Amrutha Mohan
Biographic Data
| ID | 8963180 |
|---|---|
| NAME | Amrutha Mohan |
| GIVEN NAMES | Amrutha |
| FAMILY NAME | Mohan |
| SIGNATURE | MOHAN A |
| AFFILIATIONS | Independent researcher |
| ORCID | 0000-0001-7995-3557 |
| VERIFIED | Yes |
| TOTAL WORKS | 2 |
| TOTAL CITATIONS | 0 |
| WORKS AS AUTHOR | 2 |
| WORKS AS EDITOR | 0 |
| FIRST PUBLICATION YEAR | 2025 |
| LATEST PUBLICATION YEAR | 2026 |
| H-INDEX | 0 |
(Post)Memory and resistance in Keum Suk Gendry-Kim’s Grass (2019) and the Waiting (2021)
Keum Suk Gendry-Kim’s conflict comics Grass (trans. Janet Hong) and The Waiting (trans. Janet Hong) illustrate the deleterious consequences of wars and conflicts. By sharing their traumatic memories with the next generation, the protagonists Ok-sun and Gwija transgress the normative temporalities, so as to combat the potential effacement of their appalling experiences from public consciousness. This article addresses how comics act as an ideal ap…
Precarious panels
The proposed paper focuses on the representation of ocean as a precarious space in Thi Bui’s The Best We Could Do, Morten Durr and Lars Horneman’s Zenobia and Thien Pham’s Family Style: Memories of an American from Vietnam. Though the contexts and socio-political circumstances of exile differ from each other, the select texts with their unconventional narrative structure and visual techniques not only depict the sea/ocean as a ‘malleable imaginat…
No prominent works on this page.
Precarious panels
The proposed paper focuses on the representation of ocean as a precarious space in Thi Bui’s The Best We Could Do, Morten Durr and Lars Horneman’s Zenobia and Thien Pham’s Family Style: Memories of an American from Vietnam. Though the contexts and socio-political circumstances of exile differ from each other, the select texts with their unconventional narrative structure and visual techniques not only depict the sea/ocean as a ‘malleable imaginat…
(Post)Memory and resistance in Keum Suk Gendry-Kim’s Grass (2019) and the Waiting (2021)
Keum Suk Gendry-Kim’s conflict comics Grass (trans. Janet Hong) and The Waiting (trans. Janet Hong) illustrate the deleterious consequences of wars and conflicts. By sharing their traumatic memories with the next generation, the protagonists Ok-sun and Gwija transgress the normative temporalities, so as to combat the potential effacement of their appalling experiences from public consciousness. This article addresses how comics act as an ideal ap…
Asian American and Pacific Histories (2 works) · Aesthetics (1 work) · Antibiotic resistance (1 work) · Archaeology (1 work) · Art (1 work) · Asian Culture and Media Studies (1 work) · Comics (1 work) · Comics and Graphic Narratives (1 work) · Gender Studies (1 work) · History (1 work)