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Lucia Saguì

Biographic Data

ID87483
NAMELucia Saguì
GIVEN NAMESLucia
FAMILY NAMESaguì
SIGNATURESAGUÌ L
AFFILIATIONSSapienza University of Rome
VERIFIEDNo
TOTAL WORKS7
TOTAL CITATIONS33
AUTHOR COUNT7
EDITOR COUNT0
FIRST PUBLICATION YEAR2000
LATEST PUBLICATION YEAR2020
H-INDEX3
  • Glass in imitation of exotic marbles: An analytical investigation of 2nd century AD Roman sectilia from the Gorga collection

    Open Access•Elena Tesser, Marco Verità et al.•ARTICLE•Journal of Cultural Heritage•2020•References: 15

  • Vetri e indicatori di produzione vetraria a Ostia e a Porto

    Open Access•Barbara Lepri, Lucia Saguì•ARTICLE•Mélanges de l École française de…•2018•References: 6

    Oltre agli esemplari più significativi, un tempo esposti nel Museo ostiense, lo studio presenta una prima ricognizione degli indicatori di produzione vetraria messi in luce principalmente negli scavi dei progetti DAI-AAR, Università di Augsburg, BSR-Università di Southampton condotti a Ostia e a Portus. Materiali e strutture produttive consentono di individuare un’attività vetraria sia a Ostia che a Portus nella prima metà del III secolo. A Ostia…

  • Colourless glass from the Palatine and Esquiline hills in Rome (Italy). New data on antimony- and manganese-decoloured glass in the Roman period

    Open Access•E Gliozzo, Barbara Lepri et al.•ARTICLE•Archaeological and Anthropological…•2017

  • Glass ingots, raw glass chunks, glass wastes and vessels from fifth century AD Palatine Hill (Rome, Italy)

    Open Access•E Gliozzo, Barbara Lepri et al.•ARTICLE•Archaeological and Anthropological…•2017•Cited by: 5•References: 24

  • Glass in Late Antiquity: The Continuity of Technology and Sources of Supply

    Lucia Saguì•ARTICLE•Late Antique Archaeology•2008

    Scientific research and a series of important archaeological discoveries in recent years have opened up new perspectives on the study of ancient glass. Glass production seems to have been organised on a hierarchical basis. The primary workshops, mainly concentrated on the Syro-Palestinian coast, prepared the raw material by fusing sand from the river Belus with natron from Egypt. The product was then sent in blocks to all secondary workshops, the…

  • Glass Fragments from the Crypta Balbi in Rome: The Composition of Eighth‐century Fragments

    Open Access•Piero Mirti, P Davit et al.•ARTICLE•Archaeometry•2001•Cited by: 11

    Eighth‐century glass fragments from the Crypta Balbi in Rome were analysed by inductively coupled plasma emission spectroscopy. The samples included fragments of artefacts as well as ingots of raw glass and wasters. All the fragments proved to be soda–lime glasses. Manganese‐to‐iron atomic ratios are highly variable and determine the colour of a large number of samples. Fairly high copper contents, generally associated with relatively high amount…

  • Scientific Analysis of Seventh‐century Glass Fragments From the Crypta Balbi in Rome

    Open Access•Piero Mirti, A LEPORA et al.•ARTICLE•Archaeometry•2000•Cited by: 17•References: 12

    Inductively coupled plasma emission spectroscopy, reflectance spectroscopy and X‐ray diffraction were used to study seventh‐century AD glass fragments from the Crypta Balbi in Rome. All the samples were found to be silica‐soda‐lime glasses. Iron determines the colour of blue‐green, green and yellow‐green transparent glasses; chemical composition suggests deliberate addition of iron and/or manganese in about half the samples. Copper was found as t…

  • Scientific Analysis of Seventh‐century Glass Fragments From the Crypta Balbi in Rome

    Open Access•Piero Mirti, A LEPORA et al.•ARTICLE•Archaeometry•2000•Cited by: 17•References: 12

    Inductively coupled plasma emission spectroscopy, reflectance spectroscopy and X‐ray diffraction were used to study seventh‐century AD glass fragments from the Crypta Balbi in Rome. All the samples were found to be silica‐soda‐lime glasses. Iron determines the colour of blue‐green, green and yellow‐green transparent glasses; chemical composition suggests deliberate addition of iron and/or manganese in about half the samples. Copper was found as t…

