Jan Schacher
Biographic Data
| ID | 8958338 |
|---|---|
| NAME | Jan Schacher |
| GIVEN NAMES | Jan |
| FAMILY NAME | Schacher |
| SIGNATURE | SCHACHER J |
| AFFILIATIONS | Zurich University of the Arts |
| ORCID | 0000-0001-8196-8985 |
| VERIFIED | Yes |
| TOTAL WORKS | 3 |
| TOTAL CITATIONS | 0 |
| WORKS AS AUTHOR | 3 |
| WORKS AS EDITOR | 0 |
| FIRST PUBLICATION YEAR | 2016 |
| LATEST PUBLICATION YEAR | 2026 |
| H-INDEX | 0 |
(Co)Shaping the Dynamic Flow
Taking into account that musical decisions in exploratory and improvisatory creation modes are not always fully governed by volitional control, the authors investigate the microgenesis of first-person experience underlying a process of shaping textural music. This process is understood as fundamental to determining how to shape extended resonating and ringing sound processes and when to initiate the next musical action. The authors develop a co-r…
Wearing a Second Skin of Sounds
"Wearing a Second Skin of Sounds: Touching the other through sounding and listening." Performance Research, 27(2), pp. 36–37
Gestural Performance of Electronic Music-A "Nime" Practice as Research
The practice of gestural electronic music performance provides a valid context for artistic or practice-based investigations in the field of 'NIME.' To this end, the material and conceptual conditions for the development of performance pieces using gestural actions need to be explored. The use of digital musical instruments and concepts for the expressive performance with digital sounds leads to questions of perception-by the musician and by the …
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Gestural Performance of Electronic Music-A "Nime" Practice as Research
The practice of gestural electronic music performance provides a valid context for artistic or practice-based investigations in the field of 'NIME.' To this end, the material and conceptual conditions for the development of performance pieces using gestural actions need to be explored. The use of digital musical instruments and concepts for the expressive performance with digital sounds leads to questions of perception-by the musician and by the …
Wearing a Second Skin of Sounds
"Wearing a Second Skin of Sounds: Touching the other through sounding and listening." Performance Research, 27(2), pp. 36–37
(Co)Shaping the Dynamic Flow
Taking into account that musical decisions in exploratory and improvisatory creation modes are not always fully governed by volitional control, the authors investigate the microgenesis of first-person experience underlying a process of shaping textural music. This process is understood as fundamental to determining how to shape extended resonating and ringing sound processes and when to initiate the next musical action. The authors develop a co-r…
Active listening (2 works) · Art (2 works) · Music Technology and Sound Studies (2 works) · Musical (2 works) · Psychology (2 works) · Visual arts (2 works) · Action Observation and Synchronization (1 work) · Affordance (1 work) · Artistic and Creative Research (1 work) · Cartography (1 work)