Lourdu Vesna J
Biographic Data
| ID | 8968308 |
|---|---|
| NAME | Lourdu Vesna J |
| GIVEN NAMES | Lourdu |
| FAMILY NAME | Vesna J |
| SIGNATURE | J L V |
| AFFILIATIONS | Mother Teresa Women's University |
| VERIFIED | No |
| TOTAL WORKS | 2 |
| TOTAL CITATIONS | 0 |
| WORKS AS AUTHOR | 2 |
| WORKS AS EDITOR | 0 |
| FIRST PUBLICATION YEAR | 2024 |
| LATEST PUBLICATION YEAR | 2026 |
| H-INDEX | 0 |
Intersections of Gender, Class, and Cinematic Space
This article develops an intersectional feminist analysis of female agency in Bong Joon-ho’s Parasite (2019) and Wes Anderson’s The Grand Budapest Hotel (2014), examining how gender, class, race, and cinematic space intersect in the social and economic portrayal of women. Drawing on Kimberlé Crenshaw’s concept of intersectionality, Laura Mulvey’s theory of the gendered gaze, bell hooks’s oppositional gaze, Henri Lefebvre’s theory of socially prod…
Investigating Patterns of Digital News Consumption Among College Students
Technological advancements have altered news consumption among everyone. This study scrutinises online news habits, exploring digital preferences and influencing factors, especially among college students aged 18-21 years. The research employed a mixed-methods approach, incorporating quantitative surveys (including 272 students) with qualitative insights obtained from agreed-upon students for interviews as a source of primary data gathering. Illu…
No prominent works on this page.
Investigating Patterns of Digital News Consumption Among College Students
Technological advancements have altered news consumption among everyone. This study scrutinises online news habits, exploring digital preferences and influencing factors, especially among college students aged 18-21 years. The research employed a mixed-methods approach, incorporating quantitative surveys (including 272 students) with qualitative insights obtained from agreed-upon students for interviews as a source of primary data gathering. Illu…
Intersections of Gender, Class, and Cinematic Space
This article develops an intersectional feminist analysis of female agency in Bong Joon-ho’s Parasite (2019) and Wes Anderson’s The Grand Budapest Hotel (2014), examining how gender, class, race, and cinematic space intersect in the social and economic portrayal of women. Drawing on Kimberlé Crenshaw’s concept of intersectionality, Laura Mulvey’s theory of the gendered gaze, bell hooks’s oppositional gaze, Henri Lefebvre’s theory of socially prod…
Cinema and Media Studies (1 work) · Computer Science (1 work) · Digital media (1 work) · Digital native (1 work) · Ethos (1 work) · Feminist theory (1 work) · Gender, Feminism, and Media (1 work) · Gothic Literature and Media Analysis (1 work) · Impact of Technology on Adolescents (1 work) · Mathematics education (1 work)