Rahul Thakur
Biographic Data
| ID | 8969556 |
|---|---|
| NAME | Rahul Thakur |
| GIVEN NAMES | Rahul |
| FAMILY NAME | Thakur |
| SIGNATURE | THAKUR R |
| AFFILIATIONS | Chitkara University |
| ORCID | 0000-0002-2672-6067 |
| VERIFIED | Yes |
| TOTAL WORKS | 4 |
| TOTAL CITATIONS | 0 |
| AUTHOR COUNT | 4 |
| EDITOR COUNT | 0 |
| FIRST PUBLICATION YEAR | 2025 |
| LATEST PUBLICATION YEAR | 2026 |
| H-INDEX | 0 |
Computational Color Theory Models for Optimizing Visual Harmony in Digital Art Production
Color harmony is a form of visual aesthetics that exists in digital art and influences the perception, emotion and the quality of the entire design. The more complex the digital creation of art, the more the systematic means of picking out combinations of colors is becoming a necessity as a replacement of the older systems of color combinations that were picked out intuitively. The authors have discussed in this paper the computational colour the…
Emotion Recognition in Contemporary Art Installations
Modern art installations are becoming more and more use of computational systems to provide better interaction with the audience by reading the emotional reactions live. This paper outlines a detailed model of emotion recognition in immersive art setting that combines the theory of human feelings and the developed methods of artificial intelligence. Based on the basic models of emotions including the basic categories of Ekman, the wheel of Plutch…
Exploring Gans in Digital Media Education
The Generative Adversarial Networks (GANs) introduced to the education of digital media can be regarded as a significant change in the point of intersection of creativity, computation, and ethics in educational context. The creative tools and the educational model of both the use of GANs will be discussed in the paper in terms of pedagogical and cognitive implications. The research employed a mixed-methodology in three institutions, such as desig…
Data Driven Patron Engagement in Art Institutions
The institutions of art find themselves in that situation more and more, trying to maintain the attention of the visitors because of shifting expectations of the audience, the disruptive influence of digital technologies, and the lack of understanding of the heterogeneous behavior of the patrons. Conventional methods of engagement are based on intuit, stationary surveys or post-experience surveys and they have little abilities in forseeing inclin…
No prominent works on this page.
Emotion Recognition in Contemporary Art Installations
Modern art installations are becoming more and more use of computational systems to provide better interaction with the audience by reading the emotional reactions live. This paper outlines a detailed model of emotion recognition in immersive art setting that combines the theory of human feelings and the developed methods of artificial intelligence. Based on the basic models of emotions including the basic categories of Ekman, the wheel of Plutch…
Exploring Gans in Digital Media Education
The Generative Adversarial Networks (GANs) introduced to the education of digital media can be regarded as a significant change in the point of intersection of creativity, computation, and ethics in educational context. The creative tools and the educational model of both the use of GANs will be discussed in the paper in terms of pedagogical and cognitive implications. The research employed a mixed-methodology in three institutions, such as desig…
Data Driven Patron Engagement in Art Institutions
The institutions of art find themselves in that situation more and more, trying to maintain the attention of the visitors because of shifting expectations of the audience, the disruptive influence of digital technologies, and the lack of understanding of the heterogeneous behavior of the patrons. Conventional methods of engagement are based on intuit, stationary surveys or post-experience surveys and they have little abilities in forseeing inclin…
Computational Color Theory Models for Optimizing Visual Harmony in Digital Art Production
Color harmony is a form of visual aesthetics that exists in digital art and influences the perception, emotion and the quality of the entire design. The more complex the digital creation of art, the more the systematic means of picking out combinations of colors is becoming a necessity as a replacement of the older systems of color combinations that were picked out intuitively. The authors have discussed in this paper the computational colour the…
Aesthetic Perception and Analysis (2 works) · Affective Computing (1 works) · Analytics (1 works) · Argumentation theory (1 works) · Art History and Market Analysis (1 works) · Attendance (1 works) · Autonomy (1 works) · Color perception and design (1 works) · Color space (1 works) · Computation (1 works)