Ririn Kurnia Trisnawati
Biographic Data
| ID | 8821443 |
|---|---|
| NAME | Ririn Kurnia Trisnawati |
| GIVEN NAMES | Ririn Kurnia |
| FAMILY NAME | Trisnawati |
| SIGNATURE | TRISNAWATI R K |
| AFFILIATIONS | Jenderal Soedirman University |
| ORCID | 0000-0001-5904-0929 |
| VERIFIED | Yes |
| TOTAL WORKS | 7 |
| TOTAL CITATIONS | 0 |
| WORKS AS AUTHOR | 7 |
| WORKS AS EDITOR | 0 |
| FIRST PUBLICATION YEAR | 2020 |
| LATEST PUBLICATION YEAR | 2026 |
| H-INDEX | 0 |
Night Entities in Orion and the Dark (2024) as Representation of Children’s Nyctophobia
Nyctophobia is a fear of the dark that is common among children, especially at night. Stereotypes of night as a quiet, lonely and mysterious time of day reinforce this fear. This study examines how the night entity characters in Orion and the Dark (2024) represent Orion's fear of darkness. While most previous studies have focused on main character or narrative structures, few have explored how supporting characters symbolically shape children’s e…
Representation of Asian Women within Male-Dominated Workplaces in Gadis Kretek (2023) and Kill Boksoon (2023)
This study investigates the portrayal of Asian women in male-dominated industries through the analysis of the Netflix film Kill Boksoon (2023) and the Netflix series Gadis Kretek (2023). The primary objective is to explore the representation of Asian women across different media narratives, with a particular focus on occupational environments characterized by male predominance. Furthermore, the study utilizes Van Zoonen’s (1985) theory of gender …
Women in Mass Media in Under the Silver Lake (2018)
This study examines the portrayal of women in the mass media in a movie Under the Silver Lake (2018). This study used a qualitative method and Saussure’s semiotic theory to analyze women in the mass media in the movie, particularly on the connection between the portrayal of women and its meaning based on social conception. There are two types of mass media in the movie that are analyzed: print ads and magazines. The first focuses on the 1969 Tipa…
Making Meaning of Inanimate Objects as Characters in The Blue Umbrella (2013)
This study aims to reveal deeper and different meaning of an inanimate object, specifically umbrella, from naked eye's perspective in The Blue Umbrella Film. The Blue Umbrella Film, an animated short film directed by Saschka Unsled, employs inanimate objects as the characters as seen through the distinct human's facial expression painted on the black, blue, and red umbrellas To pursue the aim of this study, qualitative method was conducted togeth…
“From the Series, I See that LGBTQ+ Characters are Ordinary People”
The research focused on how the audience of gender-diverse series in Indonesia reacted to the LGBTQ+ themes broadcasted in some Netflix series aired from 2020 to 2022. It was interesting to discuss, considering that LGBTQ+ issues were still taboo, and that Indonesian society was known to be conventional and religious. By examining the audience’s reactions to the narration of LGBTQ+ themes, the research delved deeper into how Indonesian audience m…
“Please Don’t Treat Me Like a Servant. I Do Have My Rights”
Facilitated by The Voice of Singapore’s Invisible Hands, a non-profit organization (NPO) that promotes the rights and welfare of migrant workers in Singapore through literary works on Facebook, some Indonesian Migrant Domestic Workers (IMDWs) in Singapore such as Seruni, Fadillah, et. al., to name a few, have been able to publish their poems and short stories in an anthology entitled “Familiar Strangers” (2018). To add to the current studies of l…
Gema Dari Menara (1968)
Gema Dari Menara (1968) was intended as a mode of da’wah (the propagation of Islamic teachings) in response to the situation faced by the local community in Brunei at that time. Following its status as a medium of disseminating the Islamic values, the film embodies Islamic teachings that guide Bruneian Muslims to fully embrace Islam. This current study aims to unravel the meaning of the Islamic value of Amar Ma’ruf Nahi Mungkar (enjoining good an…
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Gema Dari Menara (1968)
Gema Dari Menara (1968) was intended as a mode of da’wah (the propagation of Islamic teachings) in response to the situation faced by the local community in Brunei at that time. Following its status as a medium of disseminating the Islamic values, the film embodies Islamic teachings that guide Bruneian Muslims to fully embrace Islam. This current study aims to unravel the meaning of the Islamic value of Amar Ma’ruf Nahi Mungkar (enjoining good an…
“Please Don’t Treat Me Like a Servant. I Do Have My Rights”
Facilitated by The Voice of Singapore’s Invisible Hands, a non-profit organization (NPO) that promotes the rights and welfare of migrant workers in Singapore through literary works on Facebook, some Indonesian Migrant Domestic Workers (IMDWs) in Singapore such as Seruni, Fadillah, et. al., to name a few, have been able to publish their poems and short stories in an anthology entitled “Familiar Strangers” (2018). To add to the current studies of l…
Making Meaning of Inanimate Objects as Characters in The Blue Umbrella (2013)
This study aims to reveal deeper and different meaning of an inanimate object, specifically umbrella, from naked eye's perspective in The Blue Umbrella Film. The Blue Umbrella Film, an animated short film directed by Saschka Unsled, employs inanimate objects as the characters as seen through the distinct human's facial expression painted on the black, blue, and red umbrellas To pursue the aim of this study, qualitative method was conducted togeth…
“From the Series, I See that LGBTQ+ Characters are Ordinary People”
The research focused on how the audience of gender-diverse series in Indonesia reacted to the LGBTQ+ themes broadcasted in some Netflix series aired from 2020 to 2022. It was interesting to discuss, considering that LGBTQ+ issues were still taboo, and that Indonesian society was known to be conventional and religious. By examining the audience’s reactions to the narration of LGBTQ+ themes, the research delved deeper into how Indonesian audience m…
Women in Mass Media in Under the Silver Lake (2018)
This study examines the portrayal of women in the mass media in a movie Under the Silver Lake (2018). This study used a qualitative method and Saussure’s semiotic theory to analyze women in the mass media in the movie, particularly on the connection between the portrayal of women and its meaning based on social conception. There are two types of mass media in the movie that are analyzed: print ads and magazines. The first focuses on the 1969 Tipa…
Representation of Asian Women within Male-Dominated Workplaces in Gadis Kretek (2023) and Kill Boksoon (2023)
This study investigates the portrayal of Asian women in male-dominated industries through the analysis of the Netflix film Kill Boksoon (2023) and the Netflix series Gadis Kretek (2023). The primary objective is to explore the representation of Asian women across different media narratives, with a particular focus on occupational environments characterized by male predominance. Furthermore, the study utilizes Van Zoonen’s (1985) theory of gender …
Night Entities in Orion and the Dark (2024) as Representation of Children’s Nyctophobia
Nyctophobia is a fear of the dark that is common among children, especially at night. Stereotypes of night as a quiet, lonely and mysterious time of day reinforce this fear. This study examines how the night entity characters in Orion and the Dark (2024) represent Orion's fear of darkness. While most previous studies have focused on main character or narrative structures, few have explored how supporting characters symbolically shape children’s e…
Sociology (4 works) · Art (3 works) · Philosophy (3 works) · Political science (3 works) · Semiotics (3 works) · Asian Culture and Media Studies (2 works) · Gender Studies (2 works) · Law (2 works) · Linguistics (2 works) · Media studies (2 works)