Kiran Shekhawat
Biographic Data
| ID | 8968968 |
|---|---|
| NAME | Kiran Shekhawat |
| GIVEN NAMES | Kiran |
| FAMILY NAME | Shekhawat |
| SIGNATURE | SHEKHAWAT K |
| AFFILIATIONS | Bhartiya Skill Development University |
| VERIFIED | No |
| TOTAL WORKS | 2 |
| TOTAL CITATIONS | 0 |
| AUTHOR COUNT | 2 |
| EDITOR COUNT | 0 |
| FIRST PUBLICATION YEAR | 2026 |
| LATEST PUBLICATION YEAR | 2026 |
| H-INDEX | 0 |
The Evolution of Gender Fluidity and Performativity in Postmillennial Indian Hindi Cinema
Over time, contemporary post-modernist writers and directors have begun to interrogate authority, stereotypes, and sexist values, challenging the foundations of social practices that underpin the old binary model of sex or gender. This study examines the development of gender fluidity and performativity in postmillennial Indian Hindi Cinema, evaluating how contemporary filmmakers are interrogating gender binaries and presenting more comprehensive…
The Language of Performance on the Indian Stage
This study blends close reading with corpus-assisted methods to examine how English mediates culture, gender, and identity in Mahesh Dattani’s drama. Using a curated, labelled corpus drawn from six plays like Dance Like a Man, Tara, Bravely Fought the Queen, On a Muggy Night in Mumbai, Seven Steps Around the Fire, and Thirty Days in September, the study attempts to analyse 38 dialogue excerpts (922 words; 362-type vocabulary). A Python workflow (…
No prominent works on this page.
The Evolution of Gender Fluidity and Performativity in Postmillennial Indian Hindi Cinema
Over time, contemporary post-modernist writers and directors have begun to interrogate authority, stereotypes, and sexist values, challenging the foundations of social practices that underpin the old binary model of sex or gender. This study examines the development of gender fluidity and performativity in postmillennial Indian Hindi Cinema, evaluating how contemporary filmmakers are interrogating gender binaries and presenting more comprehensive…
The Language of Performance on the Indian Stage
This study blends close reading with corpus-assisted methods to examine how English mediates culture, gender, and identity in Mahesh Dattani’s drama. Using a curated, labelled corpus drawn from six plays like Dance Like a Man, Tara, Bravely Fought the Queen, On a Muggy Night in Mumbai, Seven Steps Around the Fire, and Thirty Days in September, the study attempts to analyse 38 dialogue excerpts (922 words; 362-type vocabulary). A Python workflow (…
South Asian Cinema and Culture (2 works) · Adverbial (1 work) · Close reading (1 work) · Dance (1 work) · Femininity (1 work) · Gender schema theory (1 work) · Hindi (1 work) · Indian English (1 work) · Lexis (1 work) · Masculinity (1 work)