Elena Ustiugova
Biographic Data
| ID | 8884255 |
|---|---|
| NAME | Elena Ustiugova |
| GIVEN NAMES | Elena |
| FAMILY NAME | Ustiugova |
| SIGNATURE | USTIUGOVA E |
| AFFILIATIONS | Weatherford College |
| ORCID | 0000-0001-7453-2585 |
| VERIFIED | Yes |
| TOTAL WORKS | 4 |
| TOTAL CITATIONS | 0 |
| WORKS AS AUTHOR | 4 |
| WORKS AS EDITOR | 0 |
| FIRST PUBLICATION YEAR | 2022 |
| LATEST PUBLICATION YEAR | 2026 |
| H-INDEX | 0 |
Soviet Aesthetics of the 1960s in Defense of Humanitarian Values
The article analyses the main directions of theoretical and methodological inquiry pursued by Soviet aestheticians in the 1960s and assesses their contribution to the development of domestic aesthetics. It examines the key debates between positions that construed the aesthetic as having an objective social and epistemological nature and those of axiological aesthetics. The content of Yu.B. Borev’s views is revealed concerning the historical dynam…
The Idea of the “Creative Form” in the Aesthetics of the Russian Avant-garde of the 1920s
The Russian avant-garde of the 1920s was a time of a utopian thinking crisis in theoretical aesthetics and in art. The utopianism of the avant-garde project consisted in the impracticability of the mission of art to totally transform reality and man through aesthetic means. The key idea of the avant-garde aesthetic concepts was the effectiveness of the creative form building the integrity of the life creative matter. The concept of the “creative …
Всероссийская конференция «XVII Кагановские чтения. Эстетические и художественные ценности в современной культуре»
ВСЕРОССИЙСКАЯ КОНФЕРЕНЦИЯ«КАРДИОВАСКУЛЯРНАЯ ПРОФИЛАКТИКА И РЕАБИЛИТАЦИЯ 2008»26"27 мая 2008г, г. Москва
All-Russian Conference “XV Kagan Readings. Cultural Theory and Aesthetics
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All-Russian Conference “XV Kagan Readings. Cultural Theory and Aesthetics
The Idea of the “Creative Form” in the Aesthetics of the Russian Avant-garde of the 1920s
The Russian avant-garde of the 1920s was a time of a utopian thinking crisis in theoretical aesthetics and in art. The utopianism of the avant-garde project consisted in the impracticability of the mission of art to totally transform reality and man through aesthetic means. The key idea of the avant-garde aesthetic concepts was the effectiveness of the creative form building the integrity of the life creative matter. The concept of the “creative …
Всероссийская конференция «XVII Кагановские чтения. Эстетические и художественные ценности в современной культуре»
ВСЕРОССИЙСКАЯ КОНФЕРЕНЦИЯ«КАРДИОВАСКУЛЯРНАЯ ПРОФИЛАКТИКА И РЕАБИЛИТАЦИЯ 2008»26"27 мая 2008г, г. Москва
Soviet Aesthetics of the 1960s in Defense of Humanitarian Values
The article analyses the main directions of theoretical and methodological inquiry pursued by Soviet aestheticians in the 1960s and assesses their contribution to the development of domestic aesthetics. It examines the key debates between positions that construed the aesthetic as having an objective social and epistemological nature and those of axiological aesthetics. The content of Yu.B. Borev’s views is revealed concerning the historical dynam…
Philosophy (3 works) · Aesthetic experience (2 works) · Aesthetics (2 works) · Art (2 works) · Discourse Analysis and Cultural Communication (2 works) · Everyday Aesthetics (2 works) · Sociopolitical Dynamics in Russia (2 works) · Art, Politics, and Modernism (1 work) · Computer Science (1 work) · Demise (1 work)