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Victor J Caldarola

Biographic Data

ID88232
NAMEVictor J Caldarola
GIVEN NAMESVictor J
FAMILY NAMECaldarola
SIGNATURECALDAROLA V J
AFFILIATIONSUniversity of Pennsylvania
VERIFIEDNo
TOTAL WORKS5
TOTAL CITATIONS22
AUTHOR COUNT5
EDITOR COUNT0
FIRST PUBLICATION YEAR1985
LATEST PUBLICATION YEAR1994
H-INDEX3
  • Embracing the Media Simulacrum

    Open Access•Victor J Caldarola•ARTICLE•Visual Anthropology Review•1994•Cited by: 4•References: 5

  • Time and the Television War

    Victor J Caldarola•ARTICLE•Public Culture•1992•Cited by: 1

    Research Article| May 01 1992 Time and the Television War Victor J. Caldarola Victor J. Caldarola Search for other works by this author on: This Site Google Public Culture (1992) 4 (2): 127–136. https://doi.org/10.1215/08992363-4-2-127 Cite Icon Cite Share Icon Share Facebook Twitter LinkedIn MailTo Permissions Search Site Citation Victor J. Caldarola; Time and the Television War. Public Culture 1 May 1992; 4 (2): 127–136. doi: https://doi.org/10…

  • Book and film review

    Victor J Caldarola•ARTICLE•Visual Anthropology•1991•References: 1

    Magical Curing A film by William E. Mitchell; Editors: James Blouin, Anthony Frost, William E. Mitchell, and Philip Robinson. 1988, black‐and‐white, 25 minutes, 1/2" video. English narration. Sale Price: $29.95. Distributor: Waveland Press, P.O. Box 400, Prospect Heights, IL 60070, USA, (708–634–0081). The Bamboo Fire: Field Work with the New Guinea Wape By William E. Mitchell. Second edition, 1987, 271 pages, $9.50 paper. Prospect Heights, IL: W…

  • Imaging process as ethnographic inquiry

    Victor J Caldarola•ARTICLE•Visual Anthropology•1988•Cited by: 4•References: 9

    This paper considers the predicament of ethnographic photography in the current period of paradigm transition. The dominant mode of ethnographic imaging has remained severely constrained by the genre conventions of documentary, and so the practice was relegated to the poetic margins of social science discourse. But, as this paper argues, the paradox of visual representation is not inherent in the medium, rather it stems from the imaging process a…

  • Visual Contexts: A Photographic Research Method in Anthropology

    Open Access•Victor J Caldarola•ARTICLE•Studies in Visual Communication•1985•Cited by: 13

  • Visual Contexts: A Photographic Research Method in Anthropology

    Open Access•Victor J Caldarola•ARTICLE•Studies in Visual Communication•1985•Cited by: 13

  • Embracing the Media Simulacrum

    Open Access•Victor J Caldarola•ARTICLE•Visual Anthropology Review•1994•Cited by: 4•References: 5

  • Imaging process as ethnographic inquiry

    Victor J Caldarola•ARTICLE•Visual Anthropology•1988•Cited by: 4•References: 9

    This paper considers the predicament of ethnographic photography in the current period of paradigm transition. The dominant mode of ethnographic imaging has remained severely constrained by the genre conventions of documentary, and so the practice was relegated to the poetic margins of social science discourse. But, as this paper argues, the paradox of visual representation is not inherent in the medium, rather it stems from the imaging process a…

  • Time and the Television War

    Victor J Caldarola•ARTICLE•Public Culture•1992•Cited by: 1

    Research Article| May 01 1992 Time and the Television War Victor J. Caldarola Victor J. Caldarola Search for other works by this author on: This Site Google Public Culture (1992) 4 (2): 127–136. https://doi.org/10.1215/08992363-4-2-127 Cite Icon Cite Share Icon Share Facebook Twitter LinkedIn MailTo Permissions Search Site Citation Victor J. Caldarola; Time and the Television War. Public Culture 1 May 1992; 4 (2): 127–136. doi: https://doi.org/10…

  • Visual Contexts: A Photographic Research Method in Anthropology

    Open Access•Victor J Caldarola•ARTICLE•Studies in Visual Communication•1985•Cited by: 13

  • Imaging process as ethnographic inquiry

    Victor J Caldarola•ARTICLE•Visual Anthropology•1988•Cited by: 4•References: 9

    This paper considers the predicament of ethnographic photography in the current period of paradigm transition. The dominant mode of ethnographic imaging has remained severely constrained by the genre conventions of documentary, and so the practice was relegated to the poetic margins of social science discourse. But, as this paper argues, the paradox of visual representation is not inherent in the medium, rather it stems from the imaging process a…

  • Book and film review

    Victor J Caldarola•ARTICLE•Visual Anthropology•1991•References: 1

    Magical Curing A film by William E. Mitchell; Editors: James Blouin, Anthony Frost, William E. Mitchell, and Philip Robinson. 1988, black‐and‐white, 25 minutes, 1/2" video. English narration. Sale Price: $29.95. Distributor: Waveland Press, P.O. Box 400, Prospect Heights, IL 60070, USA, (708–634–0081). The Bamboo Fire: Field Work with the New Guinea Wape By William E. Mitchell. Second edition, 1987, 271 pages, $9.50 paper. Prospect Heights, IL: W…

  • Time and the Television War

    Victor J Caldarola•ARTICLE•Public Culture•1992•Cited by: 1

    Research Article| May 01 1992 Time and the Television War Victor J. Caldarola Victor J. Caldarola Search for other works by this author on: This Site Google Public Culture (1992) 4 (2): 127–136. https://doi.org/10.1215/08992363-4-2-127 Cite Icon Cite Share Icon Share Facebook Twitter LinkedIn MailTo Permissions Search Site Citation Victor J. Caldarola; Time and the Television War. Public Culture 1 May 1992; 4 (2): 127–136. doi: https://doi.org/10…

  • Embracing the Media Simulacrum

    Open Access•Victor J Caldarola•ARTICLE•Visual Anthropology Review•1994•Cited by: 4•References: 5

Sociology (4 works) · Art (3 works) · Computer Science (3 works) · Anthropology (2 works) · Citation (2 works) · Ethnography (2 works) · Media studies (2 works) · Photography (2 works) · Rhetoric and Communication Studies (2 works) · Visual arts (2 works)

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