Arturo Mora-Rioja
Biographic Data
| ID | 8996111 |
|---|---|
| NAME | Arturo Mora-Rioja |
| GIVEN NAMES | Arturo |
| FAMILY NAME | Mora-Rioja |
| SIGNATURE | MORA-RIOJA A |
| AFFILIATIONS | Copenhagen School of Design and Technology |
| ORCID | 0000-0003-2291-3321 |
| VERIFIED | Yes |
| TOTAL WORKS | 3 |
| TOTAL CITATIONS | 0 |
| WORKS AS AUTHOR | 3 |
| WORKS AS EDITOR | 0 |
| FIRST PUBLICATION YEAR | 2021 |
| LATEST PUBLICATION YEAR | 2025 |
| H-INDEX | 0 |
Miranda Unchained
This paper examines the portrayal of female characters analogous to Miranda from William Shakespeare’s The Tempest in four audiovisual adaptations: the short black-and-white film The Tempest (Stow, 1908), the film Forbidden Planet (Wilcox, 1956), the episode “Requiem for Methuselah” from the TV series Star Trek (Bixby & Golden, 1969), and the Ikea TV commercial “Beds” (Cabral, 2014). Using gender theory alongside a semi-neo-historicist approach, …
Religion and ambiguity in The Marriage of Heaven and Hell and its metal music afterlives
William Blake’s The Marriage of Heaven and Hell (1793) exemplifies his Romantic view of religion as a personal spiritual expression while sarcastically critiquing extreme religious stances like those of his contemporary Emanuel Swedenborg. This article examines three metal music transformations of Blake’s work: A Plea for Purging’s The Marriage of Heaven and Hell (2010), Virgin Steele’s The Marriage of Heaven and Hell – Part I and Part II (1994, …
‘We Are the Dead’
During the course of the First World War, the generation of British authors known collectively as the War Poets revolutionized the popular culture of their time. Due to their changing attitudes towards armed conflict, their portrayal of war chaos included realist descriptions of life in the trenches, unusual choices of subject matter and an eventual challenge to the political and religious establishment of their time. Metal music, a genre with an…
No prominent works on this page.
‘We Are the Dead’
During the course of the First World War, the generation of British authors known collectively as the War Poets revolutionized the popular culture of their time. Due to their changing attitudes towards armed conflict, their portrayal of war chaos included realist descriptions of life in the trenches, unusual choices of subject matter and an eventual challenge to the political and religious establishment of their time. Metal music, a genre with an…
Religion and ambiguity in The Marriage of Heaven and Hell and its metal music afterlives
William Blake’s The Marriage of Heaven and Hell (1793) exemplifies his Romantic view of religion as a personal spiritual expression while sarcastically critiquing extreme religious stances like those of his contemporary Emanuel Swedenborg. This article examines three metal music transformations of Blake’s work: A Plea for Purging’s The Marriage of Heaven and Hell (2010), Virgin Steele’s The Marriage of Heaven and Hell – Part I and Part II (1994, …
Miranda Unchained
This paper examines the portrayal of female characters analogous to Miranda from William Shakespeare’s The Tempest in four audiovisual adaptations: the short black-and-white film The Tempest (Stow, 1908), the film Forbidden Planet (Wilcox, 1956), the episode “Requiem for Methuselah” from the TV series Star Trek (Bixby & Golden, 1969), and the Ikea TV commercial “Beds” (Cabral, 2014). Using gender theory alongside a semi-neo-historicist approach, …
Art (2 works) · Literature (2 works) · Musicology and Musical Analysis (2 works) · Philosophy (2 works) · Ambiguity (1 work) · Archaeology (1 work) · Computer Science (1 work) · Diverse Musicological Studies (1 work) · Heaven (1 work) · History (1 work)