María Jesús López Sánchez-Vizcaíno
Biographic Data
| ID | 8996110 |
|---|---|
| NAME | María Jesús López Sánchez-Vizcaíno |
| GIVEN NAMES | María Jesús López |
| FAMILY NAME | Sánchez-Vizcaíno |
| SIGNATURE | SÁNCHEZ-VIZCAÍNO M J L |
| AFFILIATIONS | University of Córdoba |
| ORCID | 0000-0001-9227-6757 |
| VERIFIED | Yes |
| TOTAL WORKS | 6 |
| TOTAL CITATIONS | 0 |
| AUTHOR COUNT | 6 |
| EDITOR COUNT | 0 |
| FIRST PUBLICATION YEAR | 2011 |
| LATEST PUBLICATION YEAR | 2024 |
| H-INDEX | 0 |
Community, Exposed Singularity and Death in Mrs Dalloway
This essay brings Virginia Woolf and Jean-Luc Nancy into dialogue, focusing on their similar critique of essentialized models of community and evocation of forms of being-with that derive from the experiences of singularity and death. It identifies two forms of community in Woolf’s novel Mrs Dalloway (1925). The first one corresponds to Nancy’s conception of the immanent community, built upon essence and fusion, and in which death is provided wit…
Don Quixote, Benengeli and Coetzee’s Jesus Trilogy
This article focuses on the central role of Don Quixote (1605, 1615) in J.M. Coetzee's Jesus novels, arguing for the relevance of the fact that it is Benengeli, the fictional Moorish historian – and not Cervantes – who is presented as the author of the Spanish novel. This is first explored in relation to the analogy that The Childhood of Jesus (2013) makes between authorship and paternity, along with the depiction of the relationship between auth…
Samuel Beckett’s Trilogy, Alain Badiou and the Subtraction from the State and the Community
Introduction According to Anthony Cronin, “the Beckett man belongs to no category, no class, no nationality or community” (2006: 88). This statement epitomizes an important current in the critical reception of Samuel Beckett that has emphasized the centrality in his works of the solipsistic and self-enclosed individual, and the absence — or deprecating undermining — of
Miguel de Cervantes and J.M. Coetzee: An Unacknowledged Paternity
This article points to the 17th-century Spanish writer, Miguel de Cervantes, as one important literary predecessor of the contemporary South African writer, J.M. Coetzee, a relation that has generally passed unnoticed among critics. This relation is brought to the foreground in Coetzee’s most recent novel, The Childhood of Jesus (2013), but it also underlies his previous ones, Age of Iron (1998), Disgrace (2000), and Slow Man (2005), as well as h…
A Different Southern Africa
Acts of Visitation: The Narrative of J.M. Coetzee
This study traces, in J.M. Coetzee's fictional and non-fictional production, an imaginative and intellectual masterplot deriving from Coetzee's perception of European presence in (South) Africa as having its origin in an act of illegitimate penetration and fraudulent visitation. In Coetzee's novels, the historical and political problem of a hostile occupation and unfair distribution of the land finds a correspondence in the domestic space of hous…
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Acts of Visitation: The Narrative of J.M. Coetzee
This study traces, in J.M. Coetzee's fictional and non-fictional production, an imaginative and intellectual masterplot deriving from Coetzee's perception of European presence in (South) Africa as having its origin in an act of illegitimate penetration and fraudulent visitation. In Coetzee's novels, the historical and political problem of a hostile occupation and unfair distribution of the land finds a correspondence in the domestic space of hous…
Samuel Beckett’s Trilogy, Alain Badiou and the Subtraction from the State and the Community
Introduction According to Anthony Cronin, “the Beckett man belongs to no category, no class, no nationality or community” (2006: 88). This statement epitomizes an important current in the critical reception of Samuel Beckett that has emphasized the centrality in his works of the solipsistic and self-enclosed individual, and the absence — or deprecating undermining — of
Miguel de Cervantes and J.M. Coetzee: An Unacknowledged Paternity
This article points to the 17th-century Spanish writer, Miguel de Cervantes, as one important literary predecessor of the contemporary South African writer, J.M. Coetzee, a relation that has generally passed unnoticed among critics. This relation is brought to the foreground in Coetzee’s most recent novel, The Childhood of Jesus (2013), but it also underlies his previous ones, Age of Iron (1998), Disgrace (2000), and Slow Man (2005), as well as h…
A Different Southern Africa
Don Quixote, Benengeli and Coetzee’s Jesus Trilogy
This article focuses on the central role of Don Quixote (1605, 1615) in J.M. Coetzee's Jesus novels, arguing for the relevance of the fact that it is Benengeli, the fictional Moorish historian – and not Cervantes – who is presented as the author of the Spanish novel. This is first explored in relation to the analogy that The Childhood of Jesus (2013) makes between authorship and paternity, along with the depiction of the relationship between auth…
Community, Exposed Singularity and Death in Mrs Dalloway
This essay brings Virginia Woolf and Jean-Luc Nancy into dialogue, focusing on their similar critique of essentialized models of community and evocation of forms of being-with that derive from the experiences of singularity and death. It identifies two forms of community in Woolf’s novel Mrs Dalloway (1925). The first one corresponds to Nancy’s conception of the immanent community, built upon essence and fusion, and in which death is provided wit…
Art (4 works) · Literature (4 works) · Philosophy (3 works) · Sociology (3 works) · South African History and Culture (3 works) · Anthropology (2 works) · Geography (2 works) · History (2 works) · Law (2 works) · Political science (2 works)