Valentina Laviola
Biographic Data
| ID | 8916296 |
|---|---|
| NAME | Valentina Laviola |
| GIVEN NAMES | Valentina |
| FAMILY NAME | Laviola |
| SIGNATURE | LAVIOLA V |
| AFFILIATIONS | University of Naples - L'Orientale |
| ORCID | 0000-0002-3459-3399 |
| VERIFIED | Yes |
| TOTAL WORKS | 7 |
| TOTAL CITATIONS | 0 |
| AUTHOR COUNT | 7 |
| EDITOR COUNT | 0 |
| FIRST PUBLICATION YEAR | 2018 |
| LATEST PUBLICATION YEAR | 2025 |
| H-INDEX | 0 |
CHAPTER Nine Stucco in the Architectural Decoration of the Ghaznavid Palace in Ghazni, Afghanistan, Eleventh–Twelfth Centuries
Islamic Arms and Armour from the Odescalchi Collection at Palazzo Venezia in Rome
The brief paper introduces a barely known group of Islamic arms and armour belonging to the larger Odescalchi collection owned by Palazzo Venezia, today part of the museum complex Vittoriano and Palazzo Venezia ( VIVE ) in Rome. As these Islamic arms have been so far overlooked by scholarship, the paper provides a preliminary description, putting them in the cultural context of Italian collecting during the second half of the 19th century, and en…
Annabelle Collinet, David Bourgarit, Précieuses Matières. Les arts du métal dans le monde iranien médiéval
The volume presents the results achieved by Annabelle Collinet (responsible for the Iranian medieval collections in the Département des Arts de l’Islam, Musée du Louvre) and David Bourgarit (archaeometallurgist and engineer at the C2RMF - Centre de Recherche et de Restauration des Musées de France) in the framework of the Islametal Project (2013-2017) on Iranian metalwork dating from the 10th to the 13th century. A second volume devoted to later …
Open Issues and a New Approach to Arabic Pseudo-Inscriptions from Twelfth and Thirteenth-Centuries Basilicata and Apulia
Arabic pseudo-inscriptions from twelfth and thirteenth-century Basilicata and Apulia are still underrated, though they issued from a unique cultural milieu where the Islamic, Byzantine, and western influences combined creating a peculiar visual expression. Still open issues concern the models, prototypes, and channels of transmission that brought pseudo-epigraphic motifs to south-eastern Italy and the relation intercurrent between Christian theme…
Inserting and Combining. Stucco and Brick Tiles from the Ghaznavid Royal Palace (11th–12th c.) in Ghazni
Numerous isolated tiles in brick and stucco emerged from the excavation of the Ghaznavid royal palace in Ghazni (11th–12th century). The finding in situ of edgewise laid bricks’ panels with inserted stucco tiles allows inferring that they adorned the upper section of the antechambers opening onto the palace central courtyard. How brick tiles were combined with them is still to be explained. This preliminary note offers a typological classificatio…
The Bird-Shaped Finial on Islamicroyal Parasols
This paper aims at investigatingwhen and why the bird-shaped finial made its appearance on Islamic parasolsthrough the analysis of written sources andminiature paintings. Evidenceattest to the trans-regional and diachronic use of the parasol as a royal insignia whose meaning and value grew widerto symbolisethe seatof government, was it the royal tent, palace orthrone
Some Newly Discovered Islamic Buckets From Ghazni (Afghanistan)
In 2012 an unexpected discovery occurred in Ghazni, wheremany Islamic buckets were retrieved fortuitously at the feet of the citadel.Only sixteen of them are nowadays preserved in the Kabul National Museum. These new artefacts come as a chance to complete our knowledge of the metalwork production from medieval Afghanistan
No prominent works on this page.
Some Newly Discovered Islamic Buckets From Ghazni (Afghanistan)
In 2012 an unexpected discovery occurred in Ghazni, wheremany Islamic buckets were retrieved fortuitously at the feet of the citadel.Only sixteen of them are nowadays preserved in the Kabul National Museum. These new artefacts come as a chance to complete our knowledge of the metalwork production from medieval Afghanistan
The Bird-Shaped Finial on Islamicroyal Parasols
This paper aims at investigatingwhen and why the bird-shaped finial made its appearance on Islamic parasolsthrough the analysis of written sources andminiature paintings. Evidenceattest to the trans-regional and diachronic use of the parasol as a royal insignia whose meaning and value grew widerto symbolisethe seatof government, was it the royal tent, palace orthrone
Inserting and Combining. Stucco and Brick Tiles from the Ghaznavid Royal Palace (11th–12th c.) in Ghazni
Numerous isolated tiles in brick and stucco emerged from the excavation of the Ghaznavid royal palace in Ghazni (11th–12th century). The finding in situ of edgewise laid bricks’ panels with inserted stucco tiles allows inferring that they adorned the upper section of the antechambers opening onto the palace central courtyard. How brick tiles were combined with them is still to be explained. This preliminary note offers a typological classificatio…
Open Issues and a New Approach to Arabic Pseudo-Inscriptions from Twelfth and Thirteenth-Centuries Basilicata and Apulia
Arabic pseudo-inscriptions from twelfth and thirteenth-century Basilicata and Apulia are still underrated, though they issued from a unique cultural milieu where the Islamic, Byzantine, and western influences combined creating a peculiar visual expression. Still open issues concern the models, prototypes, and channels of transmission that brought pseudo-epigraphic motifs to south-eastern Italy and the relation intercurrent between Christian theme…
Annabelle Collinet, David Bourgarit, Précieuses Matières. Les arts du métal dans le monde iranien médiéval
The volume presents the results achieved by Annabelle Collinet (responsible for the Iranian medieval collections in the Département des Arts de l’Islam, Musée du Louvre) and David Bourgarit (archaeometallurgist and engineer at the C2RMF - Centre de Recherche et de Restauration des Musées de France) in the framework of the Islametal Project (2013-2017) on Iranian metalwork dating from the 10th to the 13th century. A second volume devoted to later …
CHAPTER Nine Stucco in the Architectural Decoration of the Ghaznavid Palace in Ghazni, Afghanistan, Eleventh–Twelfth Centuries
Islamic Arms and Armour from the Odescalchi Collection at Palazzo Venezia in Rome
The brief paper introduces a barely known group of Islamic arms and armour belonging to the larger Odescalchi collection owned by Palazzo Venezia, today part of the museum complex Vittoriano and Palazzo Venezia ( VIVE ) in Rome. As these Islamic arms have been so far overlooked by scholarship, the paper provides a preliminary description, putting them in the cultural context of Italian collecting during the second half of the 19th century, and en…
Eurasian Exchange Networks (6 works) · Ancient history (5 works) · Archaeology (5 works) · Art (5 works) · History (5 works) · Islam (4 works) · Archaeology and Historical Studies (3 works) · Geography (3 works) · Islamic Studies and History (3 works) · Byzantine Studies and History (2 works)