Ekaterina Andreeva
Biographic Data
| ID | 8890502 |
|---|---|
| NAME | Ekaterina Andreeva |
| GIVEN NAMES | Ekaterina |
| FAMILY NAME | Andreeva |
| SIGNATURE | ANDREEVA E |
| AFFILIATIONS | State Hermitage Museum |
| ORCID | 0000-0002-6515-2158 |
| VERIFIED | Yes |
| TOTAL WORKS | 4 |
| TOTAL CITATIONS | 0 |
| WORKS AS AUTHOR | 4 |
| WORKS AS EDITOR | 0 |
| FIRST PUBLICATION YEAR | 2018 |
| LATEST PUBLICATION YEAR | 2025 |
| H-INDEX | 0 |
« Une vision élargie »
L’auteure explique le phénomène du modernisme léningradois des années 1920 à 1950 par les éléments suivants : d’une part par l’autorité d’artistes et d’écrivains non-soviétiques (Axmatova ou Kuzmin), et en particulier celle des avant-gardistes trans-mentaux (zaumniki) qui, comme Matjušin et ses élèves, forgèrent une façon d’appréhender la ville distincte des normes soviétiques ; d’autre part par l’influence de diverses institutions, de l’Institut…
Timur Novikov and the New Artists
The chapter focuses on a circle of nonconfomrist artists that formed around Timur Novikov in the early 1980s. The circle’s multimedia practices absorbed multiple influences, but, most importantly, ludic aesthetics of Russian Futurists and OBERIU. Their interest in avant-garde non-art was not tantamount to a rejection of such traditional techniques as painting and drawing. Their painterly practice was “wild”: they immersed themselves in an unbound…
Miniplier and Accumulating Uselessness as New Reality of Tourism Economy Under Pandemic
Stemming from the statistical data on tourism trends during 2018-2020 and author’s own methodology of calculating the efficient tourist multiplier, to determine regularities and factors behind the reaction of the leading world economies to the critical fall in tourist services production under the coronavirus pandemic conditions. The research study is based on the statistical analysis of tourists’ spending impacts on the dynamics of nominal GDP i…
Peter I’s Second European Journey and the Arrival of French Masters in St Petersburg
In this article, the author analyses the formation of a corps of foreign specialists in Russia. The research is based on archival documents connected with the arrival of French architects, mechanics, hydraulic engineers, stonemasons, and tapestry weavers in St Petersburg between 1716 and 1718. Archival documents from RSAA (RGADA), RSHA (RGIA) and the Archive of the St Petersburg Institute of History, RAS, make it possible to trace the background …
No prominent works on this page.
Peter I’s Second European Journey and the Arrival of French Masters in St Petersburg
In this article, the author analyses the formation of a corps of foreign specialists in Russia. The research is based on archival documents connected with the arrival of French architects, mechanics, hydraulic engineers, stonemasons, and tapestry weavers in St Petersburg between 1716 and 1718. Archival documents from RSAA (RGADA), RSHA (RGIA) and the Archive of the St Petersburg Institute of History, RAS, make it possible to trace the background …
Miniplier and Accumulating Uselessness as New Reality of Tourism Economy Under Pandemic
Stemming from the statistical data on tourism trends during 2018-2020 and author’s own methodology of calculating the efficient tourist multiplier, to determine regularities and factors behind the reaction of the leading world economies to the critical fall in tourist services production under the coronavirus pandemic conditions. The research study is based on the statistical analysis of tourists’ spending impacts on the dynamics of nominal GDP i…
Timur Novikov and the New Artists
The chapter focuses on a circle of nonconfomrist artists that formed around Timur Novikov in the early 1980s. The circle’s multimedia practices absorbed multiple influences, but, most importantly, ludic aesthetics of Russian Futurists and OBERIU. Their interest in avant-garde non-art was not tantamount to a rejection of such traditional techniques as painting and drawing. Their painterly practice was “wild”: they immersed themselves in an unbound…
« Une vision élargie »
L’auteure explique le phénomène du modernisme léningradois des années 1920 à 1950 par les éléments suivants : d’une part par l’autorité d’artistes et d’écrivains non-soviétiques (Axmatova ou Kuzmin), et en particulier celle des avant-gardistes trans-mentaux (zaumniki) qui, comme Matjušin et ses élèves, forgèrent une façon d’appréhender la ville distincte des normes soviétiques ; d’autre part par l’influence de diverses institutions, de l’Institut…
Art (3 works) · Abstract art (1 work) · Aesthetics (1 work) · Archaeology (1 work) · Art history (1 work) · Art, Politics, and Modernism (1 work) · Art, Technology, and Culture (1 work) · Business (1 work) · Cultural Identity and Heritage (1 work) · Diverse Aspects of Tourism Research (1 work)