Saltar al contenido principal

ETHNOS_APP

Inicio • Búsqueda • Revistas • Lista 0

Philip M Peek

Datos Biográficos

ID86878
NOMBREPhilip M Peek
NOMBRESPhilip M
APELLIDOPeek
FIRMAPEEK P M
AFILIACIONESDrew University
VERIFICADONo
TOTAL DE OBRAS60
TOTAL DE CITAS107
TOTAL COMO AUTOR59
TOTAL COMO EDITOR1
PRIMER AÑO DE PUBLICACIÓN1970
AÑO MÁS RECIENTE DE PUBLICACIÓN2025
ÍNDICE H5
  • The Making of Museums in Nigeria

    Philip M Peek•ARTICLE•African Arts•2025•Referencias: 1

    This is a tightly focused history of the beginnings of Nigerian museums by a museum director, at a time of much self-reflection by museums heightened by calls for repatriation of their holdings, especially from African countries. In addition to taking on the complex topic of Nigerian museums, their genesis and purposes, and the closely related history of a complicated man, Kenneth Murray, Amanda Hellman has chosen to do so based primarily on pers…

  • Divination and Healing

    Michael Winkelman, Philip M Peek•BOOK•Divination and Healing•2022

  • Ways of the Rivers

    Philip M Peek, Martha G Anderson•ARTICLE•African Arts•2022

    Ways of the Rivers: Art and Environment of the Niger Delta, which was declared the best exhibition of 2002 by the Los Angeles Times, was really Doran Ross's project from the beginning. When he first proposed an exhibition of Niger Delta art to Phil in 1988, Phil felt the idea, at the time, was too overwhelming for him, given its scope and his other responsibilities. Several years later, after Martha and Phil had begun networking with a group of s…

  • William Fagaly March 1, 1938-May 23, 2021

    Philip M Peek•ARTICLE•African Arts•2022

    Little is left to know about William Fagaly after the publication of his autobiography, intriguingly titled The Night Crawler King: Memoirs of an Art Museum Curator (2021). Given his well-deserved reputation as a devoted party goer in New Orleans, that title immediately brings to mind wild images; but, no, the title refers to his childhood “business” of harvesting worms to sell to local fishermen. The book is not only a guide to Bill's rich life …

  • The Resonance of Osun across a Millennium of Lower Niger History

    Philip M Peek, John Picton•ARTICLE•African Arts•2016•Citada por: 4•Referencias: 29

    The arts of Nigeria are among the most studied of all African arts and yet there are still exceptional works about which we know very little. In this paper we offer an investigation of copper alloy works from the Lower Niger that demonstrate the extraordinary creativity and aesthetic power to which Fagg refers. These bell heads and their fantastic imagery have encouraged us to take a multidisciplinary approach, a synthesis that allows us to draw …

  • Auto-Graphics

    Philip M Peek•ARTICLE•African Arts•2016

    In the Lathrop Gallery of Dartmouth's Hood Museum two concurrent exhibitions, “Auto-Graphics: Works by Victor Ekpuk” and “Ukara: Ritual Cloth of the Ekpe Secret Society,” provoked interesting counterpoints, reflecting the vitality of ancient artistic traditions in rural and urban Nigerian settings as well as in global contexts. Both exhibitions provided their own idiosyncratic usage of linguistic signs and ideographic lines but in very different …

  • Jerome M. Vogel 1933–2014

    Susan Mullin Vogel, Philip M Peek et al.•ARTICLE•African Arts•2015

    June 01 2015 Jerome M. Vogel 1933–2014 Susan Mullin Vogel, Susan Mullin Vogel Susan Mullin Vogel is a curator, scholar and film maker. Recent projects are the film Fold Crumple Crush and the book El Anatsui: Art and Life. Her current project is for the Qatar Museums, an exhibition of Saharan and Arabian tents as architecture and design. [email protected] Search for other works by this author on: This Site Google Scholar Philip M. Peek, Philip M. Pee…

  • Warren Leonard d'Azevedo 1920–2014

    Philip M Peek, Mary Jo Arnoldi•ARTICLE•African Arts•2014•Referencias: 1

    December 01 2014 Warren Leonard d'Azevedo 1920–2014 Philip M. Peek, Philip M. Peek Philip M. Peek, Professor Emeritus, Drew University, edited the recently published anthology Twins in African and Diaspora Cultures: Double Trouble, Twice Blessed. He has written extensively on African verbal and visual arts and divination systems. [email protected] Search for other works by this author on: This Site Google Scholar Mary Jo Arnoldi Mary Jo Arnoldi Mary…

