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Sean Stroud

Biographic Data

ID894882
NAMESean Stroud
GIVEN NAMESSean
FAMILY NAMEStroud
SIGNATURESTROUD S
AFFILIATIONSUniversity of London
VERIFIEDNo
TOTAL WORKS5
TOTAL CITATIONS0
WORKS AS AUTHOR5
WORKS AS EDITOR0
FIRST PUBLICATION YEAR2000
LATEST PUBLICATION YEAR2016
H-INDEX0
  • The Defence of Tradition in Brazilian Popular Music

    Sean Stroud•BOOK•Defence of Tradition in Brazilian…•2016

    Sean Stroud examines how and why MÃosica Popular Brasileira (MPB) has come to have such a high status, and why the musical tradition (including MPB) within Brazil has been defended with such vigour for so long. He emphasizes the importance of musical nationalism as an underlying ideology to discussions about Brazilian popular music since the 1920s, and the key debate on so-called 'cultural invasion' in Brazil. The roles of those responsible for t…

  • River of Tears

    Open Access•Sean Stroud•ARTICLE•Bulletin of Latin American Research•2012

  • Música popular brasileira experimental

    Open Access•Sean Stroud•ARTICLE•Revista USP•2010

    Este artigo examina a fase inicial da carreira de Itamar Assumpção no começo dos anos 1980 do ponto de vista de como sua música desafiadora e sua atitude não conformista foram recebidas pela imprensa brasileira e pela indústria fonográfica na época. Apesar da aclamação crítica tremendamente positiva, Assumpção não conseguiu alcançar o sucesso comercial e a ampla exposição popular. Esse insucesso - e o de outros expoentes da vanguarda paulista, co…

  • Marcus Pereira's Música Popular do Brasil

    Open Access•Sean Stroud•ARTICLE•Popular Music•2006

    If Brazilian and international audiences now have a far broader view of the range of the musical tradition in Brazil, and particularly the heterogeneous richness of the regional tradition of popular music in that country, it is largely due to the pioneering work of Marcus Pereira. Following the example of Cecil Sharp and Alan Lomax, the Brazilian collector of popular music and culture set out in the mid 1970s to independently produce a series of …

  • Musica e para o povo cantar

    Sean Stroud•ARTICLE•Latin American Music Review•2000

    Sean Stroud, "Música é para o povo cantar": Culture, Politics, and Brazilian Song Festivals, 1965-1972, Latin American Music Review / Revista de Música Latinoamericana, Vol. 21, No. 2 (Autumn - Winter, 2000), pp. 87-117

No prominent works on this page.

  • Musica e para o povo cantar

    Sean Stroud•ARTICLE•Latin American Music Review•2000

    Sean Stroud, "Música é para o povo cantar": Culture, Politics, and Brazilian Song Festivals, 1965-1972, Latin American Music Review / Revista de Música Latinoamericana, Vol. 21, No. 2 (Autumn - Winter, 2000), pp. 87-117

  • Marcus Pereira's Música Popular do Brasil

    Open Access•Sean Stroud•ARTICLE•Popular Music•2006

    If Brazilian and international audiences now have a far broader view of the range of the musical tradition in Brazil, and particularly the heterogeneous richness of the regional tradition of popular music in that country, it is largely due to the pioneering work of Marcus Pereira. Following the example of Cecil Sharp and Alan Lomax, the Brazilian collector of popular music and culture set out in the mid 1970s to independently produce a series of …

  • Música popular brasileira experimental

    Open Access•Sean Stroud•ARTICLE•Revista USP•2010

    Este artigo examina a fase inicial da carreira de Itamar Assumpção no começo dos anos 1980 do ponto de vista de como sua música desafiadora e sua atitude não conformista foram recebidas pela imprensa brasileira e pela indústria fonográfica na época. Apesar da aclamação crítica tremendamente positiva, Assumpção não conseguiu alcançar o sucesso comercial e a ampla exposição popular. Esse insucesso - e o de outros expoentes da vanguarda paulista, co…

  • River of Tears

    Open Access•Sean Stroud•ARTICLE•Bulletin of Latin American Research•2012

  • The Defence of Tradition in Brazilian Popular Music

    Sean Stroud•BOOK•Defence of Tradition in Brazilian…•2016

    Sean Stroud examines how and why MÃosica Popular Brasileira (MPB) has come to have such a high status, and why the musical tradition (including MPB) within Brazil has been defended with such vigour for so long. He emphasizes the importance of musical nationalism as an underlying ideology to discussions about Brazilian popular music since the 1920s, and the key debate on so-called 'cultural invasion' in Brazil. The roles of those responsible for t…

Art (4 works) · Brazilian cultural history and politics (4 works) · Political science (3 works) · Cultural, Media, and Literary Studies (2 works) · History (2 works) · Humanities (2 works) · Law (2 works) · Law (2 works) · Literature (2 works) · Music History and Culture (2 works)

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