Petrozavodsk State A K Glazunov Conservatory
Biographic Data
| ID | 8818505 |
|---|---|
| NAME | Petrozavodsk State A K Glazunov Conservatory |
| GIVEN NAMES | Petrozavodsk State A K Glazunov |
| FAMILY NAME | Conservatory |
| SIGNATURE | CONSERVATORY P S A K G |
| AFFILIATIONS | Petrozavodsk State Glazunov Conservatory |
| VERIFIED | No |
| TOTAL WORKS | 13 |
| TOTAL CITATIONS | 0 |
| WORKS AS AUTHOR | 13 |
| WORKS AS EDITOR | 0 |
| FIRST PUBLICATION YEAR | 2018 |
| LATEST PUBLICATION YEAR | 2021 |
| H-INDEX | 0 |
Jean Barraqué
The article examines the aesthetical views of French composer Jean Barraqué during the period of the formation and development of the principles of serialism. The roles of Schoenberg and Beethoven in the formation of the master’s artistic worldview are singled out. The path towards the new conception of sonar thinking for Barraqué were determined by Olivier Messiaen’s music analysis courses, the familiarization with the books of René Leibowitz de…
Typological Model of the Basso Ostinato in Carl Nielsen’s Fifth Symphony
Danish composer Carl Nielsen was the only European symphonist from the first half of the 20th century to be endowed with a peasant mentality. Being active in the midst of the aesthetical and technical changes of the late 19th and early 20th centuries and being opposed both to Romanticism and to the art of the fin de siècle, he possessed his own perception of what music can express and what is the Alpha and Omega of music. The article researches t…
Nikolai Myaskovsky on the Pages of the Journal “Sovetskaya Muzyka” During the Years 1933–1951
Nikolai Yakovlevich Myaskovsky enjoyed the leading position in the pantheon of Soviet classics. At the center of the author’s attention is the image of Myaskovsky the composer appearing on the pages of the journal “Sovetskaya muzyka” (the official edition of the Soviet Composers’ Union). The carried out content analysis of articles dating from the year 1933–1951 makes it possible for us to assert that Myaskovsky is presented in the press as a Sov…
Monody as an Object of Study of Cognitive Ethnomusicology
The article discusses monody as a phenomenon of musical culture and the archetypal type of thinking for many peoples of the world. Examination is made of the historiography, terminological apparatus and practice of applying the term in Russian musicology as well as in musicological systems of other countries. Despite the fact that monody is intrinsic to the musical cultures of many peoples, it has remained practically unstudied from the positions…
Russian Wikipedia vs Great Russian Encyclopedia
The article addresses the issue of cultural recycling of academic music from the Soviet period. The referential texts in the Russian Wikipedia and the Great Russian Encyclopedia, currently presented for the general public in the Internet space, were selected as examples for the analysis. A comparative analysis of articles on music and the composers who lived and worked in the USSR (including Sergei Prokofiev, Dmitri Shostakovich, Dmitri Kabalevsk…
“Ach Golgatha!” by Karel Goeyvarts in the Aspect of Synthesis of Serialism, Aleatory Technique and Minimalism
Karel Goeyvaerts was a Belgian composer whose musical output exerted an influence on Western European serial and electronic music. the compositional techniques which he incorporated into his music at various periods of time always served his main goal – to manifest the ideas of the Absolute and Perfection. During the 1970s and the 1980s the composer focused his attention on the aleatory technique and minimalism. His best compositions from those y…
Formal Constraint as an Artistic Principle in Hans Abrahamsen’s Vocal Cycle “Let Me Tell You”
The article focuses its attention on the vocal cycle “Let me tell you” (2013) by Danish composer Hans Abrahamsen composed on texts from the novel with the same title by Paul Griffiths. The composition is examined through the prism of a special type of artistic principle initiated by the Oulipian strategy of the writer, who constrained the verbal space of his book to the 483 words pronounced by Ophelia in Shakespeare’s “Hamlet.” The technique of “…
Interpretation of René Char’s Poetry in Pierre Boulez’s “Le Marteau sans Maître”
The article presents the results of study of three poems by René Char from the collection “Le Marteau sans maître” which became the literary basis for the eponymous vocal-instrumental cycle by Pierre Boulez. It provides information about Char’s poetry collection “Le Marteau sans maître” and gives a brief stylistic characterization of the poetic miniatures selected by the composer. Based on her analysis of semantic fields, the author proposes an i…
Concerning the Issue of Sonic Semantics of Traditional Saami Musical Instruments
