Máire Tracey
Biographic Data
| ID | 8967398 |
|---|---|
| NAME | Máire Tracey |
| GIVEN NAMES | Máire |
| FAMILY NAME | Tracey |
| SIGNATURE | TRACEY M |
| AFFILIATIONS | University of Salford |
| ORCID | 0009-0003-6051-3430 |
| VERIFIED | Yes |
| TOTAL WORKS | 3 |
| TOTAL CITATIONS | 0 |
| WORKS AS AUTHOR | 3 |
| WORKS AS EDITOR | 0 |
| FIRST PUBLICATION YEAR | 2024 |
| LATEST PUBLICATION YEAR | 2026 |
| H-INDEX | 0 |
The Unfinished Business of Astley Castle
In this article, we explain how we used the concept of the palimpsest to establish an interdisciplinary and collaborative Practice Research method for representing on film the intangible heritage associated with historic buildings – in this case, Astley Castle, a RIBA Sterling Award-winning building in Warwickshire. In contemporary use, the palimpsest refers broadly to anything that contains multilayered records of alterations and developments ov…
Space and power
In this article, we show how we developed a critical spatial perspective through Henri Lefebvre’s spatial triad while making and screening a short documentary. Although scholars often use the triad to analyse how urban space is conceived, perceived, and lived, we show that it can also guide filmmaking. Our documentary, Makerworld, follows four families who attend free art classes in an empty shopping unit each Saturday. Set within the context of …
The making of All That Is Buried
This article argues for the utility of Mikhail Bakhtin’s literary theories in developing dialogic and decolonial filmmaking practices. Using the example of our research-led documentary film, All That Is Buried, we challenge traditionally hierarchical structures of film production in which primary authorship lies with the Director/Producer, by implementing dialogic methods of co-creation between filmmakers, researchers and participants. We explain…
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The making of All That Is Buried
This article argues for the utility of Mikhail Bakhtin’s literary theories in developing dialogic and decolonial filmmaking practices. Using the example of our research-led documentary film, All That Is Buried, we challenge traditionally hierarchical structures of film production in which primary authorship lies with the Director/Producer, by implementing dialogic methods of co-creation between filmmakers, researchers and participants. We explain…
The Unfinished Business of Astley Castle
In this article, we explain how we used the concept of the palimpsest to establish an interdisciplinary and collaborative Practice Research method for representing on film the intangible heritage associated with historic buildings – in this case, Astley Castle, a RIBA Sterling Award-winning building in Warwickshire. In contemporary use, the palimpsest refers broadly to anything that contains multilayered records of alterations and developments ov…
Space and power
In this article, we show how we developed a critical spatial perspective through Henri Lefebvre’s spatial triad while making and screening a short documentary. Although scholars often use the triad to analyse how urban space is conceived, perceived, and lived, we show that it can also guide filmmaking. Our documentary, Makerworld, follows four families who attend free art classes in an empty shopping unit each Saturday. Set within the context of …
Artistic and Creative Research (2 works) · Cinema and Media Studies (2 works) · Archaeology (1 work) · Chronotope (1 work) · Computer Science (1 work) · Cultural Industries and Urban Development (1 work) · Decoloniality (1 work) · Dialog box (1 work) · Embodied cognition (1 work) · Filmmaking (1 work)