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THEODORE HUGHES THEODORE HUGHES

Biographic Data

ID8993467
NAMETHEODORE HUGHES THEODORE HUGHES
GIVEN NAMESTHEODORE HUGHES THEODORE
FAMILY NAMEHUGHES
SIGNATUREHUGHES T H T
VERIFIEDNo
TOTAL WORKS2
TOTAL CITATIONS0
WORKS AS AUTHOR2
WORKS AS EDITOR0
FIRST PUBLICATION YEAR2008
LATEST PUBLICATION YEAR2011
H-INDEX0
  • Planet Hallyuwood

    Open Access•T Mckenny Hughes, THEODORE HUGHES THEODORE HUGHES•ARTICLE•Acta Koreana•2011

    This article examines the ways in which the display of violence and production of affect in two Hallyu films portraying the Korean War and its immediate aftermath— T’aegŭkki (T’aegŭkki hwinallimyŏ; Kang Che-gyu, 2004) and Once Upon a Time in Seoul (Sonyŏn ŭn ulji annŭnda; Pae Hyŏng-jun, 2008)—represents a continuing negotiation with the trauma of division and the Cold War order. These contemporary Hallyu Korean War films reveal a certain anxiety …

  • “North Koreans” and Other Virtual Subjects

    Open Access•T M’Kenny Hughes, THEODORE HUGHES THEODORE HUGHES•ARTICLE•The Review of Korean Studies•2008

    This article examines the ways in which contemporary South Korean literature negotiates new forms of transnational identity by way of post-Cold War representations of “North Korea” and “North Koreans.” Focusing on recent bestselling works by the contemporary writers Kim Yeong-ha, Hwang Seokyeong, and Kim Hyeon-jeong’s 2003 film Double Agent, this article shows how the figure of the “North Korean” no longer points to communist threat or anticapita…

No prominent works on this page.

  • “North Koreans” and Other Virtual Subjects

    Open Access•T M’Kenny Hughes, THEODORE HUGHES THEODORE HUGHES•ARTICLE•The Review of Korean Studies•2008

    This article examines the ways in which contemporary South Korean literature negotiates new forms of transnational identity by way of post-Cold War representations of “North Korea” and “North Koreans.” Focusing on recent bestselling works by the contemporary writers Kim Yeong-ha, Hwang Seokyeong, and Kim Hyeon-jeong’s 2003 film Double Agent, this article shows how the figure of the “North Korean” no longer points to communist threat or anticapita…

  • Planet Hallyuwood

    Open Access•T Mckenny Hughes, THEODORE HUGHES THEODORE HUGHES•ARTICLE•Acta Koreana•2011

    This article examines the ways in which the display of violence and production of affect in two Hallyu films portraying the Korean War and its immediate aftermath— T’aegŭkki (T’aegŭkki hwinallimyŏ; Kang Che-gyu, 2004) and Once Upon a Time in Seoul (Sonyŏn ŭn ulji annŭnda; Pae Hyŏng-jun, 2008)—represents a continuing negotiation with the trauma of division and the Cold War order. These contemporary Hallyu Korean War films reveal a certain anxiety …

Korean Peninsula Historical and Political Studies (2 works) · Aesthetics (1 work) · Asian Culture and Media Studies (1 work) · Astrobiology (1 work) · Astronomy (1 work) · Gender Studies (1 work) · Geology (1 work) · Japanese History and Culture (1 work) · Mathematics (1 work) · Philosophy (1 work)

Ethnos_APP • Open Source Project • MIT License • Frontend v2.0.0 • Privacy and Cookies • API Documentation: api.ethnos.app/docs • API Source Code: GitHub • DOI: 10.5281/zenodo.17049435 • Frontend Source Code: GitHub • DOI: 10.5281/zenodo.17050053 • cruz.rio.br • Expectantes Misericordiae