The article explores the issue of the sonic semantics of traditional Saami musical instruments. The problem of studying the semantic aspects of Saami tradition lies in the fact of the absence of definite images and concepts, which may be explained to a large extent by the fading of archaic forms of sonic communication in the ethnicity's culture of intonation and acoustics. Meanwhile, the preservation of syncretic phenomena, which mark the interre…
Opera Criticism in Russia in the Early 21st Century
Opera criticism in post-Soviet Russia has had an almost 30-year history, which can be divided chronologically into three periods. The first, spanning from the 1990s to the early 2000s, is considered to be the brightest and most remarkable. During that period there emerged simultaneously two types of musical criticism – the narrowly specialized and the universal – which have coexisted together. The latter type, created by Piotr Pospelov and his co…
The Vocal Symphony in the Interpretation of Leif Segerstam and Pehr Henrik Nurdgren
The present article analyzes the approach toward the genre of the vocal symphony of two contemporary symphonic composers – Leif Segerstam and Pehr Henrik Nurdgren; analysis is given to Segerstam’s Symphony No.14 “Moments of Peace III” and Nurdgren’s Sixth Symphony “Interdependence” (1999–2000), which have different orchestral ensembles and structure. Segerstam’s symphony presents a 16-movement cycle for tenor and symphony orchestra and discloses …
Concerning the Issue of Studying the Specific Features of Intonating in the Finnish-Ugric Monody of the Improvisational Kind
The article is devoted to the topical subject of cognitive ethnomusicology – the issue of researching specific features of intonating in the monodic musical traditions of the Finnish- Ugric peoples. Attention is focused on traditional musical improvisations which present a broad domain in the traditions of various ethnic groups in their diversity of types and varieties. The present subject is elucidated by examples of traditional improvisations o…
Texts about Music for Children and Young Musicians
Учебники по музыкальной литературе в СССР как обязательная часть образовательного процесса детских музыкальных школ и училищ появились в конце 1960-х – начале 1970-х годов. Изначально они были связаны с идеологически-воспитательными функциями, что характерно для советского школьного образования, особенно в гуманитарной сфере. Учебники по литературе, вероятно, стали образцом методического подхода для учебников по музыкальной литературе. Это наибол…
No prominent works on this page.
Texts about Music for Children and Young Musicians
Учебники по музыкальной литературе в СССР как обязательная часть образовательного процесса детских музыкальных школ и училищ появились в конце 1960-х – начале 1970-х годов. Изначально они были связаны с идеологически-воспитательными функциями, что характерно для советского школьного образования, особенно в гуманитарной сфере. Учебники по литературе, вероятно, стали образцом методического подхода для учебников по музыкальной литературе. Это наибол…
Formal Constraint as an Artistic Principle in Hans Abrahamsen’s Vocal Cycle “Let Me Tell You”
The article focuses its attention on the vocal cycle “Let me tell you” (2013) by Danish composer Hans Abrahamsen composed on texts from the novel with the same title by Paul Griffiths. The composition is examined through the prism of a special type of artistic principle initiated by the Oulipian strategy of the writer, who constrained the verbal space of his book to the 483 words pronounced by Ophelia in Shakespeare’s “Hamlet.” The technique of “…
Interpretation of René Char’s Poetry in Pierre Boulez’s “Le Marteau sans Maître”
The article presents the results of study of three poems by René Char from the collection “Le Marteau sans maître” which became the literary basis for the eponymous vocal-instrumental cycle by Pierre Boulez. It provides information about Char’s poetry collection “Le Marteau sans maître” and gives a brief stylistic characterization of the poetic miniatures selected by the composer. Based on her analysis of semantic fields, the author proposes an i…
Concerning the Issue of Sonic Semantics of Traditional Saami Musical Instruments
The article explores the issue of the sonic semantics of traditional Saami musical instruments. The problem of studying the semantic aspects of Saami tradition lies in the fact of the absence of definite images and concepts, which may be explained to a large extent by the fading of archaic forms of sonic communication in the ethnicity's culture of intonation and acoustics. Meanwhile, the preservation of syncretic phenomena, which mark the interre…
Opera Criticism in Russia in the Early 21st Century
