Rostov State S V Rachmaninoff Conservatory
Biographic Data
| ID | 8794075 |
|---|---|
| NAME | Rostov State S V Rachmaninoff Conservatory |
| GIVEN NAMES | Rostov State S V Rachmaninoff |
| FAMILY NAME | Conservatory |
| SIGNATURE | CONSERVATORY R S S V R |
| AFFILIATIONS | Southern Federal University |
| VERIFIED | No |
| TOTAL WORKS | 16 |
| TOTAL CITATIONS | 0 |
| WORKS AS AUTHOR | 16 |
| WORKS AS EDITOR | 0 |
| FIRST PUBLICATION YEAR | 2020 |
| LATEST PUBLICATION YEAR | 2021 |
| H-INDEX | 0 |
Quotations from Brahms’s Piano Music in the Context of the Metamodernist Trends in 21st Century Cinema
This article is devoted to quotations from the piano music of German Romantic composer Johannes Brahms as implemented in three films: “The Phantom Thread” (2017), “We have Always Lived in the Castle” (2018) and “Little Women” (2019). These films were shot by American directors Paul Thomas Anderson, Stacie Passon and Greta Gerwig following the genre of drama movies. The article aims to disclose how the quotations of Brahms' piano music (Waltz in B…
The Organization and Content of Musical Performance Training in the Higher National Conservatories of Music and Dance in Paris and Lyon
On the wave of the multi-vectored processes in higher musical education of performing musicians in many ways conditioned by social transformations and the practice of the contemporary art of music generated by parallel means in different European countries, particularly France primarily accepted the Bologne Convention in 2008 as a convenient model, on the other hand, for broad partner interaction and mutual enrichment and, on the other hand – of …
The Particularities of Comprehending the Concepts of “Performativity” and “Performance” in Contemporary Music Scholarship in Russia and Other Countries
Performativity and performative forms have become an intrinsic part of almost all academic genres, and have contributed to their renewal: in musical theater, under the influence of performative forms, such varieties of opera performance as post-opera and documentary musical theater have appeared; in instrumental music the interest in instrumental theater has not subsided for several decades. In the present-day musical culture, performative forms …
Acousmatic Sound in Multimedia Installations
The article is devoted to the study of acousmatic sound in installations – an actively expanding artistic phenomenon of contemporary culture formed within the framework of conceptualism in the 1960s. Its purpose is to show by means of specific examples the diversity of construction of acousmatic objects and their functions within the framework of a multimedia type of installations, to show work with various kinds of sound material – verbal, noise…
Henry Purcell’s Vocal Music in John Dryden’s Comedy “Amphitryon; or The Two Sosias” (1690)
The article presents an attempt of applying analysis of Purcell’s vocal music to one of the most popular comedies of the Restoration “Amphitryon; or the Two Sosias.” The brief biography of the mythological hero Amphitryon brought into the article, the history of the creation of Dryden’s play and its predecessors – comedies by Plautus and Molière, the makeup of the cast of characters, the names of the actors and the singers, the short overview of …
Peculiarities of the Sound Space of Ritual Actions in Richard Schechner’s Theatrical Performance “Dionysos-69”
The article dwells upon the issue of the specificity of sound space in Richard Schechner’s theater. Upon examination of the history of formation of performativity as the most important component of the nature of contemporary culture, the factors which have stipulated its transformation in interaction with the relevant forms of theater are highlighted. The peculiarities of the development of performative practices in the history of theater, the ch…
Performing Art of Maria Gay
One of the most important tendencies of development of opera theater at the turn of the 19th and 20th centuries is the fixation on “the truth of life” – a convincing recreation of the emotions and inner experience of the characters in conjugacy with the veracity of stage positions and situations. The aforementioned tendency acquired a full-scale manifestation in the performing activities of a number of celebrated performing musicians who aspired …
Screen Images in Contemporary Opera
At the turn of the 20th and the 21st centuries opera theater went through a set of succession of fermentation, which is connected with the inclusion into the opera genre of new themes, subjects and new regularities in the construction of opera librettos, with the formation of specific dramaturgical principles and stylistic discoveries. The article accentuates attention towards the issue of the changes which have occurred in the genre of opera und…
The Role of Screen Images in Meredith Monk’s Musical Performances
The article provides characterization of the musical performances of Meredith Monk, – a contemporary American composer, one of the founders and ideologues of performative motion, – in which a conceptual role is played by screen images. The author examines the specific features of theatrical performance as a form of artistic presentation, unlike an academic performance of a completed musical text, an open artistic event. In it the listener becomes…
Musical Quotation as a Semantic Factor in the Cinematic Texts of the 20th and 21st Centuries (by the Example of Johannes Brahms’ Rhapsody opus 79 No. 2)
This research is devoted to quotation of the music of the Rhapsody opus 79 No. 2 by German composer Johannes Brahms in three motion pictures: “Song of Love” (1947), “Le Phantôme de la liberté” (1974) and “De batter mon Coeur s’est arrȇté” (2005). These films, made by outstanding film producers Clarence Brown, Luis Bunuel and Jacques Audiard, pertain to the genres of biography, comedy of the absurd and drama. The article sets the goal of revealing…
The Artistic Action “The Conquest of the Winter Palace” for Celebrating the Anniversary of the October Revolution in the History of the Formation of Performative Arts
