Andrea Pauw
Biographic Data
| ID | 8836052 |
|---|---|
| NAME | Andrea Pauw |
| GIVEN NAMES | Andrea |
| FAMILY NAME | Pauw |
| SIGNATURE | PAUW A |
| AFFILIATIONS | Christopher Newport University |
| VERIFIED | No |
| TOTAL WORKS | 3 |
| TOTAL CITATIONS | 0 |
| WORKS AS AUTHOR | 3 |
| WORKS AS EDITOR | 0 |
| FIRST PUBLICATION YEAR | 2023 |
| LATEST PUBLICATION YEAR | 2026 |
| H-INDEX | 0 |
A New (Textual) World
Once referred to as ‘las Indias de la literatura española’, aljamiado manuscripts have long existed on the margins of Spanish literature. Produced by mudejars and moriscos in the late medieval and early modern period, the extant manuscripts lay untouched for centuries until their startling discovery and subsequent publication in collected editions made them accessible to Spanish readers. This article argues that the selective inclusion and anxiou…
Eschatological Soundscapes
Copied by an Aragonese Morisco in the early seventeenth century, the Coplas sacadas de los castigos del hijo de Edam challenge the narrative of cultural decline often attributed to Moriscos. Attending to the poem’s oral and aural contexts of diffusion reveals efforts to preserve the sounds of the Qurʾān through a quintessential Castilian verse form and the Latin script. By reconsidering the ends and means of Morisco poetry from the perspective of…
‘Oyó una voz’
Around the turn of the seventeenth century, Aragonese Moriscos (Muslims who converted to Christianity in the sixteenth century) versified several foundational Aljamiado texts ( romance -language texts written with the Arabic script). Many of these poetic adaptations were copied in Latin-script manuscripts, as exemplified by Muhammad Rabadán’s Libro de las luces (1603). This chapter brings critical attention to another Latin-script poem copied aro…
No prominent works on this page.
‘Oyó una voz’
Around the turn of the seventeenth century, Aragonese Moriscos (Muslims who converted to Christianity in the sixteenth century) versified several foundational Aljamiado texts ( romance -language texts written with the Arabic script). Many of these poetic adaptations were copied in Latin-script manuscripts, as exemplified by Muhammad Rabadán’s Libro de las luces (1603). This chapter brings critical attention to another Latin-script poem copied aro…
Eschatological Soundscapes
Copied by an Aragonese Morisco in the early seventeenth century, the Coplas sacadas de los castigos del hijo de Edam challenge the narrative of cultural decline often attributed to Moriscos. Attending to the poem’s oral and aural contexts of diffusion reveals efforts to preserve the sounds of the Qurʾān through a quintessential Castilian verse form and the Latin script. By reconsidering the ends and means of Morisco poetry from the perspective of…
A New (Textual) World
Once referred to as ‘las Indias de la literatura española’, aljamiado manuscripts have long existed on the margins of Spanish literature. Produced by mudejars and moriscos in the late medieval and early modern period, the extant manuscripts lay untouched for centuries until their startling discovery and subsequent publication in collected editions made them accessible to Spanish readers. This article argues that the selective inclusion and anxiou…
Historical and Linguistic Studies (3 works) · Early Modern Spanish Literature (2 works) · Hispanic-African Historical Relations (2 works) · Poetry (2 works) · Arabic (1 work) · Art (1 work) · Christianity (1 work) · Embodied cognition (1 work) · Geology (1 work) · Geomorphology (1 work)