Emily Christina Murphy
Biographic Data
| ID | 8838511 |
|---|---|
| NAME | Emily Christina Murphy |
| GIVEN NAMES | Emily Christina |
| FAMILY NAME | Murphy |
| SIGNATURE | MURPHY E C |
| AFFILIATIONS | University of British Columbia, Okanagan Campus |
| ORCID | 0000-0003-0906-6201 |
| VERIFIED | Yes |
| TOTAL WORKS | 2 |
| TOTAL CITATIONS | 0 |
| WORKS AS AUTHOR | 2 |
| WORKS AS EDITOR | 0 |
| FIRST PUBLICATION YEAR | 2022 |
| LATEST PUBLICATION YEAR | 2026 |
| H-INDEX | 0 |
Duende on Tape
This article examines Canadian poet Gwendolyn MacEwen’s radio program, “Gwendolyn MacEwen Introduces” (April 26, 1969; Canadian Broadcasting Company [CBC] Radio) that features Federico García Lorca’s famous lecture “Juego y teoría del duende” (1930). We argue that recovering MacEwen and Lorca together cultivates what we call “recursive aesthetics” within sound media. This aesthetics stretches across the transnational context of Lorca’s translatio…
“The lissome lady from Spain”
This article recovers the training and early career of Barbara Mary Beck “Conchita Triana” (1912–2006), the first professional flamenco dancer in Canada, whose professional career spanned from 1938 into the late 1950s. This recovery entails an exploration of archival records, analysis of the role of Spain for modernist Canadian artists across disciplines, performance histories of Canadian, American, and Spanish artists, and close reading of archi…
No prominent works on this page.
“The lissome lady from Spain”
This article recovers the training and early career of Barbara Mary Beck “Conchita Triana” (1912–2006), the first professional flamenco dancer in Canada, whose professional career spanned from 1938 into the late 1950s. This recovery entails an exploration of archival records, analysis of the role of Spain for modernist Canadian artists across disciplines, performance histories of Canadian, American, and Spanish artists, and close reading of archi…
Duende on Tape
This article examines Canadian poet Gwendolyn MacEwen’s radio program, “Gwendolyn MacEwen Introduces” (April 26, 1969; Canadian Broadcasting Company [CBC] Radio) that features Federico García Lorca’s famous lecture “Juego y teoría del duende” (1930). We argue that recovering MacEwen and Lorca together cultivates what we call “recursive aesthetics” within sound media. This aesthetics stretches across the transnational context of Lorca’s translatio…
Spanish Literature and Culture Studies (2 works) · Active listening (1 work) · Aesthetics (1 work) · Anthropology (1 work) · Appropriation (1 work) · Art (1 work) · Art history (1 work) · Broadcasting (networking) (1 work) · Canadian Identity and History (1 work) · Conceptualization (1 work)