Spyros Papapetro
Biographic Data
| ID | 877929 |
|---|---|
| NAME | Spyros Papapetro |
| GIVEN NAMES | Spyros |
| FAMILY NAME | Papapetro |
| SIGNATURE | PAPAPETRO S |
| AFFILIATIONS | SPYROS PAPAPETROS is the author of On the Animation of the Inorganic (Chicago, 2012) |
| VERIFIED | No |
| TOTAL WORKS | 9 |
| TOTAL CITATIONS | 13 |
| AUTHOR COUNT | 9 |
| EDITOR COUNT | 0 |
| FIRST PUBLICATION YEAR | 2010 |
| LATEST PUBLICATION YEAR | 2016 |
| H-INDEX | 2 |
A Questionnaire on Materialisms
Recent philosophical tendencies of "Actor-Network Theory," "Object-Oriented Ontology," and "Speculative Realism" have profoundly challenged the centrality of subjectivity in the humanities, and many artists and curators, particularly in the UK, Germany, and the United States, appear deeply influenced by this shift from epistemology to ontology. October editors asked artists, historians, and philosophers invested in these projects-from Graham Harm…
Warburg, lecteur de Semper: Ornement, Parure Et Analogie Cosmique
Entouré d’un monde plein de merveilles et de forces – et il a conscience des lois de ce monde qu’il s’efforce de résoudre sans jamais éclaircir, ces lois qui se précipitent vers lui sous la forme d’harmonies fragmentaires individuelles et qui maintiennent ses sentiments dans un état continu de surexcitation inassouvie – l’homme évoque la perfection qui lui échappe à travers le jeu ; il construit pour lui-même un monde miniature dans lequel les lo…
Modern architecture and prehistory: RetracingThe Eternal Present(Sigfried Giedion and André Leroi-Gourhan)
In/Animate Victims: Cultural Reactions to Animation
Movements of the Soul: Traversing Animism, Fetishism, and the Uncanny
Movements of the Soul:Traversing Animism, Fetishism, and the Uncanny Spyros Papapetros (bio) It is a thin insubstantial human image, its nature a sort of vapour, film or shadow; the cause of life and thought in the individual it animates; independently possessing the personal consciousness and volition of its corporeal owner, past or present; capable of leaving the body far behind to flash swiftly from place to place; mostly impalpable and yet al…
Between the Academy and the Avant-Garde: Carl Einstein and Fritz Saxl Correspond
January 01 2012 Between the Academy and the Avant-Garde: Carl Einstein and Fritz Saxl Correspond Spyros Papapetros Spyros Papapetros SPYROS PAPAPETROS teaches theory and historiography in the School of Architecture and the Program in Media and Modernity at Princeton University. He is the author of On the Animation of the Inorganic: Art, Architecture, and the Extension of Life (University of Chicago Press, 2012) and the editor of Space as Membrane…
Microcosme et macrocosme entre l'académie et l'avant-garde: Notes sur la correspondance éditoriale de Carl Einstein (Documents) et Fritz Saxl (bibliothèque Warburg)
Au début de l'année 1929, Carl Einstein, alors éditeur de la revue Documents, échangea quelques lettres avec Fritz Saxl, directeur de la bibliothèque Warburg, dans lesquelles il se demandait si les intellectuels de Hambourg accepteraient de rédiger de courts articles pour la revue parisienne. La seule contribution qui lui parvint fut le manuscrit du séminaire de Saxl sur l'histoire des représentations « microcosmiques » et « macrocosmiques », qui…
On the formal principles of adornment and its meaning as a symbol in art (second section)
World ornament: The legacy of Gottfried Semper's 1856 lecture on adornment
A Questionnaire on Materialisms
Recent philosophical tendencies of "Actor-Network Theory," "Object-Oriented Ontology," and "Speculative Realism" have profoundly challenged the centrality of subjectivity in the humanities, and many artists and curators, particularly in the UK, Germany, and the United States, appear deeply influenced by this shift from epistemology to ontology. October editors asked artists, historians, and philosophers invested in these projects-from Graham Harm…
Movements of the Soul: Traversing Animism, Fetishism, and the Uncanny
Movements of the Soul:Traversing Animism, Fetishism, and the Uncanny Spyros Papapetros (bio) It is a thin insubstantial human image, its nature a sort of vapour, film or shadow; the cause of life and thought in the individual it animates; independently possessing the personal consciousness and volition of its corporeal owner, past or present; capable of leaving the body far behind to flash swiftly from place to place; mostly impalpable and yet al…
