Justine Seran
Biographic Data
| ID | 87931 |
|---|---|
| NAME | Justine Seran |
| GIVEN NAMES | Justine |
| FAMILY NAME | Seran |
| SIGNATURE | SERAN J |
| AFFILIATIONS | University of Edinburgh |
| VERIFIED | No |
| TOTAL WORKS | 5 |
| TOTAL CITATIONS | 5 |
| AUTHOR COUNT | 5 |
| EDITOR COUNT | 0 |
| FIRST PUBLICATION YEAR | 2014 |
| LATEST PUBLICATION YEAR | 2026 |
| H-INDEX | 2 |
Claiming Space: Aboriginal (Re)mappings of Contemporary Australia
Contemporary Indigenous-authored texts are often read as counter-narratives seeking to redress erroneous and oppressive representations of themselves in white-authored texts. Similarly, Indigenous narratives concerned with place and reclaiming the land lost to colonisation can be read as counter-mapping exercises, insofar as they engage not only with representations of space and the territory itself, but also question the very legitimacy of colon…
Australian Aboriginal Memoir and Memory: A Stolen Generations Trauma Narrative
This article proposes a re-reading of Aboriginal author Sally Morgan’s Stolen Generations narrative My Place (1987) in post-Apology Australia (2008–present). The novel tells the story of Morgan’s discovery of her maternal Aboriginal origins through the life-stories of her mother and grandmother; the object of a quest for the past that is both relational and matrilineal; incorporating elements of autobiography and as-told-to memoirs to create a fo…
Photography's long shadow: Ekphrasis and Maori literature
This article explores how Indigenous novelists use ekphrastic engagements with photography and painting to undermine the status of ethnographic images that show their culture as fixed on paper and unchanging in white-authored books. Paula Morris’s Rangatira (2011) and Kelly Ana Morey’s Bloom (2003), two novels by Aotearoa/New Zealand Maori women writers that raise doubt about the representative ability of the photograph to reflect the “truth” of …
"Far from "home: The English in New Zealand
This collection of essays aims at taking a fresh look at migrant streams from England to New Zealand; the editors broaden the use of the term “diaspora” to designate any large-scale migration, ther
The postcolonial short story: Contemporary Essays
This ambitious collection aims to bring to light the postcolonial short story’s relationship with modernity and its oral past, and its particular facility for “fragmentation, displacement, diaspora
Photography's long shadow: Ekphrasis and Maori literature
This article explores how Indigenous novelists use ekphrastic engagements with photography and painting to undermine the status of ethnographic images that show their culture as fixed on paper and unchanging in white-authored books. Paula Morris’s Rangatira (2011) and Kelly Ana Morey’s Bloom (2003), two novels by Aotearoa/New Zealand Maori women writers that raise doubt about the representative ability of the photograph to reflect the “truth” of …
The postcolonial short story: Contemporary Essays
This ambitious collection aims to bring to light the postcolonial short story’s relationship with modernity and its oral past, and its particular facility for “fragmentation, displacement, diaspora
The postcolonial short story: Contemporary Essays
This ambitious collection aims to bring to light the postcolonial short story’s relationship with modernity and its oral past, and its particular facility for “fragmentation, displacement, diaspora
Australian Aboriginal Memoir and Memory: A Stolen Generations Trauma Narrative
This article proposes a re-reading of Aboriginal author Sally Morgan’s Stolen Generations narrative My Place (1987) in post-Apology Australia (2008–present). The novel tells the story of Morgan’s discovery of her maternal Aboriginal origins through the life-stories of her mother and grandmother; the object of a quest for the past that is both relational and matrilineal; incorporating elements of autobiography and as-told-to memoirs to create a fo…
Photography's long shadow: Ekphrasis and Maori literature
This article explores how Indigenous novelists use ekphrastic engagements with photography and painting to undermine the status of ethnographic images that show their culture as fixed on paper and unchanging in white-authored books. Paula Morris’s Rangatira (2011) and Kelly Ana Morey’s Bloom (2003), two novels by Aotearoa/New Zealand Maori women writers that raise doubt about the representative ability of the photograph to reflect the “truth” of …
"Far from "home: The English in New Zealand
This collection of essays aims at taking a fresh look at migrant streams from England to New Zealand; the editors broaden the use of the term “diaspora” to designate any large-scale migration, ther
Claiming Space: Aboriginal (Re)mappings of Contemporary Australia
Contemporary Indigenous-authored texts are often read as counter-narratives seeking to redress erroneous and oppressive representations of themselves in white-authored texts. Similarly, Indigenous narratives concerned with place and reclaiming the land lost to colonisation can be read as counter-mapping exercises, insofar as they engage not only with representations of space and the territory itself, but also question the very legitimacy of colon…
Art (3 works) · History (3 works) · Indigenous (3 works) · Literature (3 works) · Narrative (3 works) · Aotearoa (2 works) · Colonialism (2 works) · Indigenous Health, Education, and Rights (2 works) · Psychoanalysis (2 works) · Psychology (2 works)