  • South of the River / Fulani Earrings

    Philip M Peek, Philip Peek•ARTICLE•African Arts•2014

  • Environment and Object

    Philip M Peek•ARTICLE•African Arts•2012

  • Twins in African and Diaspora Cultures

    Philip M Peek, Philip Peek•BOOK•Twins in African and Diaspora…•2011

    The two-sided traditions of multiple births in Africa

  • Twins in African and Diaspora Cultures

    Philip M Peek•BOOK•Twins in African and diaspora…•2011

  • Couples or Doubles

    Philip M Peek•ARTICLE•African Arts•2008•Citada por: 2•Referencias: 7

    March 01 2008 Couples or Doubles?: Representations of Twins in the Arts of Africa Philip M. Peek Philip M. Peek Philip M. Peek is a professor of anthropology at Drew University. He has published extensively on African divination systems as well as African verbal and visual arts, especially of the Niger Delta. [email protected] Search for other works by this author on: This Site Google Scholar Author and Article Information Philip M. Peek Philip M. P…

  • Recent Exhibitions

    Philip M Peek, Philip Peek et al.•ARTICLE•African Arts•2006

  • Surfaces

    Philip M Peek•ARTICLE•African Arts•2005

  • African Folklore

    Philip M Peek, Kwesi Yankah•BOOK•African Folklore•2004•Citada por: 13

    Africans in the United Kingdom Africans in the USA Akan/Ashanti Algeria Ancestors Angola Animals in African Folklore Arabic Folk Literature of North Africa Architecture Archives of Traditional Music Astronomy Bamana Banjo: African Roots Bao Bascom, William Basketry, African Basketry, African American Beadwork Benin Birth and Death Rituals among the Gikuyu Blacksmiths: Dar Zaghawa of the Sudan Blacksmiths: Mande of Western Africa Body Arts: Africa…

  • Dan Ge Performance

    Philip M Peek•ARTICLE•African Arts•2004

    December 01 2004 Dan Ge Performance: Masks and Music in Contemporary Côte d'Ivoire by Daniel B.Reed Philip M. Peek Philip M. Peek Search for other works by this author on: This Site Google Scholar Author and Article Information Philip M. Peek Online Issn: 1937-2108 Print Issn: 0001-9933 Copyright 2004 Regents of the University of California2004 African Arts (2004) 37 (4): 90–91. https://doi.org/10.1162/afar.2004.37.4.90 Cite Icon Cite Permissions…

  • Edo

    Jean M Borgatti, Philip M Peek•CHAPTER•2003

  • In Memoriam

    Philip M Peek, Barry Hallen•ARTICLE•African Arts•2002

  • Ways of the Rivers

    Martha G Anderson, Philip M Peek•ARTICLE•African Arts•2002•Citada por: 5

    Part one - Early history, trade and contact: Lower Niger bronze industries and the archaeology of the Niger Delta from middlemen to missionaries bulletproof - exploring the warrior ethos in Ijo culture. Part two - Environment and cultural confluence: from river horses to dancing sharks - canoes and fish in Ijo art and ritual the Isoko as a delta people celebrating water spirits - influence, confluence and difference in Ijebu-Yoruba and Delta masq…

  • Ways of the Rivers

    Jean M Borgatti, Martha G Anderson et al.•ARTICLE•The International Journal of…•2002

  • Art and Oracle

    Philip M Peek•ARTICLE•African Arts•2001

  • Herbs, Health and Healers

    Philip M Peek, Peter A G M De Smet•ARTICLE•African Arts•2000

  • Obituaries

    Alan Dundes, John Michael Vlach et al.•ARTICLE•Journal of American Folklore•1999

    Other| January 01 1999 Obituaries: Daniel J. Crowley (1921–98) Alan Dundes; Alan Dundes Search for other works by this author on: This Site Google John Michael Vlach; John Michael Vlach Search for other works by this author on: This Site Google Philip M. Peek Philip M. Peek Search for other works by this author on: This Site Google Journal of American Folklore (1999) 112 (443): 74–81. https://doi.org/10.2307/541403 Cite Icon Cite Share Icon Share…

