Josep Pujol-Coll
Biographic Data
| ID | 8835853 |
|---|---|
| NAME | Josep Pujol-Coll |
| GIVEN NAMES | Josep |
| FAMILY NAME | Pujol-Coll |
| SIGNATURE | PUJOL-COLL J |
| AFFILIATIONS | Catalonia College of Music |
| ORCID | 0000-0002-5285-0539 |
| VERIFIED | Yes |
| TOTAL WORKS | 2 |
| TOTAL CITATIONS | 0 |
| WORKS AS AUTHOR | 2 |
| WORKS AS EDITOR | 0 |
| FIRST PUBLICATION YEAR | 2021 |
| LATEST PUBLICATION YEAR | 2026 |
| H-INDEX | 0 |
Beyond the margins
This article examines the paradoxical status of eight Afro-Iberian musicians at the court of Philip IV of Spain. Documented from 1657 onwards, these men occupied a hybrid position: though referred to in archival sources as enslaved, they were afforded the markers of professional artists, including specialized training, royal patronage and financial provision. Drawing on fragmentary archival evidence and methodological frameworks from Saidiya Hart…
‘Den lugar a los negrillos’
Este artículo analiza la aparición de los bailes en los villancicos “de negro” para indagar sobre la contribución de los iberoafricanos en la cultura musical y coreográfica de la España del siglo XVII. Concretamente, a partir de un corpus de cincuenta textos, se toman en cuenta los bailes y danzas que aparecen descritos en ellos, especialmente los guineos, los zarambeques y cumbés, aunque también otros no directamente relacionados con los bailes …
No prominent works on this page.
‘Den lugar a los negrillos’
Este artículo analiza la aparición de los bailes en los villancicos “de negro” para indagar sobre la contribución de los iberoafricanos en la cultura musical y coreográfica de la España del siglo XVII. Concretamente, a partir de un corpus de cincuenta textos, se toman en cuenta los bailes y danzas que aparecen descritos en ellos, especialmente los guineos, los zarambeques y cumbés, aunque también otros no directamente relacionados con los bailes …
Beyond the margins
This article examines the paradoxical status of eight Afro-Iberian musicians at the court of Philip IV of Spain. Documented from 1657 onwards, these men occupied a hybrid position: though referred to in archival sources as enslaved, they were afforded the markers of professional artists, including specialized training, royal patronage and financial provision. Drawing on fragmentary archival evidence and methodological frameworks from Saidiya Hart…
Hispanic-African Historical Relations (2 works) · Art (1 work) · Early Modern Spanish Literature (1 work) · History, Culture, and Diplomacy (1 work) · Humanities (1 work) · Philosophy (1 work) · Spanish Literature and Culture Studies (1 work) · Theater, Performance, and Music History (1 work)