Cornel Bogle
Biographic Data
| ID | 8995217 |
|---|---|
| NAME | Cornel Bogle |
| GIVEN NAMES | Cornel |
| FAMILY NAME | Bogle |
| SIGNATURE | BOGLE C |
| AFFILIATIONS | University of Alberta |
| ORCID | 0009-0008-3788-7094 |
| VERIFIED | Yes |
| TOTAL WORKS | 3 |
| TOTAL CITATIONS | 0 |
| AUTHOR COUNT | 3 |
| EDITOR COUNT | 0 |
| FIRST PUBLICATION YEAR | 2021 |
| LATEST PUBLICATION YEAR | 2025 |
| H-INDEX | 0 |
“The Blasted Man Made Me Vex”: Artistic Vulnerability, Satire, and Caribbean Literary Historiography
This article explores an incident during the 1986 Caribbean Writers’ Conference in London, where Trinidadian writer Samuel Selvon faced a public assault while reading from his 1975 novel, Moses Ascending. This incident, I argue, prompts a closer examination of the dynamics between writers and readers, the impact of personal attacks on artistic pursuits, and the treatment of Black women artists by male writers in the late twentieth-century Caribbe…
Black Radicalisms in Canada and the Politics of Respectability in Austin Clarke’s In Your Crib
Now, over five decades after the events at Sir George Williams College, what are the possibilities for Black radical action in Canada? And what, or rather who, stands in the way of such possibilities? In order to get close to these questions, this article examines Austin Clarke’s last published book of poetry, In Your Crib. I argue that through the figure of the elder persona, Clarke explores the limitations of respectability politics—manifested …
Imagining the [Unbounded] Grounds of [Caribbean Canadian] Consciousness
The “Introduction” to this Special Issue on “Recognition and Recovery of Caribbean Canadian Cultural Production” surveys the multiple creative directions and critical orientations of Caribbean Canadian cultural production and raises key questions about the grounds on which Caribbean Canadian cultural production is recognized, especially in Canada. The guest editors also explore the productive, but sometimes problematic, relationship between Carib…
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Imagining the [Unbounded] Grounds of [Caribbean Canadian] Consciousness
The “Introduction” to this Special Issue on “Recognition and Recovery of Caribbean Canadian Cultural Production” surveys the multiple creative directions and critical orientations of Caribbean Canadian cultural production and raises key questions about the grounds on which Caribbean Canadian cultural production is recognized, especially in Canada. The guest editors also explore the productive, but sometimes problematic, relationship between Carib…
Black Radicalisms in Canada and the Politics of Respectability in Austin Clarke’s In Your Crib
Now, over five decades after the events at Sir George Williams College, what are the possibilities for Black radical action in Canada? And what, or rather who, stands in the way of such possibilities? In order to get close to these questions, this article examines Austin Clarke’s last published book of poetry, In Your Crib. I argue that through the figure of the elder persona, Clarke explores the limitations of respectability politics—manifested …
“The Blasted Man Made Me Vex”: Artistic Vulnerability, Satire, and Caribbean Literary Historiography
This article explores an incident during the 1986 Caribbean Writers’ Conference in London, where Trinidadian writer Samuel Selvon faced a public assault while reading from his 1975 novel, Moses Ascending. This incident, I argue, prompts a closer examination of the dynamics between writers and readers, the impact of personal attacks on artistic pursuits, and the treatment of Black women artists by male writers in the late twentieth-century Caribbe…
Canadian Identity and History (2 works) · Caribbean history, culture, and politics (2 works) · Cuban History and Society (2 works) · Environmental ethics (2 works) · Gender Studies (2 works) · Law (2 works) · Political science (2 works) · Politics (2 works) · Sociology (2 works) · African american (1 works)