Gintarė Adomaitytė
Biographic Data
| ID | 8898462 |
|---|---|
| NAME | Gintarė Adomaitytė |
| GIVEN NAMES | Gintarė |
| FAMILY NAME | Adomaitytė |
| SIGNATURE | ADOMAITYTĖ G |
| AFFILIATIONS | Freudenberg (Germany) |
| VERIFIED | No |
| TOTAL WORKS | 2 |
| TOTAL CITATIONS | 0 |
| WORKS AS AUTHOR | 2 |
| WORKS AS EDITOR | 0 |
| FIRST PUBLICATION YEAR | 2018 |
| LATEST PUBLICATION YEAR | 2018 |
| H-INDEX | 0 |
Communication of Creativeness in Business Media
Creativity has been traditionally associated and even identified with artistry. However, it is being perceived as an impetus for the development of leadership and technologies innovation, and is characteristic of activities that for long have not been recognized creative. The current article presents results of the quantitative content analysis of the Business News (in Lithuanian Verslo žinios) daily business newspaper of Lithuania. The instances…
Shift of Creativity Concepts
The article analyses the development of creativity concepts. Notions of creativity transformed historically from uncontrolled divine inspiration and non-reflected artistic inspiration to the targeted work resulting in commercially successful creative products. The analysis begins with Plato’s discussion that a poet should be overtaken by divine inspiration, that human beings do not create by themselves, they are dictated to by the Muses. Renaissa…
No prominent works on this page.
Communication of Creativeness in Business Media
Creativity has been traditionally associated and even identified with artistry. However, it is being perceived as an impetus for the development of leadership and technologies innovation, and is characteristic of activities that for long have not been recognized creative. The current article presents results of the quantitative content analysis of the Business News (in Lithuanian Verslo žinios) daily business newspaper of Lithuania. The instances…
Shift of Creativity Concepts
The article analyses the development of creativity concepts. Notions of creativity transformed historically from uncontrolled divine inspiration and non-reflected artistic inspiration to the targeted work resulting in commercially successful creative products. The analysis begins with Plato’s discussion that a poet should be overtaken by divine inspiration, that human beings do not create by themselves, they are dictated to by the Muses. Renaissa…
Creativity (2 works) · Creativity in Education and Neuroscience (2 works) · Psychology (2 works) · Social Psychology (2 works) · Aesthetics (1 work) · Art (1 work) · Art history (1 work) · Context (archaeology) (1 work) · Creative industries (1 work) · Creativity technique (1 work)