Patrycja Rojek
Dados Biográficos
| ID | 8753389 |
|---|---|
| NOME | Patrycja Rojek |
| PRENOMES | Patrycja |
| SOBRENOME | Rojek |
| ASSINATURA | ROJEK P |
| AFILIAÇÕES | Adam Mickiewicz University in Poznań |
| ORCID | 0000-0003-4301-080X |
| VERIFICADO | Sim |
| TOTAL DE OBRAS | 3 |
| TOTAL DE CITAÇÕES | 0 |
| TOTAL COMO AUTOR | 3 |
| TOTAL COMO EDITOR | 0 |
| PRIMEIRO ANO DE PUBLICAÇÃO | 2013 |
| ANO MAIS RECENTE DE PUBLICAÇÃO | 2025 |
| ÍNDICE H | 0 |
Filmowy bohater mityczny – ramy pojęcia
W artykule podjęto refleksję nad teoretycznymi ramami pojęcia „bohater mityczny”, wskazując na potrzebę stworzenia funkcjonalnej definicji, która uwzględnia szerokie spektrum postaci i znajduje zastosowanie zarówno w badaniach filmoznawczych, jak i dydaktyce. Proponowany model opiera się na czterech kluczowych elementach: epizodach rytualnych, kulturowym rodowodzie, sposobie kreacji bohatera oraz aktualnym znaczeniu. Ustaleniom towarzyszy egzempl…
The Role of Objects and Artifacts in Crafting the OnScreen Images of Mythological Medusa
Medusa, the Gorgon known for her monstrous appearance and petrifying gaze, is one of the most iconic figures in Greco-Roman mythology. Unlike many other mythological characters, Medusa can be identified solely by her distinctive physiognomy, without the need for symbolic attributes, as is often the case with depictions of deities. However, in the myth of Perseus, where Medusa is the main antagonist, various props play a crucial role in defining h…
Eat or Be Eaten. The City of Macunaíma
Macunaíma, the trickster-hero from old Amerindian legends, was in the 1960s an icon of the Brazilian Cinema Novo – a new wave film movement that was a response by artists to class and racial disparities. Joaquim Pedro de Andrade, the director of Macunaíma (1969), moves the eponymous hero out of his jungle and puts him into the modern, mechanized and restless big city. Not only are social problems strongly emphasized in the film – equally importan…
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Eat or Be Eaten. The City of Macunaíma
Macunaíma, the trickster-hero from old Amerindian legends, was in the 1960s an icon of the Brazilian Cinema Novo – a new wave film movement that was a response by artists to class and racial disparities. Joaquim Pedro de Andrade, the director of Macunaíma (1969), moves the eponymous hero out of his jungle and puts him into the modern, mechanized and restless big city. Not only are social problems strongly emphasized in the film – equally importan…
Filmowy bohater mityczny – ramy pojęcia
W artykule podjęto refleksję nad teoretycznymi ramami pojęcia „bohater mityczny”, wskazując na potrzebę stworzenia funkcjonalnej definicji, która uwzględnia szerokie spektrum postaci i znajduje zastosowanie zarówno w badaniach filmoznawczych, jak i dydaktyce. Proponowany model opiera się na czterech kluczowych elementach: epizodach rytualnych, kulturowym rodowodzie, sposobie kreacji bohatera oraz aktualnym znaczeniu. Ustaleniom towarzyszy egzempl…
The Role of Objects and Artifacts in Crafting the OnScreen Images of Mythological Medusa
Medusa, the Gorgon known for her monstrous appearance and petrifying gaze, is one of the most iconic figures in Greco-Roman mythology. Unlike many other mythological characters, Medusa can be identified solely by her distinctive physiognomy, without the need for symbolic attributes, as is often the case with depictions of deities. However, in the myth of Perseus, where Medusa is the main antagonist, various props play a crucial role in defining h…
Mythology (2 obras) · Ancient history (1 obras) · Anthropological Studies and Insights (1 obras) · Archaeology (1 obras) · Art (1 obras) · Art history (1 obras) · Battle (1 obras) · Byzantine Studies and History (1 obras) · Classical Antiquity Studies (1 obras) · Contemporary and Historical Greek Studies (1 obras)