  • Northern Exposure

    Philip M Peek•ARTICLE•African Arts•1995

Siguiente
  • Allegories of the Wilderness

    Philip M Peek, Michael Jackson•ARTICLE•Western Folklore•1984•Citada por: 26

    Preface 1. Introduction 2. Form and Play in Kuranko Fiction 3. During a Time of Great Hunger 4. Hare and Hyena 5. Prevented Transitions 6. Reciprocities 7. Men and Women 8. Co-Wives, Orphans, and Miraculous Interventions 9. DIrections Appendix Notes Glossary of Kuranko Words References List of Narratives Index

  • The Sounds of Silence

    Open Access•Philip M Peek•ARTICLE•American Ethnologist•1994•Citada por: 16•Referencias: 34

    The prominence of the auditory world for African peoples requires attuning our study of their cultures more directly to the phenomena of sound. Cross-world communication, which establishes and validates the basis for human action, occurs when the normally inaudible otherworld beings reveal themselves in distinct acoustic fashion. This study reviews those otherworld voices, heard through divine kings and divination, and in the auditory arts of mus…

  • African Folklore

    Philip M Peek, Kwesi Yankah•BOOK•African Folklore•2004•Citada por: 13

    Africans in the United Kingdom Africans in the USA Akan/Ashanti Algeria Ancestors Angola Animals in African Folklore Arabic Folk Literature of North Africa Architecture Archives of Traditional Music Astronomy Bamana Banjo: African Roots Bao Bascom, William Basketry, African Basketry, African American Beadwork Benin Birth and Death Rituals among the Gikuyu Blacksmiths: Dar Zaghawa of the Sudan Blacksmiths: Mande of Western Africa Body Arts: Africa…

  • See So That We May See

    Philip M Peek, Peter Seitel•ARTICLE•Western Folklore•1982•Citada por: 10

  • The Power of Words in African Verbal Arts

    Philip M Peek•ARTICLE•Journal of American Folklore•1981•Citada por: 9

    THE STUDY OF VERBAL ART has been revitalized in the last decade by stimulating new research and theoretical statements which demand closer attention to native taxonomies, original texts, cultural and performance contexts, and artists' biographies, and which provide more apt definitions and analytical models.1 As we rethink and reshape our study in light of these ideas, certain other problems become apparent. It is ironic that although folklorists…

  • Ways of the Rivers

    Martha G Anderson, Philip M Peek•ARTICLE•African Arts•2002•Citada por: 5

    Part one - Early history, trade and contact: Lower Niger bronze industries and the archaeology of the Niger Delta from middlemen to missionaries bulletproof - exploring the warrior ethos in Ijo culture. Part two - Environment and cultural confluence: from river horses to dancing sharks - canoes and fish in Ijo art and ritual the Isoko as a delta people celebrating water spirits - influence, confluence and difference in Ijebu-Yoruba and Delta masq…

  • Icons

    Philip M Peek•ARTICLE•African Arts•1990•Citada por: 5

  • The Resonance of Osun across a Millennium of Lower Niger History

    Philip M Peek, John Picton•ARTICLE•African Arts•2016•Citada por: 4•Referencias: 29

    The arts of Nigeria are among the most studied of all African arts and yet there are still exceptional works about which we know very little. In this paper we offer an investigation of copper alloy works from the Lower Niger that demonstrate the extraordinary creativity and aesthetic power to which Fagg refers. These bell heads and their fantastic imagery have encouraged us to take a multidisciplinary approach, a synthesis that allows us to draw …

  • African Divination Systems

    D Glazier, Stephen D Glazier et al.•ARTICLE•Journal for the Scientific Study…•1993•Citada por: 4

  • Ovia Idah and Eture Egbede

    Philip M Peek•ARTICLE•African Arts•1985•Citada por: 3

  • Couples or Doubles

    Philip M Peek•ARTICLE•African Arts•2008•Citada por: 2•Referencias: 7

    March 01 2008 Couples or Doubles?: Representations of Twins in the Arts of Africa Philip M. Peek Philip M. Peek Philip M. Peek is a professor of anthropology at Drew University. He has published extensively on African divination systems as well as African verbal and visual arts, especially of the Niger Delta. [email protected] Search for other works by this author on: This Site Google Scholar Author and Article Information Philip M. Peek Philip M. P…

  • Isoko Artists and Their Audiences

    Philip M Peek•ARTICLE•African Arts•1980•Citada por: 2

    interaction provided by artisan guilds, wealthy patrons, or market-conscious entrepreneurs, there are still observable guiding patterns and criteria for artistic production. Generally speaking, Isoko artist and audience/patron interaction is informal, with control of the product primarily in the artists' hands; however, in the following observations of a broad range of Isoko art forms, I will elaborate on some significant dimensions to this pictu…

