Harry Warwick
Biographic Data
| ID | 8836198 |
|---|---|
| NAME | Harry Warwick |
| GIVEN NAMES | Harry |
| FAMILY NAME | Warwick |
| SIGNATURE | WARWICK H |
| AFFILIATIONS | Humanities Graduate School, University of Southampton |
| ORCID | 0000-0003-2371-9133 |
| VERIFIED | No |
| TOTAL WORKS | 4 |
| TOTAL CITATIONS | 0 |
| AUTHOR COUNT | 4 |
| EDITOR COUNT | 0 |
| FIRST PUBLICATION YEAR | 2018 |
| LATEST PUBLICATION YEAR | 2026 |
| H-INDEX | 0 |
Estrangement
Entry for special issue, 'Keywords for Value and Culture'
Cathedral of Power
Standing on the south bank of the Thames, today, its chimneys reconstructed, its brickwork restored, its roof replaced, Battersea Power Station betrays few of the troubles that plagued its development and redevelopment (Figure 1). Like many of London’s power stations, Battersea began as two separate units: Battersea A, the western wing, opened in 1933, and Battersea B, the eastern wing, in 1955. Unlike many of these other power stations, however,…
Commodity horror
Videodrome arrived in North American cinemas in 1983, four years before the Mulroney administration agreed its free trade deal with the United States, and at a moment when the relationship between Canadian and American media cultures was rapidly changing. Since the 1950s, Canadian culture had become increasingly industrialised – or as some preferred to argue, Americanised – through the privatisation of the airwaves, the development of cable and s…
Enclosure is Back
Peter Linebaugh’s Stop, Thief! aims to ‘join the alarm against neoliberalism’ by invoking the bloody history of enclosure. The essays collected in this book range in their focus from Karl Marx’s intellectual formation, to the history of the Luddites, to the privatisation of Mexican ejidos . Linebaugh’s idiosyncratic style, resisting abstraction and high theory, inscribes the nuances of the class struggle into the context of the commons. It effect…
No prominent works on this page.
Enclosure is Back
Peter Linebaugh’s Stop, Thief! aims to ‘join the alarm against neoliberalism’ by invoking the bloody history of enclosure. The essays collected in this book range in their focus from Karl Marx’s intellectual formation, to the history of the Luddites, to the privatisation of Mexican ejidos . Linebaugh’s idiosyncratic style, resisting abstraction and high theory, inscribes the nuances of the class struggle into the context of the commons. It effect…
Commodity horror
Videodrome arrived in North American cinemas in 1983, four years before the Mulroney administration agreed its free trade deal with the United States, and at a moment when the relationship between Canadian and American media cultures was rapidly changing. Since the 1950s, Canadian culture had become increasingly industrialised – or as some preferred to argue, Americanised – through the privatisation of the airwaves, the development of cable and s…
Cathedral of Power
Standing on the south bank of the Thames, today, its chimneys reconstructed, its brickwork restored, its roof replaced, Battersea Power Station betrays few of the troubles that plagued its development and redevelopment (Figure 1). Like many of London’s power stations, Battersea began as two separate units: Battersea A, the western wing, opened in 1933, and Battersea B, the eastern wing, in 1955. Unlike many of these other power stations, however,…
Estrangement
Entry for special issue, 'Keywords for Value and Culture'
History (3 works) · Archaeology (2 works) · Law (2 works) · Political science (2 works) · Sociology (2 works) · Abstraction (1 works) · Art (1 works) · Art history (1 works) · Canadian Identity and History (1 works) · Censorship (1 works)