Emre Ekici
Biographic Data
| ID | 8962422 |
|---|---|
| NAME | Emre Ekici |
| GIVEN NAMES | Emre |
| FAMILY NAME | Ekici |
| SIGNATURE | EKİCİ E |
| AFFILIATIONS | University of Otago |
| ORCID | 0000-0001-7362-3784 |
| VERIFIED | Yes |
| TOTAL WORKS | 2 |
| TOTAL CITATIONS | 0 |
| WORKS AS AUTHOR | 2 |
| WORKS AS EDITOR | 0 |
| FIRST PUBLICATION YEAR | 2026 |
| LATEST PUBLICATION YEAR | 2026 |
| H-INDEX | 0 |
From performer to producer
This inductive thematic analysis explores the evolving role of Western classical music performers, focussing on the rise of self-producing artists and their impact on the classical music community. It aims to understand the challenges and benefits of performers taking on both artistic and production roles based on in-depth interviews with 34 industry professionals who are either producers, recording engineers, or experienced performers. The study…
Insiders’ Perspectives on Democratisation of Classical Music Production
This study employs inductive thematic analysis to examine democratisation in music production—making resources and knowledge more accessible—by comparing classical (CMP) and popular music production (PMP). PMP embraces technological innovations, fostering decentralised tools and platforms for diverse creators. CMP, however, prioritises fidelity to live performance and historical conventions, resisting democratisation due to institutional conserva…
No prominent works on this page.
From performer to producer
This inductive thematic analysis explores the evolving role of Western classical music performers, focussing on the rise of self-producing artists and their impact on the classical music community. It aims to understand the challenges and benefits of performers taking on both artistic and production roles based on in-depth interviews with 34 industry professionals who are either producers, recording engineers, or experienced performers. The study…
Insiders’ Perspectives on Democratisation of Classical Music Production
This study employs inductive thematic analysis to examine democratisation in music production—making resources and knowledge more accessible—by comparing classical (CMP) and popular music production (PMP). PMP embraces technological innovations, fostering decentralised tools and platforms for diverse creators. CMP, however, prioritises fidelity to live performance and historical conventions, resisting democratisation due to institutional conserva…
Music Technology and Sound Studies (2 works) · Thematic analysis (2 works) · Autonomy (1 work) · Classical music (1 work) · Conservatism (1 work) · Context (archaeology) (1 work) · Creativity in Education and Neuroscience (1 work) · Cultural Industries and Urban Development (1 work) · Democratization (1 work) · Diverse Music Education Insights (1 work)