Claude Gandelman
Biographic Data
| ID | 884630 |
|---|---|
| NAME | Claude Gandelman |
| GIVEN NAMES | Claude |
| FAMILY NAME | Gandelman |
| SIGNATURE | GANDELMAN C |
| AFFILIATIONS | Ben Gurion University |
| VERIFIED | No |
| TOTAL WORKS | 15 |
| TOTAL CITATIONS | 2 |
| AUTHOR COUNT | 15 |
| EDITOR COUNT | 0 |
| FIRST PUBLICATION YEAR | 1978 |
| LATEST PUBLICATION YEAR | 1996 |
| H-INDEX | 1 |
Patri-arse: Revolution as Anality in the Scatological Caricatures of the Reformation and the French Revolution
“Patri-arse”: Revolution as Anality in the Scatological Caricatures of the Reformation and the French Revolution Claude Gandelman The imagery used by Hitler to incite Germans to kill Jews was that of the epidemic: many Nazi propaganda films equated the Jews and germ-propagating rats or vermin. Certainly, the threat of an epidemic and the image of diseased rats helped rationalize horrific genocide to the German public. Evidently anality was involv…
Essays on the philosophy of language
"The Artist as "Traumarbeiter: On Sketches of Dreams by Marcel Proust
Corps-texte/texte-corps: Des Rites Juifs Comme Rites Textuels
Gandelman Claude, Dolève-Gandelman Tsili. Corps-texte/texte-corps : des rites juifs comme rites textuels. In: L'Homme, 1994, tome 34 n°129. pp. 93-108
Reading Pictures, Viewing Texts
Reading Pictures, Viewing Texts
The metastability of primitive artefacts
The semiotic square as a 'catastrophe
The Doktor Faustus of Thomas Mann as a drama of iconicity
Le texte littéraire comme carte anthropomorphe: D'Opicinus de Canistris à Finnegans Wake
Philosophy as a sign-producing activity: The metastable Gestalt of intentionality
Proust as a Cubist
The Metastability of Signs/Metastability as a Sign
Hegel's dialetic of master and slave as a model for the relation between artistic creation and aesthetic appreciation
Max Beckmann's Triptychs and the Simultaneous Stage of the '20s
Corps-texte/texte-corps: Des Rites Juifs Comme Rites Textuels
Gandelman Claude, Dolève-Gandelman Tsili. Corps-texte/texte-corps : des rites juifs comme rites textuels. In: L'Homme, 1994, tome 34 n°129. pp. 93-108
The semiotic square as a 'catastrophe
Hegel's dialetic of master and slave as a model for the relation between artistic creation and aesthetic appreciation
Max Beckmann's Triptychs and the Simultaneous Stage of the '20s
Proust as a Cubist
The Metastability of Signs/Metastability as a Sign
Philosophy as a sign-producing activity: The metastable Gestalt of intentionality
The Doktor Faustus of Thomas Mann as a drama of iconicity
Le texte littéraire comme carte anthropomorphe: D'Opicinus de Canistris à Finnegans Wake
The semiotic square as a 'catastrophe
The metastability of primitive artefacts
Reading Pictures, Viewing Texts
Reading Pictures, Viewing Texts
"The Artist as "Traumarbeiter: On Sketches of Dreams by Marcel Proust
Corps-texte/texte-corps: Des Rites Juifs Comme Rites Textuels
Gandelman Claude, Dolève-Gandelman Tsili. Corps-texte/texte-corps : des rites juifs comme rites textuels. In: L'Homme, 1994, tome 34 n°129. pp. 93-108
Essays on the philosophy of language
Patri-arse: Revolution as Anality in the Scatological Caricatures of the Reformation and the French Revolution
“Patri-arse”: Revolution as Anality in the Scatological Caricatures of the Reformation and the French Revolution Claude Gandelman The imagery used by Hitler to incite Germans to kill Jews was that of the epidemic: many Nazi propaganda films equated the Jews and germ-propagating rats or vermin. Certainly, the threat of an epidemic and the image of diseased rats helped rationalize horrific genocide to the German public. Evidently anality was involv…
Art (10 works) · Philosophy (9 works) · Linguistics (6 works) · Computer Science (4 works) · Sociology (4 works) · Art history (3 works) · Epistemology (3 works) · Law in Society and Culture (3 works) · Literature (3 works) · Mathematics (3 works)