Chérie Rivers Ndaliko
Biographic Data
| ID | 88790 |
|---|---|
| NAME | Chérie Rivers Ndaliko |
| GIVEN NAMES | Chérie Rivers |
| FAMILY NAME | Ndaliko |
| SIGNATURE | NDALIKO C R |
| AFFILIATIONS | University of North Carolina at Chapel Hill |
| VERIFIED | No |
| TOTAL WORKS | 6 |
| TOTAL CITATIONS | 2 |
| AUTHOR COUNT | 5 |
| EDITOR COUNT | 1 |
| FIRST PUBLICATION YEAR | 2014 |
| LATEST PUBLICATION YEAR | 2020 |
| H-INDEX | 1 |
The Art of Emergency
Across Africa, artists increasingly turn to NGO sponsorship in pursuit of greater influence and funding, while simultaneously NGOs—both international and local—commission arts projects to buttress their interventions and achieve greater reach and marketability. As a result, the key values of artistic expression become “healing” and “sensitization” measured in turn by “impact” and “effectiveness.” Such rubrics obscure the aesthetic complexities of…
What remains
In the face of prolonged violence, rupture, and erasure, the music video, 'Agizo ya Lumumba,' reflects efforts by emerging artists in the east of the Democratic Republic of the Congo to mediate memory. This video, produced by the Yole!Africa cultural centre in Goma, is part of an online series, Art on the FrontLine, that probes the possibilities for political art in sites of active conflict. But where other episodes evoke overt protest through ae…
In the Presence of Absence
Epilogue
Hatukupanda kwa bega ya wazee wetu kuangalia vidole yao ya miguu. (We did not climb on the shoulders of our elders to look at their toes). in july 2014, the New York Times published an article, “Arts Sanctuary in a War-torn City: In Congo Salaam Kivu Festival Brings Performers to Goma,” that featured Yole!Africa on the front page of the arts section with full-color photographs and celebratory prose. In uncanny synchronicity, within days of this a…
Necessary Noise
Through poetic portraits of the vibrant people, songs, films, and music videos in the east of the Democratic Republic of the Congo, Necessary Noise presents a study of human creativity in the face of one of the world’s most volatile conflicts. This book is at once an interdisciplinary study of the meaning local communities ascribe to art making in postcolonial conflict zones and a call for a paradigm shift in applications of charitable and humani…
Yole!Africa
On July, 2012 more than 6,000 spectators gathered in the open-air cercle sportif stadium in Goma, east of the Democratic Republic of the Congo, to cheer the dance routines and vocal feats of the yo
Yole!Africa
On July, 2012 more than 6,000 spectators gathered in the open-air cercle sportif stadium in Goma, east of the Democratic Republic of the Congo, to cheer the dance routines and vocal feats of the yo
Yole!Africa
On July, 2012 more than 6,000 spectators gathered in the open-air cercle sportif stadium in Goma, east of the Democratic Republic of the Congo, to cheer the dance routines and vocal feats of the yo
Epilogue
Hatukupanda kwa bega ya wazee wetu kuangalia vidole yao ya miguu. (We did not climb on the shoulders of our elders to look at their toes). in july 2014, the New York Times published an article, “Arts Sanctuary in a War-torn City: In Congo Salaam Kivu Festival Brings Performers to Goma,” that featured Yole!Africa on the front page of the arts section with full-color photographs and celebratory prose. In uncanny synchronicity, within days of this a…
Necessary Noise
Through poetic portraits of the vibrant people, songs, films, and music videos in the east of the Democratic Republic of the Congo, Necessary Noise presents a study of human creativity in the face of one of the world’s most volatile conflicts. This book is at once an interdisciplinary study of the meaning local communities ascribe to art making in postcolonial conflict zones and a call for a paradigm shift in applications of charitable and humani…
In the Presence of Absence
What remains
In the face of prolonged violence, rupture, and erasure, the music video, 'Agizo ya Lumumba,' reflects efforts by emerging artists in the east of the Democratic Republic of the Congo to mediate memory. This video, produced by the Yole!Africa cultural centre in Goma, is part of an online series, Art on the FrontLine, that probes the possibilities for political art in sites of active conflict. But where other episodes evoke overt protest through ae…
The Art of Emergency
Across Africa, artists increasingly turn to NGO sponsorship in pursuit of greater influence and funding, while simultaneously NGOs—both international and local—commission arts projects to buttress their interventions and achieve greater reach and marketability. As a result, the key values of artistic expression become “healing” and “sensitization” measured in turn by “impact” and “effectiveness.” Such rubrics obscure the aesthetic complexities of…
Political science (5 works) · Art (4 works) · Democracy (4 works) · Politics (4 works) · Social science (4 works) · Sociology (4 works) · Aesthetics (3 works) · History (3 works) · History (3 works) · Law (3 works)