Between the Academy and the Avant-Garde: Carl Einstein and Fritz Saxl Correspond
January 01 2012 Between the Academy and the Avant-Garde: Carl Einstein and Fritz Saxl Correspond Spyros Papapetros Spyros Papapetros SPYROS PAPAPETROS teaches theory and historiography in the School of Architecture and the Program in Media and Modernity at Princeton University. He is the author of On the Animation of the Inorganic: Art, Architecture, and the Extension of Life (University of Chicago Press, 2012) and the editor of Space as Membrane…
Warburg, lecteur de Semper: Ornement, Parure Et Analogie Cosmique
Entouré d’un monde plein de merveilles et de forces – et il a conscience des lois de ce monde qu’il s’efforce de résoudre sans jamais éclaircir, ces lois qui se précipitent vers lui sous la forme d’harmonies fragmentaires individuelles et qui maintiennent ses sentiments dans un état continu de surexcitation inassouvie – l’homme évoque la perfection qui lui échappe à travers le jeu ; il construit pour lui-même un monde miniature dans lequel les lo…
Modern architecture and prehistory: RetracingThe Eternal Present(Sigfried Giedion and André Leroi-Gourhan)
On the formal principles of adornment and its meaning as a symbol in art (second section)
World ornament: The legacy of Gottfried Semper's 1856 lecture on adornment
Microcosme et macrocosme entre l'académie et l'avant-garde: Notes sur la correspondance éditoriale de Carl Einstein (Documents) et Fritz Saxl (bibliothèque Warburg)
Au début de l'année 1929, Carl Einstein, alors éditeur de la revue Documents, échangea quelques lettres avec Fritz Saxl, directeur de la bibliothèque Warburg, dans lesquelles il se demandait si les intellectuels de Hambourg accepteraient de rédiger de courts articles pour la revue parisienne. La seule contribution qui lui parvint fut le manuscrit du séminaire de Saxl sur l'histoire des représentations « microcosmiques » et « macrocosmiques », qui…
In/Animate Victims: Cultural Reactions to Animation
Movements of the Soul: Traversing Animism, Fetishism, and the Uncanny
Movements of the Soul:Traversing Animism, Fetishism, and the Uncanny Spyros Papapetros (bio) It is a thin insubstantial human image, its nature a sort of vapour, film or shadow; the cause of life and thought in the individual it animates; independently possessing the personal consciousness and volition of its corporeal owner, past or present; capable of leaving the body far behind to flash swiftly from place to place; mostly impalpable and yet al…
Between the Academy and the Avant-Garde: Carl Einstein and Fritz Saxl Correspond
January 01 2012 Between the Academy and the Avant-Garde: Carl Einstein and Fritz Saxl Correspond Spyros Papapetros Spyros Papapetros SPYROS PAPAPETROS teaches theory and historiography in the School of Architecture and the Program in Media and Modernity at Princeton University. He is the author of On the Animation of the Inorganic: Art, Architecture, and the Extension of Life (University of Chicago Press, 2012) and the editor of Space as Membrane…
Warburg, lecteur de Semper: Ornement, Parure Et Analogie Cosmique
Entouré d’un monde plein de merveilles et de forces – et il a conscience des lois de ce monde qu’il s’efforce de résoudre sans jamais éclaircir, ces lois qui se précipitent vers lui sous la forme d’harmonies fragmentaires individuelles et qui maintiennent ses sentiments dans un état continu de surexcitation inassouvie – l’homme évoque la perfection qui lui échappe à travers le jeu ; il construit pour lui-même un monde miniature dans lequel les lo…
Modern architecture and prehistory: RetracingThe Eternal Present(Sigfried Giedion and André Leroi-Gourhan)
A Questionnaire on Materialisms
Recent philosophical tendencies of "Actor-Network Theory," "Object-Oriented Ontology," and "Speculative Realism" have profoundly challenged the centrality of subjectivity in the humanities, and many artists and curators, particularly in the UK, Germany, and the United States, appear deeply influenced by this shift from epistemology to ontology. October editors asked artists, historians, and philosophers invested in these projects-from Graham Harm…
Art (6 works) · Philosophy (6 works) · Philosophy (4 works) · Aesthetics (3 works) · Art history (3 works) · Computer Science (3 works) · History (3 works) · Adornment (2 works) · Architecture (2 works) · Classics (2 works)