S E Gontarski
Biographic Data
| ID | 8910546 |
|---|---|
| NAME | S E Gontarski |
| GIVEN NAMES | S E |
| FAMILY NAME | Gontarski |
| SIGNATURE | GONTARSKI S E |
| AFFILIATIONS | Florida State University |
| VERIFIED | No |
| TOTAL WORKS | 12 |
| TOTAL CITATIONS | 0 |
| AUTHOR COUNT | 12 |
| EDITOR COUNT | 0 |
| FIRST PUBLICATION YEAR | 1987 |
| LATEST PUBLICATION YEAR | 2022 |
| H-INDEX | 0 |
Understanding Barthes, Understanding Modernism
Understanding Barthes, Understanding Modernism is a general assessment of the modern literary and philosophical contributions of Roland Barthes. The first part of the volume focuses on work published prior to his death in 1980 covering the major periods of his development from Writing Degree Zero (1953) to Camera Lucida: Reflections on Photography (1980). The second part focuses both on the posthumously published material and the legacies of his …
Weaponised Aesthetics and Dystopian Modernism: Cut-ups, Playbacks, Pick-ups and the ‘Limits of Control’ from Burroughs to Deleuze
American outlier writer William S. Burroughs was a creative force – an homme de lettres in his own right, yes, but as a cultural theorist as well, particularly his anticipation of what we now regularly call ‘a society of control’ or ‘a surveillance culture’, and, moreover, as a textual embodiment as well. That is, Burroughs was as much a media theorist and performance artist as he was a traditional literary figure, what we generally call a writer…
Understanding Derrida, Understanding Modernism
Flann O’Brien and modernism
Understanding Foucault, Understanding Modernism
Michel Foucault continues to be regarded as one of the most essential thinkers of the twentieth century. A brilliantly evocative writer and conceptual creator, his influence is clearly discernible today across nearly every discipline--philosophy and history, certainly, as well as literary and critical theory, religious and social studies, and the arts. This volume exploits Foucault's insistent blurring of the self-imposed limits formed by the dis…
Creative Involution: Bergson, Beckett, Deleuze
Beckett em sua época / Beckett em nossa época
Tradução: Cláudia Soares Cruz
Understanding Deleuze, Understanding Modernism
Understanding Deleuze, Understanding Modernism explores the multi-faceted and formative impact of Gilles Deleuze on the development and our understanding of modernist thought in its philosophical, literary, and more broadly cultural manifestations. Gilles Deleuze himself rethought philosophical history with a series of books and essays on individual philosophers such as Kant, Spinoza, Leibniz, Nietzsche, and Bergson and authors such as Proust, Ka…
The Beckett Critical Reader: Archives, Theories and Translations
Creative Involution: Bergson, Beckett, Deleuze
‘Creative Involution’ posits something of a philosophical genealogy, a line of flight that has neither need for nor interest in the periodisation of Modernism, a line of which Beckett (even reluctantly) is part. Murphy, among others, is deterritorialised as much as Beckett's landscapes are, and so he/they become a ‘complexification’ of being that manifests itself in Beckett not as represented, representative or a representation, since so much of …
Critique of Beckett Criticism: A Guide to Research in English, French, and German
Samuel Beckett (1906-1989) is an important figure in 20th century literary history: his plays, such as Waiting for Godot and Endgame, have acquired a world-wide reputation, and his novels have proved important touchstones for the critical debates in contemporary literary theory. Born in Dublin, Beckett spent most of his writing life in France and wrote equally well in French and English; his German was also fluent, allowing him to direct his own …
The Intent of Undoing in Samuel Beckett's Dramatic Texts
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The Intent of Undoing in Samuel Beckett's Dramatic Texts
Critique of Beckett Criticism: A Guide to Research in English, French, and German
Samuel Beckett (1906-1989) is an important figure in 20th century literary history: his plays, such as Waiting for Godot and Endgame, have acquired a world-wide reputation, and his novels have proved important touchstones for the critical debates in contemporary literary theory. Born in Dublin, Beckett spent most of his writing life in France and wrote equally well in French and English; his German was also fluent, allowing him to direct his own …
The Beckett Critical Reader: Archives, Theories and Translations
Creative Involution: Bergson, Beckett, Deleuze
‘Creative Involution’ posits something of a philosophical genealogy, a line of flight that has neither need for nor interest in the periodisation of Modernism, a line of which Beckett (even reluctantly) is part. Murphy, among others, is deterritorialised as much as Beckett's landscapes are, and so he/they become a ‘complexification’ of being that manifests itself in Beckett not as represented, representative or a representation, since so much of …
Understanding Deleuze, Understanding Modernism
Understanding Deleuze, Understanding Modernism explores the multi-faceted and formative impact of Gilles Deleuze on the development and our understanding of modernist thought in its philosophical, literary, and more broadly cultural manifestations. Gilles Deleuze himself rethought philosophical history with a series of books and essays on individual philosophers such as Kant, Spinoza, Leibniz, Nietzsche, and Bergson and authors such as Proust, Ka…
Creative Involution: Bergson, Beckett, Deleuze
Beckett em sua época / Beckett em nossa época
Tradução: Cláudia Soares Cruz
Flann O’Brien and modernism
Understanding Foucault, Understanding Modernism
Michel Foucault continues to be regarded as one of the most essential thinkers of the twentieth century. A brilliantly evocative writer and conceptual creator, his influence is clearly discernible today across nearly every discipline--philosophy and history, certainly, as well as literary and critical theory, religious and social studies, and the arts. This volume exploits Foucault's insistent blurring of the self-imposed limits formed by the dis…
Understanding Derrida, Understanding Modernism
Weaponised Aesthetics and Dystopian Modernism: Cut-ups, Playbacks, Pick-ups and the ‘Limits of Control’ from Burroughs to Deleuze
American outlier writer William S. Burroughs was a creative force – an homme de lettres in his own right, yes, but as a cultural theorist as well, particularly his anticipation of what we now regularly call ‘a society of control’ or ‘a surveillance culture’, and, moreover, as a textual embodiment as well. That is, Burroughs was as much a media theorist and performance artist as he was a traditional literary figure, what we generally call a writer…
Understanding Barthes, Understanding Modernism
Understanding Barthes, Understanding Modernism is a general assessment of the modern literary and philosophical contributions of Roland Barthes. The first part of the volume focuses on work published prior to his death in 1980 covering the major periods of his development from Writing Degree Zero (1953) to Camera Lucida: Reflections on Photography (1980). The second part focuses both on the posthumously published material and the legacies of his …
Art (8 works) · Literature (7 works) · Aesthetics (5 works) · Philosophy (5 works) · Samuel Beckett and Modernism (5 works) · Epistemology (4 works) · Art history (3 works) · Philosophy, Ethics, and Existentialism (3 works) · Consciousness (2 works) · Criticism (2 works)