Gema Menéndez
Biographic Data
| ID | 9005114 |
|---|---|
| NAME | Gema Menéndez |
| GIVEN NAMES | Gema |
| FAMILY NAME | Menéndez |
| SIGNATURE | MENÉNDEZ G |
| AFFILIATIONS | Universidad Nacional de Educación a Distancia |
| ORCID | 0000-0003-4363-0451 |
| VERIFIED | Yes |
| TOTAL WORKS | 4 |
| TOTAL CITATIONS | 0 |
| WORKS AS AUTHOR | 4 |
| WORKS AS EDITOR | 0 |
| FIRST PUBLICATION YEAR | 2011 |
| LATEST PUBLICATION YEAR | 2024 |
| H-INDEX | 0 |
Leaving the “Discomfort” Zone
At the end of the Amarna Period, a process of political and religious restoration began. This attempt at recovery went beyond the strictly official, as the Egyptian society seemed to demand a moral reparation. It was a much-needed change that would encompass all aspects of society and it was imperative that the changes be visible. It is for this reason that visual art would be one of the main means of communication. The artistic image was the pro…
La tumba de Amenmose e Iuy en Dra Abu el-Naga (TT 19). Nuevo proyecto y una propuesta de estudio artístico
El presente artículo pretende presentar un proyecto de investigación que se encuentra en su fase embrionaria y que tiene como principal protagonista la tumba de Amenmose e Iuy (TT 19) en la necrópolis tebana de Dra Abu el-Naga. La construcción, de comienzos de la dinastía XIX, conserva un repertorio artístico y un estilismo propio de los mejores pintores. A través de un recorrido historiográfico conoceremos los trabajos y estudios previos realiza…
Who Painted the Tomb of Sennedjem
The tomb of Sennedjem is one of the best known at Deir el-Medina. Its good state of preservation and the care given by the painter in the decoration of the monument has allowed it to go down in history. However, few have discussed the author due to a lack of evidence. In this article, a hypothesis about the artists of the burial chamber is proposed and the traces that have led to them
The Funerary Banquet of Hery (TT 12), Robbed and Restored
The tomb-chapel of Hery (TT 12), dating to the early Eighteenth Dynasty, is decorated in relief. The banquet scene depicted on the corridor's south/west wall is an important document for the study of the Theban society of this period, but it was robbed and heavily damaged around the turn of the nineteenth and twentieth centuries. Fortunately, the scene and its inscriptions can be reconstructed using archival material created prior to the thefts. …
No prominent works on this page.
The Funerary Banquet of Hery (TT 12), Robbed and Restored
The tomb-chapel of Hery (TT 12), dating to the early Eighteenth Dynasty, is decorated in relief. The banquet scene depicted on the corridor's south/west wall is an important document for the study of the Theban society of this period, but it was robbed and heavily damaged around the turn of the nineteenth and twentieth centuries. Fortunately, the scene and its inscriptions can be reconstructed using archival material created prior to the thefts. …
Who Painted the Tomb of Sennedjem
The tomb of Sennedjem is one of the best known at Deir el-Medina. Its good state of preservation and the care given by the painter in the decoration of the monument has allowed it to go down in history. However, few have discussed the author due to a lack of evidence. In this article, a hypothesis about the artists of the burial chamber is proposed and the traces that have led to them
La tumba de Amenmose e Iuy en Dra Abu el-Naga (TT 19). Nuevo proyecto y una propuesta de estudio artístico
El presente artículo pretende presentar un proyecto de investigación que se encuentra en su fase embrionaria y que tiene como principal protagonista la tumba de Amenmose e Iuy (TT 19) en la necrópolis tebana de Dra Abu el-Naga. La construcción, de comienzos de la dinastía XIX, conserva un repertorio artístico y un estilismo propio de los mejores pintores. A través de un recorrido historiográfico conoceremos los trabajos y estudios previos realiza…
Leaving the “Discomfort” Zone
At the end of the Amarna Period, a process of political and religious restoration began. This attempt at recovery went beyond the strictly official, as the Egyptian society seemed to demand a moral reparation. It was a much-needed change that would encompass all aspects of society and it was imperative that the changes be visible. It is for this reason that visual art would be one of the main means of communication. The artistic image was the pro…
Art (4 works) · Ancient Egypt and Archaeology (3 works) · History (3 works) · Aesthetics (2 works) · Ancient history (2 works) · Archaeology (2 works) · Art history (2 works) · Archaeology and Historical Studies (1 work) · Architecture and Cultural Influences (1 work) · Banquet (1 work)