The article is devoted to the issue of formation of performative art in the context of development of spectacular forms of Soviet state holidays. While examining the time and space of official festivities, the author traces the process of design of texts of symbolic pictures narrating on the advent of “the happy life” of the new socialist era in the history of humankind. The theatrical pageantry replicating the chief events of Soviet history, bei…
Transcriptions of Symphonic Music in the Repertoires of Folk Musical Instrument Orchestras
The designated issue is examined in the article on a retrospective plane – from its inception in the late 19th and early 20th century to the present day. Transcriptions of classical compositions, including orchestral music, incorporated in the concert and pedagogical activities of Russian folk instrument orchestra, is characterized by the author as a most significant factor which makes it possible to resist the attempts of interpreting performanc…
Mythological Models and Ritual Forms in Contemporary Musical Theater Performance
Performativity as one of the essential qualities of the present-day art of music has created an important role in the process of renewal of its leading genres. Drawing its sources in the theatrical experiments in the mid-20th century, toward the end of the century musical performance has imbedded itself not only into the sphere of art practice, but also created an impact on such a conservative sphere of academic music as musical theater, and in p…
The Eleventh Olympic Games In the Context of the Formation of the Art of Performance
The work examines the question of the influence of Ancient Greek and Roman culture in the aspect of studying the process of formation of performative practices. Research is made of the theatrical productions carried out within the framework of the cultural program of the Olympic Games which took place in Berlin in August 1936. During the process of studying the synthetic nature of the sportive holiday as a central component of the action the chro…
Early Russian Chant and Contemporary Compositions
The transmission of Orthodox Christian sacral monody in the Russian sociocultural domain, stipulated by the gradual liberation from the initial close connections with its sacral activities and the accruement of its significance as an artistic phenomenon, has stipulated its realization by contemporary composers in various functional, stylistic and genre conditions. All the diversity of forms of conjugacy of the Early Russian chant with the authori…
The Performative Features of Steve Reich’s Documentary Musical Video Theater
The article is devoted to the comprehension of the processes of instauration of contemporary musical theater under the impact of documentation activities and performativity. Proceeding from the fact of intensive growth of communicative activity in contemporary society, the author asserts the formation of the public’s demand for the actualization of content of contemporary art and the opportunity of interactive cooperation in the process of its pr…
No prominent works on this page.
Screen Images in Contemporary Opera
At the turn of the 20th and the 21st centuries opera theater went through a set of succession of fermentation, which is connected with the inclusion into the opera genre of new themes, subjects and new regularities in the construction of opera librettos, with the formation of specific dramaturgical principles and stylistic discoveries. The article accentuates attention towards the issue of the changes which have occurred in the genre of opera und…
The Role of Screen Images in Meredith Monk’s Musical Performances
The article provides characterization of the musical performances of Meredith Monk, – a contemporary American composer, one of the founders and ideologues of performative motion, – in which a conceptual role is played by screen images. The author examines the specific features of theatrical performance as a form of artistic presentation, unlike an academic performance of a completed musical text, an open artistic event. In it the listener becomes…
Musical Quotation as a Semantic Factor in the Cinematic Texts of the 20th and 21st Centuries (by the Example of Johannes Brahms’ Rhapsody opus 79 No. 2)
This research is devoted to quotation of the music of the Rhapsody opus 79 No. 2 by German composer Johannes Brahms in three motion pictures: “Song of Love” (1947), “Le Phantôme de la liberté” (1974) and “De batter mon Coeur s’est arrȇté” (2005). These films, made by outstanding film producers Clarence Brown, Luis Bunuel and Jacques Audiard, pertain to the genres of biography, comedy of the absurd and drama. The article sets the goal of revealing…
The Artistic Action “The Conquest of the Winter Palace” for Celebrating the Anniversary of the October Revolution in the History of the Formation of Performative Arts
The article is devoted to the issue of formation of performative art in the context of development of spectacular forms of Soviet state holidays. While examining the time and space of official festivities, the author traces the process of design of texts of symbolic pictures narrating on the advent of “the happy life” of the new socialist era in the history of humankind. The theatrical pageantry replicating the chief events of Soviet history, bei…
Transcriptions of Symphonic Music in the Repertoires of Folk Musical Instrument Orchestras
The designated issue is examined in the article on a retrospective plane – from its inception in the late 19th and early 20th century to the present day. Transcriptions of classical compositions, including orchestral music, incorporated in the concert and pedagogical activities of Russian folk instrument orchestra, is characterized by the author as a most significant factor which makes it possible to resist the attempts of interpreting performanc…
Mythological Models and Ritual Forms in Contemporary Musical Theater Performance