Opera criticism in post-Soviet Russia has had an almost 30-year history, which can be divided chronologically into three periods. The first, spanning from the 1990s to the early 2000s, is considered to be the brightest and most remarkable. During that period there emerged simultaneously two types of musical criticism – the narrowly specialized and the universal – which have coexisted together. The latter type, created by Piotr Pospelov and his co…
The Vocal Symphony in the Interpretation of Leif Segerstam and Pehr Henrik Nurdgren
The present article analyzes the approach toward the genre of the vocal symphony of two contemporary symphonic composers – Leif Segerstam and Pehr Henrik Nurdgren; analysis is given to Segerstam’s Symphony No.14 “Moments of Peace III” and Nurdgren’s Sixth Symphony “Interdependence” (1999–2000), which have different orchestral ensembles and structure. Segerstam’s symphony presents a 16-movement cycle for tenor and symphony orchestra and discloses …
Concerning the Issue of Studying the Specific Features of Intonating in the Finnish-Ugric Monody of the Improvisational Kind
The article is devoted to the topical subject of cognitive ethnomusicology – the issue of researching specific features of intonating in the monodic musical traditions of the Finnish- Ugric peoples. Attention is focused on traditional musical improvisations which present a broad domain in the traditions of various ethnic groups in their diversity of types and varieties. The present subject is elucidated by examples of traditional improvisations o…
Jean Barraqué
The article examines the aesthetical views of French composer Jean Barraqué during the period of the formation and development of the principles of serialism. The roles of Schoenberg and Beethoven in the formation of the master’s artistic worldview are singled out. The path towards the new conception of sonar thinking for Barraqué were determined by Olivier Messiaen’s music analysis courses, the familiarization with the books of René Leibowitz de…
Typological Model of the Basso Ostinato in Carl Nielsen’s Fifth Symphony
Danish composer Carl Nielsen was the only European symphonist from the first half of the 20th century to be endowed with a peasant mentality. Being active in the midst of the aesthetical and technical changes of the late 19th and early 20th centuries and being opposed both to Romanticism and to the art of the fin de siècle, he possessed his own perception of what music can express and what is the Alpha and Omega of music. The article researches t…
Nikolai Myaskovsky on the Pages of the Journal “Sovetskaya Muzyka” During the Years 1933–1951
Nikolai Yakovlevich Myaskovsky enjoyed the leading position in the pantheon of Soviet classics. At the center of the author’s attention is the image of Myaskovsky the composer appearing on the pages of the journal “Sovetskaya muzyka” (the official edition of the Soviet Composers’ Union). The carried out content analysis of articles dating from the year 1933–1951 makes it possible for us to assert that Myaskovsky is presented in the press as a Sov…
Monody as an Object of Study of Cognitive Ethnomusicology
The article discusses monody as a phenomenon of musical culture and the archetypal type of thinking for many peoples of the world. Examination is made of the historiography, terminological apparatus and practice of applying the term in Russian musicology as well as in musicological systems of other countries. Despite the fact that monody is intrinsic to the musical cultures of many peoples, it has remained practically unstudied from the positions…
Russian Wikipedia vs Great Russian Encyclopedia
The article addresses the issue of cultural recycling of academic music from the Soviet period. The referential texts in the Russian Wikipedia and the Great Russian Encyclopedia, currently presented for the general public in the Internet space, were selected as examples for the analysis. A comparative analysis of articles on music and the composers who lived and worked in the USSR (including Sergei Prokofiev, Dmitri Shostakovich, Dmitri Kabalevsk…
“Ach Golgatha!” by Karel Goeyvarts in the Aspect of Synthesis of Serialism, Aleatory Technique and Minimalism
Karel Goeyvaerts was a Belgian composer whose musical output exerted an influence on Western European serial and electronic music. the compositional techniques which he incorporated into his music at various periods of time always served his main goal – to manifest the ideas of the Absolute and Perfection. During the 1970s and the 1980s the composer focused his attention on the aleatory technique and minimalism. His best compositions from those y…
Art (12 works) · Literature (7 works) · Philosophy (7 works) · Linguistics (6 works) · Aesthetics (5 works) · Diverse Musicological Studies (5 works) · History (5 works) · Musical (5 works) · Computer Science (4 works) · Epistemology (3 works)