Lyubov A Kupets
Biographic Data
| ID | 8818506 |
|---|---|
| NAME | Lyubov A Kupets |
| GIVEN NAMES | Lyubov A |
| FAMILY NAME | Kupets |
| SIGNATURE | KUPETS L A |
| ORCID | 0000-0003-3344-2318 |
| VERIFIED | Yes |
| TOTAL WORKS | 4 |
| TOTAL CITATIONS | 0 |
| WORKS AS AUTHOR | 4 |
| WORKS AS EDITOR | 0 |
| FIRST PUBLICATION YEAR | 2018 |
| LATEST PUBLICATION YEAR | 2024 |
| H-INDEX | 0 |
Music of the Soviet Era as Public History (Based on Materials of the Arzamas Website)
This article is devoted to the phenomenon of Soviet music as presented in the Russian‐language educational project Arzamas (2015–2023). Posted in the public domain of the Internet, the materials on the Arzamas website fully fit into the interdisciplinary discourse of public history. In this article, the author selects and from the perspective of cultural recycling analyses an array of materials of the Soviet period presented on the website: from …
Russian Wikipedia vs Great Russian Encyclopedia
The article addresses the issue of cultural recycling of academic music from the Soviet period. The referential texts in the Russian Wikipedia and the Great Russian Encyclopedia, currently presented for the general public in the Internet space, were selected as examples for the analysis. A comparative analysis of articles on music and the composers who lived and worked in the USSR (including Sergei Prokofiev, Dmitri Shostakovich, Dmitri Kabalevsk…
Opera Criticism in Russia in the Early 21st Century
Opera criticism in post-Soviet Russia has had an almost 30-year history, which can be divided chronologically into three periods. The first, spanning from the 1990s to the early 2000s, is considered to be the brightest and most remarkable. During that period there emerged simultaneously two types of musical criticism – the narrowly specialized and the universal – which have coexisted together. The latter type, created by Piotr Pospelov and his co…
Texts about Music for Children and Young Musicians
Учебники по музыкальной литературе в СССР как обязательная часть образовательного процесса детских музыкальных школ и училищ появились в конце 1960-х – начале 1970-х годов. Изначально они были связаны с идеологически-воспитательными функциями, что характерно для советского школьного образования, особенно в гуманитарной сфере. Учебники по литературе, вероятно, стали образцом методического подхода для учебников по музыкальной литературе. Это наибол…
No prominent works on this page.
Texts about Music for Children and Young Musicians
Учебники по музыкальной литературе в СССР как обязательная часть образовательного процесса детских музыкальных школ и училищ появились в конце 1960-х – начале 1970-х годов. Изначально они были связаны с идеологически-воспитательными функциями, что характерно для советского школьного образования, особенно в гуманитарной сфере. Учебники по литературе, вероятно, стали образцом методического подхода для учебников по музыкальной литературе. Это наибол…
Opera Criticism in Russia in the Early 21st Century
Opera criticism in post-Soviet Russia has had an almost 30-year history, which can be divided chronologically into three periods. The first, spanning from the 1990s to the early 2000s, is considered to be the brightest and most remarkable. During that period there emerged simultaneously two types of musical criticism – the narrowly specialized and the universal – which have coexisted together. The latter type, created by Piotr Pospelov and his co…
Russian Wikipedia vs Great Russian Encyclopedia
The article addresses the issue of cultural recycling of academic music from the Soviet period. The referential texts in the Russian Wikipedia and the Great Russian Encyclopedia, currently presented for the general public in the Internet space, were selected as examples for the analysis. A comparative analysis of articles on music and the composers who lived and worked in the USSR (including Sergei Prokofiev, Dmitri Shostakovich, Dmitri Kabalevsk…
Music of the Soviet Era as Public History (Based on Materials of the Arzamas Website)
This article is devoted to the phenomenon of Soviet music as presented in the Russian‐language educational project Arzamas (2015–2023). Posted in the public domain of the Internet, the materials on the Arzamas website fully fit into the interdisciplinary discourse of public history. In this article, the author selects and from the perspective of cultural recycling analyses an array of materials of the Soviet period presented on the website: from …
Art (4 works) · Literature (4 works) · Musical (4 works) · Aesthetics (3 works) · History (3 works) · Law (3 works) · Political science (3 works) · Media studies (2 works) · Politics (2 works) · Sociology (2 works)