Performativity as one of the essential qualities of the present-day art of music has created an important role in the process of renewal of its leading genres. Drawing its sources in the theatrical experiments in the mid-20th century, toward the end of the century musical performance has imbedded itself not only into the sphere of art practice, but also created an impact on such a conservative sphere of academic music as musical theater, and in p…
The Eleventh Olympic Games In the Context of the Formation of the Art of Performance
The work examines the question of the influence of Ancient Greek and Roman culture in the aspect of studying the process of formation of performative practices. Research is made of the theatrical productions carried out within the framework of the cultural program of the Olympic Games which took place in Berlin in August 1936. During the process of studying the synthetic nature of the sportive holiday as a central component of the action the chro…
Early Russian Chant and Contemporary Compositions
The transmission of Orthodox Christian sacral monody in the Russian sociocultural domain, stipulated by the gradual liberation from the initial close connections with its sacral activities and the accruement of its significance as an artistic phenomenon, has stipulated its realization by contemporary composers in various functional, stylistic and genre conditions. All the diversity of forms of conjugacy of the Early Russian chant with the authori…
The Performative Features of Steve Reich’s Documentary Musical Video Theater
The article is devoted to the comprehension of the processes of instauration of contemporary musical theater under the impact of documentation activities and performativity. Proceeding from the fact of intensive growth of communicative activity in contemporary society, the author asserts the formation of the public’s demand for the actualization of content of contemporary art and the opportunity of interactive cooperation in the process of its pr…
Quotations from Brahms’s Piano Music in the Context of the Metamodernist Trends in 21st Century Cinema
This article is devoted to quotations from the piano music of German Romantic composer Johannes Brahms as implemented in three films: “The Phantom Thread” (2017), “We have Always Lived in the Castle” (2018) and “Little Women” (2019). These films were shot by American directors Paul Thomas Anderson, Stacie Passon and Greta Gerwig following the genre of drama movies. The article aims to disclose how the quotations of Brahms' piano music (Waltz in B…
The Organization and Content of Musical Performance Training in the Higher National Conservatories of Music and Dance in Paris and Lyon
On the wave of the multi-vectored processes in higher musical education of performing musicians in many ways conditioned by social transformations and the practice of the contemporary art of music generated by parallel means in different European countries, particularly France primarily accepted the Bologne Convention in 2008 as a convenient model, on the other hand, for broad partner interaction and mutual enrichment and, on the other hand – of …
The Particularities of Comprehending the Concepts of “Performativity” and “Performance” in Contemporary Music Scholarship in Russia and Other Countries
Performativity and performative forms have become an intrinsic part of almost all academic genres, and have contributed to their renewal: in musical theater, under the influence of performative forms, such varieties of opera performance as post-opera and documentary musical theater have appeared; in instrumental music the interest in instrumental theater has not subsided for several decades. In the present-day musical culture, performative forms …
Acousmatic Sound in Multimedia Installations
The article is devoted to the study of acousmatic sound in installations – an actively expanding artistic phenomenon of contemporary culture formed within the framework of conceptualism in the 1960s. Its purpose is to show by means of specific examples the diversity of construction of acousmatic objects and their functions within the framework of a multimedia type of installations, to show work with various kinds of sound material – verbal, noise…
Henry Purcell’s Vocal Music in John Dryden’s Comedy “Amphitryon; or The Two Sosias” (1690)
The article presents an attempt of applying analysis of Purcell’s vocal music to one of the most popular comedies of the Restoration “Amphitryon; or the Two Sosias.” The brief biography of the mythological hero Amphitryon brought into the article, the history of the creation of Dryden’s play and its predecessors – comedies by Plautus and Molière, the makeup of the cast of characters, the names of the actors and the singers, the short overview of …
Peculiarities of the Sound Space of Ritual Actions in Richard Schechner’s Theatrical Performance “Dionysos-69”
The article dwells upon the issue of the specificity of sound space in Richard Schechner’s theater. Upon examination of the history of formation of performativity as the most important component of the nature of contemporary culture, the factors which have stipulated its transformation in interaction with the relevant forms of theater are highlighted. The peculiarities of the development of performative practices in the history of theater, the ch…
Performing Art of Maria Gay
One of the most important tendencies of development of opera theater at the turn of the 19th and 20th centuries is the fixation on “the truth of life” – a convincing recreation of the emotions and inner experience of the characters in conjugacy with the veracity of stage positions and situations. The aforementioned tendency acquired a full-scale manifestation in the performing activities of a number of celebrated performing musicians who aspired …
Art (14 works) · Literature (10 works) · Visual arts (10 works) · Musical (7 works) · Aesthetics (6 works) · Musicology and Musical Analysis (6 works) · Art history (5 works) · Diverse Musicological Studies (5 works) · History (5 works) · Philosophy (5 works)