Claire Tancons

Biographic Data

ID892410
NAMEClaire Tancons
GIVEN NAMESClaire
FAMILY NAMETancons
SIGNATURETANCONS C
AFFILIATIONSClaire Tancons is a curatorial intern at the Walker Art Center, Minneapolis.
VERIFIEDNo
TOTAL WORKS7
TOTAL CITATIONS0
AUTHOR COUNT7
EDITOR COUNT0
FIRST PUBLICATION YEAR2003
LATEST PUBLICATION YEAR2023
H-INDEX0

  • Blackness: Ici et maintenant

    Open AccessRaphaël Barontini, Coline Desportes et al.ARTICLEPerspective2023

    Lorsque Perspective m’a proposé d’écrire un texte sur la notion de blackness dans un numéro sur l’ombre, le « sombre » (darkness), autrement dit d’intervenir sur l’articulation de la couleur noire et de la question raciale – car, selon moi, dans une définition élémentaire, c’est bien ce dont il s’agit, même si les textes qui suivent font exploser la simplicité de l’hypothèse inaugurale – il m’a semblé beaucoup plus intéressant de donner à lire un…

  • Women in the Whirlwind: Withholding Guadeloupe's Archipelagic History

    Claire TanconsARTICLESmall Axe A Caribbean Journal of…2012

    This article takes the 1928 Atlantic hurricane, remembered in Guadeloupe as le grand cyclone 28, as the starting point for a selective genealogy of Guadeloupean women in times of catastrophe, following Melissa Harris-Perry's study of women and citizenship during Hurricane Katrina. The essay reminisces and imagines different scenarios of survival and resilience, while analyzing modes of representations of Guadeloupean identities, from the unattrib…

  • Curadoria De Carnaval: Performance Na Arte Caribenha Contemporânea E O Paradoxo Da Arte Da Performance Na Arte Contemporânea

    Open AccessClaire TanconsARTICLETextos Escolhidos de Cultura e…2011

    The article presents past and present efforts to address Carnival as an artistic and curatorial object, discusses attending discourses that support these efforts and offers this author's own contribution to the debate and practice of Carnival as a scholar and curator. While "Curating Carnival" attends to Carnival in the Caribbean and its European and American diasporas, with particular attention paid to the Trinidad Carnival model or mas', and th…

  • Lighting the Shadow: Trinidad in and out of Light

    Claire TanconsARTICLEThird Text2007

    Lighting the shadow is an expression used by lighting designers and is literally what the artists here attempt to do – without the help of lighting designers. Kathryn Chan and Marlon Griffith's ins

  • An elective affinity: David Hammons’s Hidden from View and Made in the People’s Republic of Harlem

    Claire TanconsARTICLEThird Text2005

    We owe primarily to the convictions of the pioneer modern artists [tribal objects’] promotion from the rank of curiosities and artifacts to that of major art, indeed, to the status of art at all

  • Fugitive: Robin Rhode Drawings and Performances

    Claire TanconsARTICLENka Journal of Contemporary…2003

    Research Article| May 01 2003 FUGITIVE: ROBIN RHODE DRAWINGS AND PERFORMANCES Claire Tancons Claire Tancons Claire Tancons is a curatorial intern at the Walker Art Center, Minneapolis. Search for other works by this author on: This Site Google Nka (2003) 2003 (18): 66–71. https://doi.org/10.1215/10757163-18-1-66 Cite Icon Cite Share Icon Share Twitter Permissions Search Site Citation Claire Tancons; FUGITIVE: ROBIN RHODE DRAWINGS AND PERFORMANCES…

  • David Hammons: Concerto in Black and Blue

    Claire TanconsARTICLENka Journal of Contemporary…2003

    Other| May 01 2003 David Hammons: Concerto in Black and Blue Claire Tancons Claire Tancons Claire Tancons is a curatorial intern at the Walker Art Center, Minneapolis. Search for other works by this author on: This Site Google Nka (2003) 2003 (18): 94–95. https://doi.org/10.1215/10757163-18-1-94 Cite Icon Cite Share Icon Share Twitter Permissions Search Site Citation Claire Tancons; David Hammons: Concerto in Black and Blue. Nka 1 May 2003; 2003 …