  • The Migration of Folktales

    Francis Lee Utley, Robert Austerlitz et al.•ARTICLE•Current Anthropology•1974•Citada por: 2

    This paper attempts to draw together some of the evidences of borrowing in folktales from the Old World to the New. It abstracts in four channels, from Europe across the North Atlantic, from Africa across the South Atlantic, from Northeast Asia via the Bering Strait, and from Southeast Asia across the South Pacific. Considering both pre- and post-Columbian borrowing, it calls on both physical and cultural anthropology as witnesses to the route an…

  • African Divination Systems

    P Stanley Yoder, Philip M Peek•ARTICLE•African Studies Review•1993•Citada por: 1•Referencias: 1

  • Japanese Anthropological Research on Africa

    Philip M Peek•ARTICLE•African Studies Review•1990•Citada por: 1•Referencias: 6

    Contemporary scholarship on Africa by Japanese anthropologists is vital, diverse, and expanding. This brief review surveys the development of anthropological research on Africa by Japanese scholars and is followed by a compilation of Japanese publications on Africa in English and French. Although some observations about Japanese anthropological research in Africa will be offered, the goal is primarily to inform American Africanists of this Japane…

  • The Isoko Ethos of Ivri

    Philip M Peek•ARTICLE•African Arts•1986•Citada por: 1

  • Mbari

    Philip M Peek, Herbert M Cole•ARTICLE•African Arts•1982•Citada por: 1

  • Isoko Bronzes and the Lower Niger Bronze Industries

    Philip M Peek•ARTICLE•African Arts•1980•Citada por: 1

    Etude des objets en bronze trouves chez les clans Isoko du Nord-Ouest du delta du Niger (Nigeria), dont une partie ont ete fabriques par les Isoko eux-memes. Revue des recherches effectuees sur les bronzes du Bas-Niger a la lumiere de ces nouvelles donnees

  • Codification of African Music and Textbook Project

    Philip M Peek, Philip Peek et al.•ARTICLE•Ethnomusicology•1970•Citada por: 1

  • Codification of African Music and Textbook Project

    Philip M Peek, Philip Peek et al.•ARTICLE•Ethnomusicology•1970•Citada por: 1

  • A Review Clarification

    Philip M Peek•ARTICLE•Ethnomusicology•1971

    In regards to a Record Review of Ewe Music of Ghana published in the May, 1970 issue of ETHNOMUSICOLOGY, there are a few corrections concerning Mr. Seth Ladzekpo's background and association with the Ghana Institute of Art and Culture. The Institute's drumming and dancing troupe was actually begun by Mr. Philip Gbeho, who is now director of the Ghana National Orchestra, and Mr. Ladzekpo only assisted him. Although Mr. Ladzekpo was an instructor f…

  • Reply to Hugh Tracey

    Philip M Peek•ARTICLE•Ethnomusicology•1971

  • Oba Ko So (Yoruba opera by Duro Ladipo and His National Theater)

    Philip M Peek, R Curt Wittig et al.•ARTICLE•Ethnomusicology•1972

  • The Migration of Folktales

    Francis Lee Utley, Robert Austerlitz et al.•ARTICLE•Current Anthropology•1974•Citada por: 2

    This paper attempts to draw together some of the evidences of borrowing in folktales from the Old World to the New. It abstracts in four channels, from Europe across the North Atlantic, from Africa across the South Atlantic, from Northeast Asia via the Bering Strait, and from Southeast Asia across the South Pacific. Considering both pre- and post-Columbian borrowing, it calls on both physical and cultural anthropology as witnesses to the route an…

  • Melville J. Herskovits

    Philip M Peek, Philip Peek et al.•ARTICLE•Journal of American Folklore•1975

  • Isoko Sacred Mud Sculpture

    Philip M Peek•ARTICLE•African Arts•1976

  • The Sign of the Leopard. Beaded Art of the Cameroon

    Philip M Peek, Tamara Northern•ARTICLE•ASA Review of Books•1978

  • Icon and Image

    Philip M Peek, Denis Williams•ARTICLE•ASA Review of Books•1980

  • Isoko Artists and Their Audiences

    Philip M Peek•ARTICLE•African Arts•1980•Citada por: 2

    interaction provided by artisan guilds, wealthy patrons, or market-conscious entrepreneurs, there are still observable guiding patterns and criteria for artistic production. Generally speaking, Isoko artist and audience/patron interaction is informal, with control of the product primarily in the artists' hands; however, in the following observations of a broad range of Isoko art forms, I will elaborate on some significant dimensions to this pictu…

