Simmons Simmons
Biographic Data
| ID | 8951640 |
|---|---|
| NAME | Simmons Simmons |
| GIVEN NAMES | Simmons |
| FAMILY NAME | Simmons |
| SIGNATURE | SIMMONS S |
| AFFILIATIONS | University of Alaska Fairbanks |
| VERIFIED | No |
| TOTAL WORKS | 5 |
| TOTAL CITATIONS | 3 |
| WORKS AS AUTHOR | 5 |
| WORKS AS EDITOR | 0 |
| FIRST PUBLICATION YEAR | 2004 |
| LATEST PUBLICATION YEAR | 2020 |
| H-INDEX | 1 |
Bad Feminism
It is no longer a question of imitation, nor duplication, nor even parody. It is a question of substituting the signs of the real for the real, that is to say of an operation of deterring every real process via its operational double, a programmatic, metastable, perfectly descriptive machine that o ers all the signs of the real and short-circuits all its vicissitudes
Every Story Has Already Been Told
Every Story Has Already Been Told:Steve McQueen Interview and Portfolio William J. Simmons (bio) Many years after queer and queer-of-color theories made such a binary indefensible, art history and film studies remain committed to a distinction between criticality and pleasure. The former remains a desirable activist strategy and the Click for larger view View full resolution Figure 1. Carey Mulligan as Sissy, singing "New York, New York" in Steve…
Pleasures and Dangers in Adapting and Appropriating Hegemonic Sources
Pleasures and Dangers in Adapting and Appropriating Hegemonic Sources Ronald Gregg (bio) and William J. Simmons (bio) This issue of Framework offers written and visual essays that engage with the practice of adaptation, appropriation, and other processes that reference, relocate, reinterpret, reimagine, critique, and/or expand meanings, structures, and aesthetics of previous works. The essays here take a number of affective, analytical, and artis…
Civil Rights in International Law
Beth Simmons, Civil Rights in International Law: Compliance with Aspects of the “International Bill of Rights”, Indiana Journal of Global Legal Studies, Vol. 16, No. 2, Special Issue: Symposium: Global Constitutionalism - Process and Substance; Kandersteg, Switzerland, January 17-20, 2008; Guest Editors: Anne Peters and Klaus Armingeon (Summer 2009), pp. 437-481
Words Have Power
Circles of Care grantees were provided the opportunity to develop a locally relevant definition of serious emotional disturbance that would be used to define what type of emotional, behavioral, and mental disability would be required to receive services. After conducting detailed assessments of the definition in the guidance for applicants GFA and the definitions used by others in their respective states, seven of the nine grantees developed thei…
Words Have Power
Circles of Care grantees were provided the opportunity to develop a locally relevant definition of serious emotional disturbance that would be used to define what type of emotional, behavioral, and mental disability would be required to receive services. After conducting detailed assessments of the definition in the guidance for applicants GFA and the definitions used by others in their respective states, seven of the nine grantees developed thei…
Words Have Power
Circles of Care grantees were provided the opportunity to develop a locally relevant definition of serious emotional disturbance that would be used to define what type of emotional, behavioral, and mental disability would be required to receive services. After conducting detailed assessments of the definition in the guidance for applicants GFA and the definitions used by others in their respective states, seven of the nine grantees developed thei…
Civil Rights in International Law
Beth Simmons, Civil Rights in International Law: Compliance with Aspects of the “International Bill of Rights”, Indiana Journal of Global Legal Studies, Vol. 16, No. 2, Special Issue: Symposium: Global Constitutionalism - Process and Substance; Kandersteg, Switzerland, January 17-20, 2008; Guest Editors: Anne Peters and Klaus Armingeon (Summer 2009), pp. 437-481
Bad Feminism
It is no longer a question of imitation, nor duplication, nor even parody. It is a question of substituting the signs of the real for the real, that is to say of an operation of deterring every real process via its operational double, a programmatic, metastable, perfectly descriptive machine that o ers all the signs of the real and short-circuits all its vicissitudes
Every Story Has Already Been Told
Every Story Has Already Been Told:Steve McQueen Interview and Portfolio William J. Simmons (bio) Many years after queer and queer-of-color theories made such a binary indefensible, art history and film studies remain committed to a distinction between criticality and pleasure. The former remains a desirable activist strategy and the Click for larger view View full resolution Figure 1. Carey Mulligan as Sissy, singing "New York, New York" in Steve…
Pleasures and Dangers in Adapting and Appropriating Hegemonic Sources
Pleasures and Dangers in Adapting and Appropriating Hegemonic Sources Ronald Gregg (bio) and William J. Simmons (bio) This issue of Framework offers written and visual essays that engage with the practice of adaptation, appropriation, and other processes that reference, relocate, reinterpret, reimagine, critique, and/or expand meanings, structures, and aesthetics of previous works. The essays here take a number of affective, analytical, and artis…
Sociology (4 works) · Aesthetics (3 works) · Art (3 works) · Psychology (3 works) · Queer (3 works) · Cinema and Media Studies (2 works) · Gender Studies (2 works) · Law (2 works) · Philosophy (2 works) · Political science (2 works)