Mandy Rose
Biographic Data
| ID | 8910819 |
|---|---|
| NAME | Mandy Rose |
| GIVEN NAMES | Mandy |
| FAMILY NAME | Rose |
| SIGNATURE | ROSE M |
| AFFILIATIONS | Peking University |
| ORCID | 0009-0006-2645-1258 |
| VERIFIED | Yes |
| TOTAL WORKS | 3 |
| TOTAL CITATIONS | 0 |
| WORKS AS AUTHOR | 2 |
| WORKS AS EDITOR | 1 |
| FIRST PUBLICATION YEAR | 2017 |
| LATEST PUBLICATION YEAR | 2026 |
| H-INDEX | 0 |
Masculinity under pressure
‘You wouldn’t get that from watching TV!’
Consumer virtual reality (VR) headsets (e.g. Oculus Go) have brought VR non-fiction (VRNF) within reach of at-home audiences. However, despite increase in VR hardware sales and enthusiasm for the platform among niche audiences at festivals, mainstream audience interest in VRNF is not yet proven. This is despite a growing body of critically acclaimed VRNF, some of which is freely available. In seeking to understand a lack of engagement with VRNF b…
I-Docs
The history of documentary has been one of adaptation and change, as docu-mentarists have harnessed the affordances of emerging technology. In the last decade interactive documentaries (i-docs) have become established as a new field of practice within non-fiction storytelling. Their various incarnations are now a focus at leading film festivals (IDFA DocLab, Tribeca Storyscapes, Sheffield DocFest), major international awards have been won, and th…
No prominent works on this page.
I-Docs
The history of documentary has been one of adaptation and change, as docu-mentarists have harnessed the affordances of emerging technology. In the last decade interactive documentaries (i-docs) have become established as a new field of practice within non-fiction storytelling. Their various incarnations are now a focus at leading film festivals (IDFA DocLab, Tribeca Storyscapes, Sheffield DocFest), major international awards have been won, and th…
‘You wouldn’t get that from watching TV!’
Consumer virtual reality (VR) headsets (e.g. Oculus Go) have brought VR non-fiction (VRNF) within reach of at-home audiences. However, despite increase in VR hardware sales and enthusiasm for the platform among niche audiences at festivals, mainstream audience interest in VRNF is not yet proven. This is despite a growing body of critically acclaimed VRNF, some of which is freely available. In seeking to understand a lack of engagement with VRNF b…
Masculinity under pressure
Computer Science (2 works) · Human–computer interaction (2 works) · Psychology (2 works) · Sociology (2 works) · Affordance (1 work) · Art (1 work) · Digital media (1 work) · Distress (1 work) · Documentary films (1 work) · Documentary mass media (1 work)