Ron Berman
Biographic Data
| ID | 8808168 |
|---|---|
| NAME | Ron Berman |
| GIVEN NAMES | Ron |
| FAMILY NAME | Berman |
| SIGNATURE | BERMAN R |
| AFFILIATIONS | University of Pennsylvania |
| ORCID | 0000-0002-8594-3627 |
| VERIFIED | Yes |
| TOTAL WORKS | 4 |
| TOTAL CITATIONS | 1 |
| AUTHOR COUNT | 4 |
| EDITOR COUNT | 0 |
| FIRST PUBLICATION YEAR | 1980 |
| LATEST PUBLICATION YEAR | 2017 |
| H-INDEX | 1 |
When Form Trumps Substance: A Dynamic Analysis of Microblogging During the 2016 U.S. Presidential Primary Debates
The Impact of Curation Algorithms on Social Network Content Quality and Structure
The Society of the Spectacle 20 Years Later: A Discussion
Berman: Before beginning this discussion of Guy Debord's Comments on The Society of the Spectacle, it is important to rethink, the original spectacle thesis which could be described as a convergent reading of Lukács' neo-Hegelianism and Horkheimer/Adorno's account of the culture industry. It was about the proliferation of the commodity form in mid-century capitalism and how it transformed society by systematically substituting exchange-value and …
Fables of Aggression. Wyndham Lewis, the Modernist as Fascist
Frederic Jameson. Fables of Aggression. Wyndham Lewis, the Modernist as Fascist. Berkeley, Los Angeles, London: University of California Press, 1979. 190 pages
The Society of the Spectacle 20 Years Later: A Discussion
Berman: Before beginning this discussion of Guy Debord's Comments on The Society of the Spectacle, it is important to rethink, the original spectacle thesis which could be described as a convergent reading of Lukács' neo-Hegelianism and Horkheimer/Adorno's account of the culture industry. It was about the proliferation of the commodity form in mid-century capitalism and how it transformed society by systematically substituting exchange-value and …
Fables of Aggression. Wyndham Lewis, the Modernist as Fascist
Frederic Jameson. Fables of Aggression. Wyndham Lewis, the Modernist as Fascist. Berkeley, Los Angeles, London: University of California Press, 1979. 190 pages
The Society of the Spectacle 20 Years Later: A Discussion
Berman: Before beginning this discussion of Guy Debord's Comments on The Society of the Spectacle, it is important to rethink, the original spectacle thesis which could be described as a convergent reading of Lukács' neo-Hegelianism and Horkheimer/Adorno's account of the culture industry. It was about the proliferation of the commodity form in mid-century capitalism and how it transformed society by systematically substituting exchange-value and …
The Impact of Curation Algorithms on Social Network Content Quality and Structure
When Form Trumps Substance: A Dynamic Analysis of Microblogging During the 2016 U.S. Presidential Primary Debates
Computer Science (2 works) · Law (2 works) · Opinion Dynamics and Social Influence (2 works) · Political science (2 works) · Psychology (2 works) · Sociology (2 works) · Aesthetics (1 works) · Aggression (1 works) · Algorithm (1 works) · Art (1 works)