  • Isoko Bronzes and the Lower Niger Bronze Industries

    Philip M Peek•ARTICLE•African Arts•1980•Citada por: 1

    Etude des objets en bronze trouves chez les clans Isoko du Nord-Ouest du delta du Niger (Nigeria), dont une partie ont ete fabriques par les Isoko eux-memes. Revue des recherches effectuees sur les bronzes du Bas-Niger a la lumiere de ces nouvelles donnees

  • Forms of Folklore in Africa

    Philip M Peek, Bernth Lindfors•ARTICLE•Journal of American Folklore•1980

  • The Power of Words in African Verbal Arts

    Philip M Peek•ARTICLE•Journal of American Folklore•1981•Citada por: 9

    THE STUDY OF VERBAL ART has been revitalized in the last decade by stimulating new research and theoretical statements which demand closer attention to native taxonomies, original texts, cultural and performance contexts, and artists' biographies, and which provide more apt definitions and analytical models.1 As we rethink and reshape our study in light of these ideas, certain other problems become apparent. It is ironic that although folklorists…

  • Mbari

    Philip M Peek, Herbert M Cole•ARTICLE•African Arts•1982•Citada por: 1

  • Sexual References in Southern Nigerian Verbal Art Forms

    Philip M Peek•ARTICLE•African Arts•1982

    dent who was present described some of goldweights, slyly noting that the commonest was human figure, male or female, in every possible attitude, in every operation of life (Boyle 1874:388). Perhaps some found their way back to England as mementoes of campaign, though they are scarcely likely to have been displayed on Victorian mantelpiece. Erotic weights were made and used for more than two centuries, until about 1900 when gold dust ceased to se…

  • See So That We May See

    Philip M Peek, Peter Seitel•ARTICLE•Western Folklore•1982•Citada por: 10

  • The Celebration of Oworu among the Isoko

    Philip M Peek•ARTICLE•African Arts•1983

  • Allegories of the Wilderness

    Philip M Peek, Michael Jackson•ARTICLE•Western Folklore•1984•Citada por: 26

    Preface 1. Introduction 2. Form and Play in Kuranko Fiction 3. During a Time of Great Hunger 4. Hare and Hyena 5. Prevented Transitions 6. Reciprocities 7. Men and Women 8. Co-Wives, Orphans, and Miraculous Interventions 9. DIrections Appendix Notes Glossary of Kuranko Words References List of Narratives Index

  • To Live with Herds

    Philip M Peek, Judith Macdougall et al.•ARTICLE•Journal of American Folklore•1984

    Grand classique etranger, le film donne la parole aux Jie, un groupe pastoral semi-nomade du nord-est de l'Ouganda. Les Jie luttent pour conserver leur mode de vie traditionnel en depit d'une politique gouvernementale adverse

  • Defiant Maids and Stubborn Farmers

    Philip M Peek, Donald Cosentino et al.•ARTICLE•Journal of American Folklore•1984

  • Linguistics

    Open Access•Philip M Peek•ARTICLE•American Anthropologist•1984

  • Ovia Idah and Eture Egbede

    Philip M Peek•ARTICLE•African Arts•1985•Citada por: 3

  • Art of the Cross River

    Philip M Peek•ARTICLE•African Arts•1985

  • The Isoko Ethos of Ivri

    Philip M Peek•ARTICLE•African Arts•1986•Citada por: 1

  • Iowa Studies in African Art

    Philip M Peek, Christopher D Roy•ARTICLE•African Arts•1988

Art (42 obras) · History (25 obras) · African history and culture studies (22 obras) · Visual arts (21 obras) · Philosophy (17 obras) · Geography (16 obras) · Global Maritime and Colonial Histories (16 obras) · Sociology (16 obras) · Art history (13 obras) · History (12 obras)

Ethnos_APP • Proyecto Open Source • Licencia MIT • Frontend v2.0.0 • Privacidad y Cookies • Documentación de la API: api.ethnos.app/docs • Código de la API: GitHub • DOI: 10.5281/zenodo.17049435 • Código del Frontend: GitHub • DOI: 10.5281/zenodo.17050053 • cruz.rio.br • Expectantes Misericordiae