Olugbenga Oladeji ABOKEDE
Biographic Data
| ID | 8832747 |
|---|---|
| NAME | Olugbenga Oladeji ABOKEDE |
| GIVEN NAMES | Olugbenga Oladeji |
| FAMILY NAME | ABOKEDE |
| SIGNATURE | ABOKEDE O O |
| AFFILIATIONS | Ladoke Akintola University of Technology |
| ORCID | 0000-0002-8660-0204 |
| VERIFIED | Yes |
| TOTAL WORKS | 4 |
| TOTAL CITATIONS | 0 |
| AUTHOR COUNT | 4 |
| EDITOR COUNT | 0 |
| FIRST PUBLICATION YEAR | 2024 |
| LATEST PUBLICATION YEAR | 2026 |
| H-INDEX | 0 |
Commercialization of Painting in Nigeria Artistic Landscape
Waste Phenomenology in Nigeria’s Postmodern Art
Globally, the paradigm shift from modern to postmodern art is actively traceable to the 1970s. This shift is known as postmodernism, a movement that embraces limitless enquiry in art, exemplified in “mass culture”; that is synthesis from any and every materials including waste. In Nigeria, this shift emerges in 2000, which became active and clearer in 2003 with Uche Onyishi’s “Ants” masterfully rendered from calabash, cup and wire wastes. Today t…
Potteryscaping Bruce Onobrakpeya’s Feminine Plastograph
This study is on Potteryscape1 as exemplified in selected Bruce Onobrakpeya’s feminine plastographs. Bruce, an artist cum nonagenarian from Urhobo extraction of Nigeria, born in the early 1930s and trained in the late 1950s through to early 1960s. He is, to say the least, an eclectic experimentalist, exponential arbiter and living legend. Bruce is noted for his incredible vigour for breaking new ground, significantly plastograph. He is arguably, …
A Time Series Analysis of Students’ Enrolment in Painting in Lautech Art School, Ogbomoso, Nigeria
A superior evaluation of students’ enrolment growth in painting in Lautech Art School needs a methodological approach that most research effort lack. Hence, this study generated Mathematical model to assess the trend, direction and students’ enrolment in painting with the effluxion of year. It also examined the influence of year factor in enrolment and correlation between enrolment in painting and other specialisation areas. Secondary data were s…
No prominent works on this page.
Waste Phenomenology in Nigeria’s Postmodern Art
Globally, the paradigm shift from modern to postmodern art is actively traceable to the 1970s. This shift is known as postmodernism, a movement that embraces limitless enquiry in art, exemplified in “mass culture”; that is synthesis from any and every materials including waste. In Nigeria, this shift emerges in 2000, which became active and clearer in 2003 with Uche Onyishi’s “Ants” masterfully rendered from calabash, cup and wire wastes. Today t…
Potteryscaping Bruce Onobrakpeya’s Feminine Plastograph
This study is on Potteryscape1 as exemplified in selected Bruce Onobrakpeya’s feminine plastographs. Bruce, an artist cum nonagenarian from Urhobo extraction of Nigeria, born in the early 1930s and trained in the late 1950s through to early 1960s. He is, to say the least, an eclectic experimentalist, exponential arbiter and living legend. Bruce is noted for his incredible vigour for breaking new ground, significantly plastograph. He is arguably, …
A Time Series Analysis of Students’ Enrolment in Painting in Lautech Art School, Ogbomoso, Nigeria
A superior evaluation of students’ enrolment growth in painting in Lautech Art School needs a methodological approach that most research effort lack. Hence, this study generated Mathematical model to assess the trend, direction and students’ enrolment in painting with the effluxion of year. It also examined the influence of year factor in enrolment and correlation between enrolment in painting and other specialisation areas. Secondary data were s…
Commercialization of Painting in Nigeria Artistic Landscape
Sociology (3 works) · Architecture, Art, Education (2 works) · Art (2 works) · Art history (2 works) · Cultural Industries and Urban Development (2 works) · Literature (2 works) · Painting (2 works) · The arts (2 works) · Aesthetics (1 works) · African Education and Politics (1 works)