTICLE•Ethnomusicology•1998

    Dans cet article, l'A. s'est interesse aux significations politiques, sociales, religieuses et historiques des chansons cajun du Sud-Ouest de la Louisianne. La plupart de ces chansons sont chantees en francais alors que les chanteurs ne comprennent pas cette langue, celle-ci etant cependant consideree comme une langue des emotions, de l'oubli et de l'attente, evocatrice du passe colonial de la Louisianne. Une etude detaillee des poemes cajun perm…

  • Nightsong

    Open Access•Ron Emoff•ARTICLE•American Ethnologist•1998

    Nightsong: Performance, Power, and Practice in South Africa. VEIT ERLMANN. Chicago: University of Chicago Press, 1996. xxv + 446 pp., notes, discography, glossary, references, index, figures, musical examples, VHS cassette

No prominent works on this page.

  • Madagascar

    Ron Emoff, August Schmidhofer•ARTICLE•Yearbook for Traditional Music•1998

  • A Cajun Poetics of Loss and Longing

    Ron Emoff•ARTICLE•Ethnomusicology•1998

    Dans cet article, l'A. s'est interesse aux significations politiques, sociales, religieuses et historiques des chansons cajun du Sud-Ouest de la Louisianne. La plupart de ces chansons sont chantees en francais alors que les chanteurs ne comprennent pas cette langue, celle-ci etant cependant consideree comme une langue des emotions, de l'oubli et de l'attente, evocatrice du passe colonial de la Louisianne. Une etude detaillee des poemes cajun perm…

  • Nightsong

    Open Access•Ron Emoff•ARTICLE•American Ethnologist•1998

    Nightsong: Performance, Power, and Practice in South Africa. VEIT ERLMANN. Chicago: University of Chicago Press, 1996. xxv + 446 pp., notes, discography, glossary, references, index, figures, musical examples, VHS cassette

  • Rakoto Frah

    Ron Emoff, Ben Mandelson•ARTICLE•Yearbook for Traditional Music•2001

  • Madagascar

    Ron Emoff, Victor Randrianary•ARTICLE•Yearbook for Traditional Music•2001

  • Phantom Nostalgia and Recollecting (From) the Colonial Past in Tamatave, Madagascar

    Ron Emoff•ARTICLE•Ethnomusicology•2002

    A partir de l'experience de soirees musicales organisees par l'Alliance francaise de Tamatave (Madagascar), dans lesquelles les membres - francais et merina - de l'Alliance, ecoutant de la musique de l'epoque coloniale, sont pris dans un contexte d'interaction et d'expression reciproque de sentimentalites, l'A. propose quelques reflexions sur la nostalgie en tant que pratique culturelle. Les representations musicales de l'Alliance francaise de Ta…

  • Direct-Current Recall in Madagascar

    Ron Emoff•ARTICLE•TDR/The Drama Review•2003

    In Madagascar, a mandôlina is a popular stringed musical instrument in the shape of a portable radio-cassette player. Why go to great lengths to detail this physical image for an instrument that has none of its electronic/acoustic properties? A mandôlina represents the ability to communicate with ancestral spirits, linking imported electronics to the spirit realm

  • Madagascar Cote Ouest

    Ron Emoff, Charles Duvelle•ARTICLE•Ethnomusicology•2003

  • Rene Lacaille

    Ron Emoff•ARTICLE•Ethnomusicology•2006

    Book Review| January 01 2006 Rene Lacaille: Mapou Rene Lacaille: Mapou, Chris Birkett, René Lacaille and Odile Lagacherie. Ron Emoff Ron Emoff Search for other works by this author on: This Site Google Ethnomusicology (2006) 50 (1): 166–168. https://doi.org/10.2307/20174437 Cite Icon Cite Share Icon Share Facebook Twitter LinkedIn MailTo Permissions Search Site Citation Ron Emoff; Rene Lacaille: Mapou. Ethnomusicology 1 January 2006; 50 (1): 166–…

  • The Rough Guide to the Music of Madagascar. Valiha & Marovany

    Ron Emoff•ARTICLE•Ethnomusicology•2007

    Book Review| January 01 2007 The Rough Guide to the Music of Madagascar. Valiha & Marovany: The Real Soundtrack to Madagascar The Rough Guide to the Music of Madagascar. Valiha & Marovany: The Real Soundtrack to Madagascar. Ron Emoff Ron Emoff Search for other works by this author on: This Site Google Ethnomusicology (2007) 51 (1): 159–162. https://doi.org/10.2307/20174513 Cite Icon Cite Share Icon Share Facebook Twitter LinkedIn MailTo Permissio…

  • La Musique comme valeur sociale et symbole identitaire

    Ron Emoff, Ron Emoff Ron Emoff•ARTICLE•Latin American Music Review•2010

  • Accordion in the United States

    Ron Emoff•CHAPTER•The new Grove dictionary of music…•2013

  • Good Talk and an Aesthetics of Good Sounding in Madagascar

    Ron Emoff•ARTICLE•TDR/The Drama Review•2018

    Over the past decades it has become less acceptable simply to acquire new musical knowledge and to present it judiciously, wisely, and authoritatively. The presentation, usually in the form of academic writing, is often assessed as much for its subject positioning or authorial tone as it is for its relevance or accuracy of content. How might a system of valuation be established by which sound writing may be sanctioned to be really sound, effectiv…

Art (10 works) · Global Maritime and Colonial Histories (6 works) · History (6 works) · Visual arts (6 works) · Literature (5 works) · Computer Science (4 works) · Geography (4 works) · Musical (4 works) · Psychology (4 works) · African history and culture studies (3 works)

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