A R Vimal Raj
Biographic Data
| ID | 8968055 |
|---|---|
| NAME | A R Vimal Raj |
| GIVEN NAMES | A R Vimal |
| FAMILY NAME | Raj |
| SIGNATURE | RAJ A R V |
| AFFILIATIONS | Saveetha University |
| VERIFIED | No |
| TOTAL WORKS | 3 |
| TOTAL CITATIONS | 0 |
| WORKS AS AUTHOR | 3 |
| WORKS AS EDITOR | 0 |
| FIRST PUBLICATION YEAR | 2026 |
| LATEST PUBLICATION YEAR | 2026 |
| H-INDEX | 0 |
Leveraging Ai, Quantum Computing, and New Media to Reimagine Realism and Female Portrayal in Tamil Cinema
This research investigates the intersection of emerging technologies—artificial intelligence, quantum computing, and new media—with traditional cinematic analysis to reexamine Balu Mahendra's pioneering approach to realism and female portrayal in Tamil cinema through the lens of Generation Z perspectives. Drawing from comprehensive analysis of Mahendra's acclaimed works including Veedu and Vanna Vanna Pookkal, this study employs cutting-edge tech…
Between Naturalism and the Male Gaze
This paper offers a feminist rereading of women's emotional agency in Balu Mahendra's films by situating his cinematic practice between naturalistic realism and the theoretical framework of the male gaze proposed by Laura Mulvey. Famous for transforming Tamil cinema through restrained performances, location-based shooting and psychological nuances, Mahendra is often cited as a pioneer of visual naturalism. However, this study argues that realism …
Realism Revisited
Realism occupied an important place in Tamil cinema, especially as a counter-movement to dramatic and commercial film traditions. Among its leading practitioners, Balu Mahendra was widely recognized for his naturalistic cinematography, intimate storytelling, and emotionally nuanced female characters. His films were often celebrated for their aesthetic minimalism and psychological depth. However, while their realism was critically acclaimed, limit…
No prominent works on this page.
Leveraging Ai, Quantum Computing, and New Media to Reimagine Realism and Female Portrayal in Tamil Cinema
This research investigates the intersection of emerging technologies—artificial intelligence, quantum computing, and new media—with traditional cinematic analysis to reexamine Balu Mahendra's pioneering approach to realism and female portrayal in Tamil cinema through the lens of Generation Z perspectives. Drawing from comprehensive analysis of Mahendra's acclaimed works including Veedu and Vanna Vanna Pookkal, this study employs cutting-edge tech…
Between Naturalism and the Male Gaze
This paper offers a feminist rereading of women's emotional agency in Balu Mahendra's films by situating his cinematic practice between naturalistic realism and the theoretical framework of the male gaze proposed by Laura Mulvey. Famous for transforming Tamil cinema through restrained performances, location-based shooting and psychological nuances, Mahendra is often cited as a pioneer of visual naturalism. However, this study argues that realism …
Realism Revisited
Realism occupied an important place in Tamil cinema, especially as a counter-movement to dramatic and commercial film traditions. Among its leading practitioners, Balu Mahendra was widely recognized for his naturalistic cinematography, intimate storytelling, and emotionally nuanced female characters. His films were often celebrated for their aesthetic minimalism and psychological depth. However, while their realism was critically acclaimed, limit…
Gender, Feminism, and Media (3 works) · Movie theater (3 works) · Narrative (3 works) · Realism (3 works) · South Asian Cinema and Culture (3 works) · Cinema and Media Studies (2 works) · Feminist theory (1 work) · Filmmaking (1 work) · Ideology (1 work) · Innovations and Analysis in Business and Education (1 work)