THEODORE HUGHES THEODORE HUGHES
Biographic Data
| ID | 8993467 |
|---|---|
| NAME | THEODORE HUGHES THEODORE HUGHES |
| GIVEN NAMES | THEODORE HUGHES THEODORE |
| FAMILY NAME | HUGHES |
| SIGNATURE | HUGHES T H T |
| VERIFIED | No |
| TOTAL WORKS | 2 |
| TOTAL CITATIONS | 0 |
| WORKS AS AUTHOR | 2 |
| WORKS AS EDITOR | 0 |
| FIRST PUBLICATION YEAR | 2008 |
| LATEST PUBLICATION YEAR | 2011 |
| H-INDEX | 0 |
Planet Hallyuwood
This article examines the ways in which the display of violence and production of affect in two Hallyu films portraying the Korean War and its immediate aftermath— T’aegŭkki (T’aegŭkki hwinallimyŏ; Kang Che-gyu, 2004) and Once Upon a Time in Seoul (Sonyŏn ŭn ulji annŭnda; Pae Hyŏng-jun, 2008)—represents a continuing negotiation with the trauma of division and the Cold War order. These contemporary Hallyu Korean War films reveal a certain anxiety …
“North Koreans” and Other Virtual Subjects
This article examines the ways in which contemporary South Korean literature negotiates new forms of transnational identity by way of post-Cold War representations of “North Korea” and “North Koreans.” Focusing on recent bestselling works by the contemporary writers Kim Yeong-ha, Hwang Seokyeong, and Kim Hyeon-jeong’s 2003 film Double Agent, this article shows how the figure of the “North Korean” no longer points to communist threat or anticapita…
No prominent works on this page.
“North Koreans” and Other Virtual Subjects
This article examines the ways in which contemporary South Korean literature negotiates new forms of transnational identity by way of post-Cold War representations of “North Korea” and “North Koreans.” Focusing on recent bestselling works by the contemporary writers Kim Yeong-ha, Hwang Seokyeong, and Kim Hyeon-jeong’s 2003 film Double Agent, this article shows how the figure of the “North Korean” no longer points to communist threat or anticapita…
Planet Hallyuwood
This article examines the ways in which the display of violence and production of affect in two Hallyu films portraying the Korean War and its immediate aftermath— T’aegŭkki (T’aegŭkki hwinallimyŏ; Kang Che-gyu, 2004) and Once Upon a Time in Seoul (Sonyŏn ŭn ulji annŭnda; Pae Hyŏng-jun, 2008)—represents a continuing negotiation with the trauma of division and the Cold War order. These contemporary Hallyu Korean War films reveal a certain anxiety …
Korean Peninsula Historical and Political Studies (2 works) · Aesthetics (1 work) · Asian Culture and Media Studies (1 work) · Astrobiology (1 work) · Astronomy (1 work) · Gender Studies (1 work) · Geology (1 work) · Japanese History and Culture (1 work) · Mathematics (1 work) · Philosophy (1 work)