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Han Kuo-Huang

Biographic Data

ID88462
NAMEHan Kuo-Huang
GIVEN NAMESHan
FAMILY NAMEKuo-Huang
SIGNATUREKUO-HUANG H
VERIFIEDNo
TOTAL WORKS14
TOTAL CITATIONS8
AUTHOR COUNT14
EDITOR COUNT0
FIRST PUBLICATION YEAR1978
LATEST PUBLICATION YEAR2001
H-INDEX2
  • Liang Tsai-ping

    Han Kuo-Huang•CHAPTER•The new Grove dictionary of music…•2001

  • Taiwan

    Hsu Tsang-Houei, Lu Yu-Hsiu et al.•CHAPTER•The new Grove dictionary of music…•2001

  • A Guide to the Gamelan

    Han Kuo-Huang, Neil Sorrell•ARTICLE•Asian Music•1992

  • Folk Songs of the Han Chinese

    Han Kuo-Huang•ARTICLE•Asian Music•1989•Cited by: 2

    Comparaison entre le Nord et le Sud pour ce qui concerne : l'echelle et le mode, la progression melodique, la forme. Classification par type de chants (identification de la structure musicale, localisation, exemples) : chants de travail, chants de la montagne, chants lyriques| en annexe : echelles et modes musicaux, glossaire

  • A Pictorial Guide to the History of Chinese Music

    Han Kuo-Huang•ARTICLE•Asian Music•1989

  • A Musical Anthology of the Orient

    Han Kuo-Huang•ARTICLE•Ethnomusicology•1989

  • J. A. Van Aalst and His Chinese Music

    Han Kuo-Huang•ARTICLE•Asian Music•1988

  • Zhongguo Shaoshu Minzu Yueqi Zhi (The Musical Instruments of the Chinese National Minorities)

    Han Kuo-Huang, Yuan Bingchang et al.•ARTICLE•Asian Music•1988

  • East Asia

    Han Kuo-Huang•ARTICLE•Ethnomusicology•1985

  • Vocal Music of Contemporary China

    Nora Yeh, Han Kuo-Huang•ARTICLE•Ethnomusicology•1983

  • On Chinese Scales and National Modes

    Ho Lu-Ting, Han Kuo-Huang•ARTICLE•Asian Music•1982•Cited by: 1

    For years Chinese and Western studies on Chinese music theory have concentrated on the ancient mathematical systems. This is due to the availability of numerous historical documents and attitudes favoring the classical or refined culture. Since the 1950s, with the exception of the Cultural Revolution period (1966-76), a strong emphasis on the folk culture, along with a continuation of the study of the classical one, has been promoted in China. Am…

  • Chinese Music

    Han Kuo-Huang, Fredric Lieberman•ARTICLE•Ethnomusicology•1982

  • The Modern Chinese Orchestra

    Han Kuo-Huang, Judith A Gray et al.•ARTICLE•Asian Music•1979•Cited by: 5

  • The Chinese Concept of Program Music

    Han Kuo-Huang, Kuo-Huang Han•ARTICLE•Asian Music•1978

  • The Modern Chinese Orchestra

    Han Kuo-Huang, Judith A Gray et al.•ARTICLE•Asian Music•1979•Cited by: 5

  • Folk Songs of the Han Chinese

    Han Kuo-Huang•ARTICLE•Asian Music•1989•Cited by: 2

    Comparaison entre le Nord et le Sud pour ce qui concerne : l'echelle et le mode, la progression melodique, la forme. Classification par type de chants (identification de la structure musicale, localisation, exemples) : chants de travail, chants de la montagne, chants lyriques| en annexe : echelles et modes musicaux, glossaire

  • On Chinese Scales and National Modes

    Ho Lu-Ting, Han Kuo-Huang•ARTICLE•Asian Music•1982•Cited by: 1

    For years Chinese and Western studies on Chinese music theory have concentrated on the ancient mathematical systems. This is due to the availability of numerous historical documents and attitudes favoring the classical or refined culture. Since the 1950s, with the exception of the Cultural Revolution period (1966-76), a strong emphasis on the folk culture, along with a continuation of the study of the classical one, has been promoted in China. Am…

  • The Chinese Concept of Program Music

    Han Kuo-Huang, Kuo-Huang Han•ARTICLE•Asian Music•1978

  • The Modern Chinese Orchestra

    Han Kuo-Huang, Judith A Gray et al.•ARTICLE•Asian Music•1979•Cited by: 5

  • On Chinese Scales and National Modes

    Ho Lu-Ting, Han Kuo-Huang•ARTICLE•Asian Music•1982•Cited by: 1

    For years Chinese and Western studies on Chinese music theory have concentrated on the ancient mathematical systems. This is due to the availability of numerous historical documents and attitudes favoring the classical or refined culture. Since the 1950s, with the exception of the Cultural Revolution period (1966-76), a strong emphasis on the folk culture, along with a continuation of the study of the classical one, has been promoted in China. Am…

  • Chinese Music

    Han Kuo-Huang, Fredric Lieberman•ARTICLE•Ethnomusicology•1982

  • Vocal Music of Contemporary China

    Nora Yeh, Han Kuo-Huang•ARTICLE•Ethnomusicology•1983

  • East Asia

    Han Kuo-Huang•ARTICLE•Ethnomusicology•1985

  • J. A. Van Aalst and His Chinese Music

    Han Kuo-Huang•ARTICLE•Asian Music•1988

  • Zhongguo Shaoshu Minzu Yueqi Zhi (The Musical Instruments of the Chinese National Minorities)

    Han Kuo-Huang, Yuan Bingchang et al.•ARTICLE•Asian Music•1988

  • Folk Songs of the Han Chinese

    Han Kuo-Huang•ARTICLE•Asian Music•1989•Cited by: 2

    Comparaison entre le Nord et le Sud pour ce qui concerne : l'echelle et le mode, la progression melodique, la forme. Classification par type de chants (identification de la structure musicale, localisation, exemples) : chants de travail, chants de la montagne, chants lyriques| en annexe : echelles et modes musicaux, glossaire

  • A Pictorial Guide to the History of Chinese Music

    Han Kuo-Huang•ARTICLE•Asian Music•1989

  • A Musical Anthology of the Orient

    Han Kuo-Huang•ARTICLE•Ethnomusicology•1989

  • A Guide to the Gamelan

    Han Kuo-Huang, Neil Sorrell•ARTICLE•Asian Music•1992

  • Liang Tsai-ping

    Han Kuo-Huang•CHAPTER•The new Grove dictionary of music…•2001

  • Taiwan

    Hsu Tsang-Houei, Lu Yu-Hsiu et al.•CHAPTER•The new Grove dictionary of music…•2001

Art (10 works) · History (10 works) · Musicology and Musical Analysis (6 works) · Diverse Musicological Studies (5 works) · Literature (5 works) · Archaeology (4 works) · Asian Culture and Media Studies (4 works) · China (4 works) · Computer Science (3 works) · Chinese history and philosophy (2 works)

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