Dilara Balcı
Biographic Data
| ID | 8963206 |
|---|---|
| NAME | Dilara Balcı |
| GIVEN NAMES | Dilara |
| FAMILY NAME | Balcı |
| SIGNATURE | BALCI D |
| AFFILIATIONS | Yaşar University |
| ORCID | 0000-0001-7106-2805 |
| VERIFIED | Yes |
| TOTAL WORKS | 3 |
| TOTAL CITATIONS | 0 |
| WORKS AS AUTHOR | 3 |
| WORKS AS EDITOR | 0 |
| FIRST PUBLICATION YEAR | 2022 |
| LATEST PUBLICATION YEAR | 2026 |
| H-INDEX | 0 |
Tired Warrior
This study examines the television mini-series Tired Warrior (Yorgun Savaşçı, Halit Refiğ, 1979), adapted from Kemal Tahir’s novel, as an extreme case of state authority over audiovisual memory in Turkey. Commissioned and produced by the state broadcaster TRT, the series was banned following the 1980 military coup, and its negatives and positives were ordered to be physically destroyed by burning. However, years later, a single surviving videotap…
Agop, Salomon and Despina
In the years between 1956 and 1975, Turkish film production boomed. These two decades were also the very last years in which non-Muslim characters were still appearing in a wide range of productions, and so they offer an important window into the representation of non-Muslims in the Turkish cinema of this period, known as Yeşilçam. This essay explores these representations by analyzing 82 films featuring 121 Turkish Greek, Armenian and Jewish cha…
Di̇key Si̇nemaya Doğru
Bu çalışmanın amacı sinemanın ilk yıllarından günümüze, teknik gelişmelerin sinematografinin önemli bir parçası olan çerçeve oranlarına (aspect ratio) etkisini tartışmak; analogtan dijitale, yataydan dikeye film, televizyon ve yeni medya yönelimlerinin tarihini gözler önüne sermek ve dijital çağa özgü dikey formatı gündeme getirmektir. Sinema tarihinin başlangıcından bu yana, filmlerin hangi formatta çekilip sergilenmesi gerektiği konusunda tartı…
No prominent works on this page.
Di̇key Si̇nemaya Doğru
Bu çalışmanın amacı sinemanın ilk yıllarından günümüze, teknik gelişmelerin sinematografinin önemli bir parçası olan çerçeve oranlarına (aspect ratio) etkisini tartışmak; analogtan dijitale, yataydan dikeye film, televizyon ve yeni medya yönelimlerinin tarihini gözler önüne sermek ve dijital çağa özgü dikey formatı gündeme getirmektir. Sinema tarihinin başlangıcından bu yana, filmlerin hangi formatta çekilip sergilenmesi gerektiği konusunda tartı…
Agop, Salomon and Despina
In the years between 1956 and 1975, Turkish film production boomed. These two decades were also the very last years in which non-Muslim characters were still appearing in a wide range of productions, and so they offer an important window into the representation of non-Muslims in the Turkish cinema of this period, known as Yeşilçam. This essay explores these representations by analyzing 82 films featuring 121 Turkish Greek, Armenian and Jewish cha…
Tired Warrior
This study examines the television mini-series Tired Warrior (Yorgun Savaşçı, Halit Refiğ, 1979), adapted from Kemal Tahir’s novel, as an extreme case of state authority over audiovisual memory in Turkey. Commissioned and produced by the state broadcaster TRT, the series was banned following the 1980 military coup, and its negatives and positives were ordered to be physically destroyed by burning. However, years later, a single surviving videotap…
Art (2 works) · Political science (2 works) · Turkey's Politics and Society (2 works) · Turkish (2 works) · Ancient history (1 work) · Armenian (1 work) · Balkans: History, Politics, Society (1 work) · Cinema and Media Studies (1 work) · Cyprus History, Politics, Society (1 work) · Digital Games and Media (1 work)