Marc Vanscheeuwijck
Biographic Data
| ID | 8950112 |
|---|---|
| NAME | Marc Vanscheeuwijck |
| GIVEN NAMES | Marc |
| FAMILY NAME | Vanscheeuwijck |
| SIGNATURE | VANSCHEEUWIJCK M |
| AFFILIATIONS | Claremont Colleges |
| VERIFIED | No |
| TOTAL WORKS | 11 |
| TOTAL CITATIONS | 0 |
| WORKS AS AUTHOR | 6 |
| WORKS AS EDITOR | 5 |
| FIRST PUBLICATION YEAR | 1996 |
| LATEST PUBLICATION YEAR | 2009 |
| H-INDEX | 0 |
"Trills in the Bach Cello Suites" by Jerome Carrington
Reading this large-print, double-spaced text on Trills in the Bach Cello Suites left me perplexed for a variety of reasons. First, back when I was still a "modern" cellist, the question of how precisely I was supposed to perform every trill in Bach's solos never really occurred to me, because technical issues and problems of phrasing and expression seemed much more urgent. Second, if or when issues of ornamentation in general arose-controversial …
In Search of the Eighteenth-Century “Violoncello”
In this rarely-quoted excerpt, Johann Philipp Eisel obviously paraphrases Johann Mattheson’s definition of the violoncello in Das Neu-eröffnete Orchestre. It is yet another description that does not conform precisely to our early twenty-first century historical construct of the “baroque” cello. In the past not much attention has been given to such descriptions, considered to be too deviant from the general understanding of what a cello was suppos…
Colonna, Giovanni Paolo
Perti, Giacomo Antonio
Buini [Bovina, Buina], Giuseppe Maria
Bassani, Giovanni Battista
Torelli, Giuseppe
Giacobbi, Girolamo
Gabrielli, Domenico
Franceschini, Petronio
The Baroque Cello and Its Performance
RILM abstract: "Provides a short survey of the earliest sources on the bass violin and discusses both the first appearance of the term violoncello (in 1665) and terms used in Italy and elsewhere. Performance practice, playing technique, and tuning from the 16th c. are described. The possible identity of the problematic 17th-c. violone (an 8' or 12' instrument of either the violin or gamba family) is proposed in relation to the violone in contrabb…
No prominent works on this page.
The Baroque Cello and Its Performance
RILM abstract: "Provides a short survey of the earliest sources on the bass violin and discusses both the first appearance of the term violoncello (in 1665) and terms used in Italy and elsewhere. Performance practice, playing technique, and tuning from the 16th c. are described. The possible identity of the problematic 17th-c. violone (an 8' or 12' instrument of either the violin or gamba family) is proposed in relation to the violone in contrabb…
Colonna, Giovanni Paolo
Perti, Giacomo Antonio
Buini [Bovina, Buina], Giuseppe Maria
Bassani, Giovanni Battista
Torelli, Giuseppe
Giacobbi, Girolamo
Gabrielli, Domenico
Franceschini, Petronio
In Search of the Eighteenth-Century “Violoncello”
In this rarely-quoted excerpt, Johann Philipp Eisel obviously paraphrases Johann Mattheson’s definition of the violoncello in Das Neu-eröffnete Orchestre. It is yet another description that does not conform precisely to our early twenty-first century historical construct of the “baroque” cello. In the past not much attention has been given to such descriptions, considered to be too deviant from the general understanding of what a cello was suppos…
"Trills in the Bach Cello Suites" by Jerome Carrington
Reading this large-print, double-spaced text on Trills in the Bach Cello Suites left me perplexed for a variety of reasons. First, back when I was still a "modern" cellist, the question of how precisely I was supposed to perform every trill in Bach's solos never really occurred to me, because technical issues and problems of phrasing and expression seemed much more urgent. Second, if or when issues of ornamentation in general arose-controversial …
Art (7 works) · History and Developments in Astronomy (7 works) · Historical Studies on Spain (5 works) · Art history (3 works) · Cello (3 works) · Historical Art and Architecture Studies (3 works) · Humanities (3 works) · Musicology and Musical Analysis (3 works) · Piano (3 works) · Computer Science (2 works)