Roksolana Kosiv
Biographic Data
| ID | 8944949 |
|---|---|
| NAME | Roksolana Kosiv |
| GIVEN NAMES | Roksolana |
| FAMILY NAME | Kosiv |
| SIGNATURE | KOSIV R |
| AFFILIATIONS | Yahoo (United Kingdom) |
| ORCID | 0000-0002-1202-1488 |
| VERIFIED | Yes |
| TOTAL WORKS | 11 |
| TOTAL CITATIONS | 0 |
| WORKS AS AUTHOR | 11 |
| WORKS AS EDITOR | 0 |
| FIRST PUBLICATION YEAR | 2017 |
| LATEST PUBLICATION YEAR | 2025 |
| H-INDEX | 0 |
Ukrainian Influences in the Evolution of the Iconostasis in the Romanian Churches of Transylvania (17th–19th Century)
Transylvania was at the confluence of various forms of artistic expression of the Orthodox confession. In the eighteenth century, artistic trends came both by the old routes – from the Polish-Lithuanian Commonwealth and across Habsburg Galicia, occasionally with a Moldavian detour – and from the Serbian milieu, which had adopted the Kyivan Baroque as a form of national artistic expression. Among the different trends, the Ruthenian-Ukrainian was t…
The 17th–18th Century Icons From the Churches in the Yezupil Town in Ivano-Frankivsk Region in the Context of Attribution and the Documents of the 18th Century Visitations
The 1675 Passion of the Christ Icon From the Church of St. Nikolas in Kamyanka-Buzka (Lviv Region)
The 17th– Early 18th Century Icons From the Churches in the Dolyna Town in the Context of 18th Century Visitations Descriptions and Attribution
Icons of the Xviith – First Half of the 18th Century From Voinyliv Churches in Ivano-Frankivsk Region in the Context of Church Visits Descriptions, Reconstruction of Location, and Attribution
Icons on canvas «The Tree of Jesse» of the second half of the 17th century from the National museum in Lviv named after Andrey Sheptytsky in the context of subject development
The iconography of saint monks’ ascetics Onufrii, Sumeon Stovpnyk and Savva Osviashchenyi in works of rybotychi masters in 1670–1750 years
Works of the Author of the Icons of the Apostles of the Prayer of the Early 1730’s. In the Church of Hrozova in the Western Boikivshchyna in the Context of the Work of Rybotychi Craftsmen
Sacred Image of Christ in Iconostasis of 1670—1760-S by Authorship of Masters From Town Rybotychi at the Nadsiannia
Art Works of Tymotei the Painter, Burgher of Rybotychi, 1660—1670
Wonderful Icons of the Mother With the Child of the Jesus and Their Replications in the Creativity of Ribotychi Masters (1680–1720’s)
No prominent works on this page.
Art Works of Tymotei the Painter, Burgher of Rybotychi, 1660—1670
Wonderful Icons of the Mother With the Child of the Jesus and Their Replications in the Creativity of Ribotychi Masters (1680–1720’s)
The iconography of saint monks’ ascetics Onufrii, Sumeon Stovpnyk and Savva Osviashchenyi in works of rybotychi masters in 1670–1750 years
Works of the Author of the Icons of the Apostles of the Prayer of the Early 1730’s. In the Church of Hrozova in the Western Boikivshchyna in the Context of the Work of Rybotychi Craftsmen
Sacred Image of Christ in Iconostasis of 1670—1760-S by Authorship of Masters From Town Rybotychi at the Nadsiannia
Icons on canvas «The Tree of Jesse» of the second half of the 17th century from the National museum in Lviv named after Andrey Sheptytsky in the context of subject development
Icons of the Xviith – First Half of the 18th Century From Voinyliv Churches in Ivano-Frankivsk Region in the Context of Church Visits Descriptions, Reconstruction of Location, and Attribution
The 17th– Early 18th Century Icons From the Churches in the Dolyna Town in the Context of 18th Century Visitations Descriptions and Attribution
The 1675 Passion of the Christ Icon From the Church of St. Nikolas in Kamyanka-Buzka (Lviv Region)
The 17th–18th Century Icons From the Churches in the Yezupil Town in Ivano-Frankivsk Region in the Context of Attribution and the Documents of the 18th Century Visitations
Ukrainian Influences in the Evolution of the Iconostasis in the Romanian Churches of Transylvania (17th–19th Century)
Transylvania was at the confluence of various forms of artistic expression of the Orthodox confession. In the eighteenth century, artistic trends came both by the old routes – from the Polish-Lithuanian Commonwealth and across Habsburg Galicia, occasionally with a Moldavian detour – and from the Serbian milieu, which had adopted the Kyivan Baroque as a form of national artistic expression. Among the different trends, the Ruthenian-Ukrainian was t…
Historical and Cultural Studies of Poland (9 works) · Art (7 works) · History (6 works) · Archaeology (5 works) · Psychology (5 works) · Art history (4 works) · Social Psychology (4 works) · Attribution (3 works) · Visual arts (3 works) · Ancient history (2 works)