K Periyakannan
Biographic Data
| ID | 8968310 |
|---|---|
| NAME | K Periyakannan |
| GIVEN NAMES | K |
| FAMILY NAME | Periyakannan |
| SIGNATURE | PERIYAKANNAN K |
| AFFILIATIONS | School of Visual Arts |
| VERIFIED | No |
| TOTAL WORKS | 1 |
| TOTAL CITATIONS | 0 |
| WORKS AS AUTHOR | 1 |
| WORKS AS EDITOR | 0 |
| FIRST PUBLICATION YEAR | 2026 |
| LATEST PUBLICATION YEAR | 2026 |
| H-INDEX | 0 |
Intersections of Gender, Class, and Cinematic Space
This article develops an intersectional feminist analysis of female agency in Bong Joon-ho’s Parasite (2019) and Wes Anderson’s The Grand Budapest Hotel (2014), examining how gender, class, race, and cinematic space intersect in the social and economic portrayal of women. Drawing on Kimberlé Crenshaw’s concept of intersectionality, Laura Mulvey’s theory of the gendered gaze, bell hooks’s oppositional gaze, Henri Lefebvre’s theory of socially prod…
No prominent works on this page.
Intersections of Gender, Class, and Cinematic Space
This article develops an intersectional feminist analysis of female agency in Bong Joon-ho’s Parasite (2019) and Wes Anderson’s The Grand Budapest Hotel (2014), examining how gender, class, race, and cinematic space intersect in the social and economic portrayal of women. Drawing on Kimberlé Crenshaw’s concept of intersectionality, Laura Mulvey’s theory of the gendered gaze, bell hooks’s oppositional gaze, Henri Lefebvre’s theory of socially prod…
Cinema and Media Studies (1 work) · Ethos (1 work) · Feminist theory (1 work) · Gender, Feminism, and Media (1 work) · Gothic Literature and Media Analysis (1 work) · Movie theater (1 work) · Narrative (1 work) · Pathos (1 work) · Semiotics (1 work)