Iryna Kostanda
Biographic Data
| ID | 8836693 |
|---|---|
| NAME | Iryna Kostanda |
| GIVEN NAMES | Iryna |
| FAMILY NAME | Kostanda |
| SIGNATURE | KOSTANDA I |
| AFFILIATIONS | Borys Grinchenko Kyiv Metropolitan University |
| VERIFIED | No |
| TOTAL WORKS | 2 |
| TOTAL CITATIONS | 0 |
| WORKS AS AUTHOR | 2 |
| WORKS AS EDITOR | 0 |
| FIRST PUBLICATION YEAR | 2023 |
| LATEST PUBLICATION YEAR | 2026 |
| H-INDEX | 0 |
Food as a Narrative Code in Water Margin
The paper consideres food-related imagery in the classical Chinese novel Water Margin (“水滸傳”) as a narrative tool that structures social interaction and shapes characters’ behavioral patterns. Rather than treating gastronomic references as descriptive details or ethnographic background, the study perceives scenes of eating, drinking, and food-related rituals as integral elements of the text’s narrative organization. The analysis demonstrates that…
Codification of Composition Structures in the Works of Jin Shentan
The research works of the prominent literary critic Jin Shentan, the scientist who laid the foundation for the research and codification traditions of literary works composition features in the Baihua language, are analyzed in the article. Composition structures or laws of creating a text represent an original aesthetic phenomenon in the national and cultural space of the Chinese literary texts; studying this phenomenon reveals the ideological, a…
No prominent works on this page.
Codification of Composition Structures in the Works of Jin Shentan
The research works of the prominent literary critic Jin Shentan, the scientist who laid the foundation for the research and codification traditions of literary works composition features in the Baihua language, are analyzed in the article. Composition structures or laws of creating a text represent an original aesthetic phenomenon in the national and cultural space of the Chinese literary texts; studying this phenomenon reveals the ideological, a…
Food as a Narrative Code in Water Margin
The paper consideres food-related imagery in the classical Chinese novel Water Margin (“水滸傳”) as a narrative tool that structures social interaction and shapes characters’ behavioral patterns. Rather than treating gastronomic references as descriptive details or ethnographic background, the study perceives scenes of eating, drinking, and food-related rituals as integral elements of the text’s narrative organization. The analysis demonstrates that…
Art (1 work) · Computer Science (1 work) · Culinary Culture and Tourism (1 work) · Embodied cognition (1 work) · Epistemology (1 work) · Folklore, Mythology, and Literature Studies (1 work) · History (1 work) · Ideology (1 work) · Imitation (1 work) · Indexicality (1 work)