Lisa Ellen Williams
Biographic Data
| ID | 8960241 |
|---|---|
| NAME | Lisa Ellen Williams |
| GIVEN NAMES | Lisa Ellen |
| FAMILY NAME | Williams |
| SIGNATURE | WILLIAMS L E |
| AFFILIATIONS | Watkins College of Art Design and Film |
| ORCID | 0000-0001-5768-3875 |
| VERIFIED | Yes |
| TOTAL WORKS | 2 |
| TOTAL CITATIONS | 0 |
| WORKS AS AUTHOR | 2 |
| WORKS AS EDITOR | 0 |
| FIRST PUBLICATION YEAR | 2024 |
| LATEST PUBLICATION YEAR | 2026 |
| H-INDEX | 0 |
“Bring Me Back Her Head”
This article examines how Hole’s first three full-length albums, Pretty on the Inside (1991), Live Through This (1994), and My Body, The Hand Grenade (1997), creatively utilize images of women’s bodies (and the band’s own) to protest sexist injustice and enact sociopolitical reform in the United States in the early 1990s. Through performing the Kinderwhore style and including on- and off-stage examples of the abject and the monstrous-feminine in …
Nostalgia, satire, and subcultural capital at the drive-in
This article explores how journalist, cult icon, and Shudder host Joe Bob Briggs has used visual and verbal rhetorical devices to become a fixture in genre subcultures. Created and performed by John Bloom, the Briggs persona utilizes traits of past successful horror hosts while also implementing his own astute knowledge of film history and theory to confront questions about ‘good’ and ‘bad’ taste in film. Even though his work has been controversi…
No prominent works on this page.
Nostalgia, satire, and subcultural capital at the drive-in
This article explores how journalist, cult icon, and Shudder host Joe Bob Briggs has used visual and verbal rhetorical devices to become a fixture in genre subcultures. Created and performed by John Bloom, the Briggs persona utilizes traits of past successful horror hosts while also implementing his own astute knowledge of film history and theory to confront questions about ‘good’ and ‘bad’ taste in film. Even though his work has been controversi…
“Bring Me Back Her Head”
This article examines how Hole’s first three full-length albums, Pretty on the Inside (1991), Live Through This (1994), and My Body, The Hand Grenade (1997), creatively utilize images of women’s bodies (and the band’s own) to protest sexist injustice and enact sociopolitical reform in the United States in the early 1990s. Through performing the Kinderwhore style and including on- and off-stage examples of the abject and the monstrous-feminine in …
Music History and Culture (2 works) · Aesthetics (1 work) · Art (1 work) · Cultural capital (1 work) · Dismemberment (1 work) · Gender, Feminism, and Media (1 work) · Latin American and Latino Studies (1 work) · Masculinity (1 work) · Media studies (1 work) · Media Studies and Communication (1 work)