Sondos Qinnab
Biographic Data
| ID | 8835706 |
|---|---|
| NAME | Sondos Qinnab |
| GIVEN NAMES | Sondos |
| FAMILY NAME | Qinnab |
| SIGNATURE | QINNAB S |
| AFFILIATIONS | An-Najah National University |
| VERIFIED | No |
| TOTAL WORKS | 2 |
| TOTAL CITATIONS | 0 |
| WORKS AS AUTHOR | 2 |
| WORKS AS EDITOR | 0 |
| FIRST PUBLICATION YEAR | 2023 |
| LATEST PUBLICATION YEAR | 2026 |
| H-INDEX | 0 |
Reflective nostalgia and collective memory in Fawaz Turki’s Exile’s Return and Andrew X. Pham’s Catfish and Mandala
This essay examines the performativity of nostalgia in reconstituting Pham’s and Turki’s collective memory. It challenges the pathological views of nostalgia, representing it as a productive sentiment, as an emotion that engages sweet and agonizing memories together to resolve the present estrangement of the returnee. Following Svetlana Boym’s “reflective nostalgia”, this essay mainly sets out to discuss Pham’s and Turki’s failure to reconnect wi…
“Words, Words, Words”
This article examines Mourid Barghouti’s appropriation of Shakespeare’s Hamlet (1603) in his memoir I Saw Ramallah published originally in Arabic in 1997 and translated into English in 2000. The memoir documents his temporary return to Palestine after 30 years of exile and his criticism of the delusional life of Palestinians post Oslo accords which, as he argues, undermined the rights of Palestinians for autonomy, sovereignty and self-determinati…
No prominent works on this page.
“Words, Words, Words”
This article examines Mourid Barghouti’s appropriation of Shakespeare’s Hamlet (1603) in his memoir I Saw Ramallah published originally in Arabic in 1997 and translated into English in 2000. The memoir documents his temporary return to Palestine after 30 years of exile and his criticism of the delusional life of Palestinians post Oslo accords which, as he argues, undermined the rights of Palestinians for autonomy, sovereignty and self-determinati…
Reflective nostalgia and collective memory in Fawaz Turki’s Exile’s Return and Andrew X. Pham’s Catfish and Mandala
This essay examines the performativity of nostalgia in reconstituting Pham’s and Turki’s collective memory. It challenges the pathological views of nostalgia, representing it as a productive sentiment, as an emotion that engages sweet and agonizing memories together to resolve the present estrangement of the returnee. Following Svetlana Boym’s “reflective nostalgia”, this essay mainly sets out to discuss Pham’s and Turki’s failure to reconnect wi…
Appropriation (1 work) · Art (1 work) · Collective memory (1 work) · Comedy (1 work) · Gender Studies (1 work) · German Colonialism and Identity Studies (1 work) · Global Maritime and Colonial Histories (1 work) · History (1 work) · Homeland (1 work) · Jewish and Middle Eastern Studies (1 work)