  • Glass Fragments from the Crypta Balbi in Rome: The Composition of Eighth‐century Fragments

    Open Access•Piero Mirti, P Davit et al.•ARTICLE•Archaeometry•2001•Cited by: 11

    Eighth‐century glass fragments from the Crypta Balbi in Rome were analysed by inductively coupled plasma emission spectroscopy. The samples included fragments of artefacts as well as ingots of raw glass and wasters. All the fragments proved to be soda–lime glasses. Manganese‐to‐iron atomic ratios are highly variable and determine the colour of a large number of samples. Fairly high copper contents, generally associated with relatively high amount…

  • Glass ingots, raw glass chunks, glass wastes and vessels from fifth century AD Palatine Hill (Rome, Italy)

    Open Access•E Gliozzo, Barbara Lepri et al.•ARTICLE•Archaeological and Anthropological…•2017•Cited by: 5•References: 24

  • Scientific Analysis of Seventh‐century Glass Fragments From the Crypta Balbi in Rome

    Open Access•Piero Mirti, A LEPORA et al.•ARTICLE•Archaeometry•2000•Cited by: 17•References: 12

    Inductively coupled plasma emission spectroscopy, reflectance spectroscopy and X‐ray diffraction were used to study seventh‐century AD glass fragments from the Crypta Balbi in Rome. All the samples were found to be silica‐soda‐lime glasses. Iron determines the colour of blue‐green, green and yellow‐green transparent glasses; chemical composition suggests deliberate addition of iron and/or manganese in about half the samples. Copper was found as t…

  • Glass Fragments from the Crypta Balbi in Rome: The Composition of Eighth‐century Fragments

    Open Access•Piero Mirti, P Davit et al.•ARTICLE•Archaeometry•2001•Cited by: 11

    Eighth‐century glass fragments from the Crypta Balbi in Rome were analysed by inductively coupled plasma emission spectroscopy. The samples included fragments of artefacts as well as ingots of raw glass and wasters. All the fragments proved to be soda–lime glasses. Manganese‐to‐iron atomic ratios are highly variable and determine the colour of a large number of samples. Fairly high copper contents, generally associated with relatively high amount…

  • Glass in Late Antiquity: The Continuity of Technology and Sources of Supply

    Lucia Saguì•ARTICLE•Late Antique Archaeology•2008

    Scientific research and a series of important archaeological discoveries in recent years have opened up new perspectives on the study of ancient glass. Glass production seems to have been organised on a hierarchical basis. The primary workshops, mainly concentrated on the Syro-Palestinian coast, prepared the raw material by fusing sand from the river Belus with natron from Egypt. The product was then sent in blocks to all secondary workshops, the…

  • Colourless glass from the Palatine and Esquiline hills in Rome (Italy). New data on antimony- and manganese-decoloured glass in the Roman period

    Open Access•E Gliozzo, Barbara Lepri et al.•ARTICLE•Archaeological and Anthropological…•2017

  • Glass ingots, raw glass chunks, glass wastes and vessels from fifth century AD Palatine Hill (Rome, Italy)

    Open Access•E Gliozzo, Barbara Lepri et al.•ARTICLE•Archaeological and Anthropological…•2017•Cited by: 5•References: 24

  • Vetri e indicatori di produzione vetraria a Ostia e a Porto

    Open Access•Barbara Lepri, Lucia Saguì•ARTICLE•Mélanges de l École française de…•2018•References: 6

    Oltre agli esemplari più significativi, un tempo esposti nel Museo ostiense, lo studio presenta una prima ricognizione degli indicatori di produzione vetraria messi in luce principalmente negli scavi dei progetti DAI-AAR, Università di Augsburg, BSR-Università di Southampton condotti a Ostia e a Portus. Materiali e strutture produttive consentono di individuare un’attività vetraria sia a Ostia che a Portus nella prima metà del III secolo. A Ostia…

  • Glass in imitation of exotic marbles: An analytical investigation of 2nd century AD Roman sectilia from the Gorga collection

    Open Access•Elena Tesser, Marco Verità et al.•ARTICLE•Journal of Cultural Heritage•2020•References: 15

Conservation Techniques and Studies (5 works) · Cultural Heritage Materials Analysis (5 works) · Archaeology (4 works) · Building materials and conservation (4 works) · Geography (4 works) · Materials Science (4 works) · Metallurgy (4 works) · Mineralogy (4 works) · Ancient history (3 works) · Antimony (3 works)

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